Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kellner, Herbert Anton | A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament. |
Bach |
30 | 1 | Spring-Summer 1999 |
1-9 |
|
| 2. | Kellner, Herbert Anton | Considering the Tempering Tonality B-Major in Well-Tempered Clavier II. |
Bach |
30 | 1 | Spring-Summer 1999 |
10-25 |
|
| 3. | Leahy, Anne | The Opening Chorus of Cantata BWV 78, Jesu, der du meine Seele; Another Example of Bach's Interest in Matters Soteriological. |
Bach |
30 | 1 | Spring-Summer 1999 |
26-41 |
|
| 4. | Payne, Ian | Telemann's Musical Style c.1709-c.1730 and J. S. Bach: The Evidence of Borrowing. |
Bach |
30 | 1 | Spring-Summer 1999 |
42-64 |
|
| 5. | Markevitch, Dimitry | Bach's Cello Suites Revisited: The Manuscripts of the Bach Cello Suites, an Inextricable Labyrinth for Cellists? [A Reader's Response] |
Bach |
30 | 1 | Spring-Summer 1999 |
66-69 |
|
| 6. | Rifkin, Joshua | The Emperor's Headgear: A Brief Response to Don Smithers. |
Bach |
30 | 1 | Spring-Summer 1999 |
70-73 |
|
| 7. | Baumgartner, Nicholas | Currents in Bach Interpretation in Contemporary Germany. |
Bach |
30 | 2 | 1999 |
1-26 |
|
| 8. | Collins, Denis | Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources. |
Bach |
30 | 2 | 1999 |
27-48 |
|
| 9. | Tomita, Yo | Bach and His Early Drafts: Some Observations on Little Known Early Versions of Well-Tempered Clavier II and the Goldberg Variations from the Manfred Gorke Collection. |
Bach |
30 | 2 | 1999 |
49-72 |
|