Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. (eds.) | Music at German courts, 1715-1760: Changing artistic priorities. |
[ce]MusicGermanCourts |
| | 2011 |
xx, 484p |
|
| 2. | Stockigt, Janice B. | A Te Deum performance in Bautzen by members of Dresden's Hofkapelle: 19 May 1733. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 3. | Stockigt, Janice B. | Bach's Missa BWV 232I in the context of Catholic Mass settings in Dresden, 1729-1733. |
[ce]ExploringBMM |
| | 2013 |
39-53 |
|
| 4. | Stockigt, Janice B. | Consideration of Bach's Kyrie e Gloria BWV 232I within the Context of Dresden Catholic Mass Settings, 1729-1733 |
[cr]Belfast2007 |
1 | | 2007 |
52-92 |
|
| 5. | Stockigt, Janice B. | Die 'Annuae Literae' der Leipziger Jesuiten 1719-1740: Ein Bach-Dokument? |
BachJb |
78 | | 1992 |
77-80 |
|
| 6. | Stockigt, Janice B. | Fasch Visits Dresden: c.1726-1728. |
FaschSt |
8 | | 2001 |
29-56 |
|
| 7. | Stockigt, Janice B. | Italian Influences Observed in the Vespers Psalm Settings of Johann Friedrich Fasch. |
FaschSt |
9 | | 2003 |
175-202 |
|
| 8. | Stockigt, Janice B. | Jan Dismas Zelenka (1679-1745): a Bohemian musician at the Court of Dresden. |
OxfordMonographsM |
| | 2000 |
xxiii, 352p |
|
| 9. | Stockigt, Janice B. | Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. |
BachPerspectives |
12 | | 2018 |
63-83 |
|
| 10. | Stockigt, Janice B. | Methodische Fragen zur Identifikation von Incerta aus dem Dresdner Instrumentalrepertoire. |
[p]Dresden |
| | Jun 2010 |
|
|
| 11. | Stockigt, Janice B. | 'Nobody rose or joined in these hymns': Premiere Australian performances of J.S. Bach's St. Matthew Passion (1875-76). |
AustralianMResearch |
17 | | 2018 |
11-28 |
|
| 12. | Stockigt, Janice B. | Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 13. | Stockigt, Janice B. | Performance Practice of the Electoral Saxon and Royal Polish Hofkapelle: Evidence from the Performance Materials of Gesù al Calvario, Jan Dismas Zelenka, 1735. |
[p]AMS_Kansas |
| | Nov 1999 |
|
|
| 14. | Stockigt, Janice B. | Pisendel's Contributions to the Performance of Liturgical Music in the Dresden Catholic Court Church. |
DresdnBeitrMf |
3 | | 2010 |
551-560 |
|
| 15. | Stockigt, Janice B. | The Court of Saxony-Dresden. |
[ce]MusicGermanCourts |
| | 2011 |
17-49 |
|
| 16. | Stockigt, Janice B. | The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. |
UnderstandingBach |
11 | | 2016 |
57-66 |
|
| 17. | Stockigt, Janice B. | The Other Side of the Coin: Catholic Liturgical Music in Lutheran Saxony During Bach's Era. |
Context |
| 21 | Autumn 2001 |
79-84 |
|
| 18. | Stockigt, Janice B. | The royal Polish and electoral Saxon court and state calendars, 1728-50. |
IrishMStud |
8 | | 2004 |
49-64 |
|
| 19. | Stockigt, Janice B. | The Visit of Members of the Dresden Hofkapelle to Bautzen: May 1733. |
UnderstandingBach |
9 | | 2014 |
89-92 |
|
| 20. | Stockigt, Janice B. | Two Zelenka masses in J. S. Bach's Nachlaß. |
[p]BCB_Exeter |
| | Jul 1998 |
|
|
| 21. | Stockigt, Janice B.; Owens, Samantha; Szuster, Jula; Maddox, Alan | 'Bach the Sublime': Australasian Reception of the St. Matthew Passion, 1875-1950. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|