Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Butt, John | The Postmodern Mindset, Musicology and the Future of Bach Scholarship. |
UnderstandingBach |
1 | | 2006 |
9-18 |
|
| 2. | HaCohen, Ruth | Exploring the Limits: the Tonal, the Gestural, and the Allegorical in Bach's Musical Offering. |
UnderstandingBach |
1 | | 2006 |
19-38 |
|
| 3. | Stewart, Andrew | Big Boys Don't Cry? Attitudes towards Death in Bach's Leipzig. |
UnderstandingBach |
1 | | 2006 |
39-50 |
|
| 4. | Strohm, Reinhard | Transgression, Transcendence and Metaphor - the 'Other Meanings' of the B-Minor Mass. |
UnderstandingBach |
1 | | 2006 |
49-68 |
|
| 5. | Tatlow, Ruth | The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today. |
UnderstandingBach |
1 | | 2006 |
69-85 |
|
| 6. | Bruckstein, Almut Sh.; HaCohen, Ruth | An experiment in reception and conception: re-texting Bach's St John Passion for Good Friday 2005. |
UnderstandingBach |
1 | | 2006 |
87-88 |
|
| 7. | Blanken, Christine | A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cycle' |
UnderstandingBach |
10 | | 2015 |
9-30 |
|
| 8. | Heller, Wendy | 'Aus eigener Erfahrung redet': Bach, Luther, and Mary's Voice in the Magnificat, BWV 243. |
UnderstandingBach |
10 | | 2015 |
31-69 |
|
| 9. | Szabó, Zoltán | Remaining Silhouettes of Lost Bach Manuscripts? Re-evaluating J. P. Kellner's Copy of J. S. Bach's Solo String Compositions. |
UnderstandingBach |
10 | | 2015 |
71-83 |
|
| 10. | Hall, Matthew J. | Keyboard Technique as Contrapuntal Structure in J. S. Bach's Clavier Works. |
UnderstandingBach |
10 | | 2015 |
85-107 |
|
| 11. | Fazekas, Gergely | J. S. Bach and the Two Cultures of Musical Form. |
UnderstandingBach |
10 | | 2015 |
109-122 |
|
| 12. | Paczkowski, Szymon | Bach and Poland in the Eighteenth Century. |
UnderstandingBach |
10 | | 2015 |
123-137 |
|
| 13. | Tatlow, Ruth | A Missed Opportunity: Reflections on Written by Mrs Bach. |
UnderstandingBach |
10 | | 2015 |
141-157 |
|
| 14. | Koska, Bernd | Cantors, Schoolmasters, and Directors of Music: New Research on Bach's Students. |
UnderstandingBach |
10 | | 2015 |
161-170 |
|
| 15. | Hellawell, Piers | Bach to the Future: Recontextualising the Solo Violin Canon in 2014. |
UnderstandingBach |
10 | | 2015 |
171-173 |
|
| 16. | Tatlow, Ruth | Ten Years of Bach Network UK. |
UnderstandingBach |
10 | | 2015 |
175-177 |
|
| 17. | Shabalina, Tatiana | Activities around the Composer's Desk: The Roles of Bach and his Copyists in Parody Production. |
UnderstandingBach |
11 | | 2016 |
9-38 |
|
| 18. | Owens, Samantha | Music via Correspondence: A List of the Music Collection of Dresden Kreuzorganist Emanuel Benisch. |
UnderstandingBach |
11 | | 2016 |
39-56 |
|
| 19. | Stockigt, Janice B. | The Music of Leipzig's Royal Catholic Chapel during the Reign of August II. |
UnderstandingBach |
11 | | 2016 |
57-66 |
|
| 20. | Siegele, Ulrich | On J. S. Bach's Compositional Technique. |
UnderstandingBach |
11 | | 2016 |
67-82 |
|
| 21. | Fazekas, Gergely | The Conflict of Symmetrical Form and Text Settings by J. S. Bach. |
UnderstandingBach |
11 | | 2016 |
83-105 |
|
| 22. | Brookshire, Bradley | Edwin Fischer's Bach-Pianism in Context. |
UnderstandingBach |
11 | | 2016 |
107-127 |
|
| 23. | Frampton, Andrew | A Copyist of Bach and Zelenka: Identifying the Scribes of GB-Ob, MS Tenbury 749. |
UnderstandingBach |
11 | | 2016 |
131-139 |
|
| 24. | Cressy, Thomas | The Case of Bach and Japan: Some Concepts and their Possible Significance. |
UnderstandingBach |
11 | | 2016 |
140-146 |
|
| 25. | Tatlow, Ruth | A Glorious Summer Meeting: the 2015 Dialogue Report. |
UnderstandingBach |
11 | | 2016 |
149-152 |
|
| 26. | Crist, Stephen A. | A Compositional Testing Ground: Arias in J. S. Bach's Weimar Church Cantatas. |
UnderstandingBach |
12 | | 2017 |
9-20 |
|
| 27. | Fazekas, Gergely | Formal Deviations in the First Kyrie of the B minor Mass. |
UnderstandingBach |
12 | | 2017 |
21-36 |
|
| 28. | Maul, Michael | 'Having to perform and direct the music in the Capellmeister's stead for two whole years': Observations on How Bach Understood His Post during the 1740s. |
UnderstandingBach |
12 | | 2017 |
37-58 |
|
| 29. | Davis, Stacey | Creating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. |
UnderstandingBach |
12 | | 2017 |
59-84 |
|
| 30. | White, Harry | Evangelists of the Postmodern: Reconfigurations of Bach since 1985. |
UnderstandingBach |
12 | | 2017 |
85-107 |
|
| 31. | Heber, Noelle | Bach and Money: Sources of Salary and Supplemental Income in Leipzig from 1723 to 1750. |
UnderstandingBach |
12 | | 2017 |
111-125 |
|
| 32. | French, Hannah | Bach's Unsung Champion: Sir Henry J. Wood. |
UnderstandingBach |
12 | | 2017 |
126-132 |
|