Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Benedum, Richard: Articulation in the Performance Parts of Bach's Cantatas. [p]AMS_Louisville (Oct 1983) | |
| 2. | Butler, Gregory G.: The Proof Copies of J. S. Bach's Klavierübung III. [p]AMS_Louisville (Oct 1983) | |
| 3. | Cai, Camilla: Imagery, Symbolism and Form in Salomon Franck's Poetry and J. S.Bach's Weimar Cantatas. [p]AMS_SouthCentral (Apr 1983) | |
| 4. | Dreyfus, Laurence: J. S. Bach and the Status of Genre: Problems of 'Style' in BWV 1029. [p]AMS_Louisville (Oct 1983) | |
| 5. | Eickhoff, Henry: Bach's Three Settings of Nun komm der Heiden Heiland in the Seventeen Leipzig Chorales. [p]AMS_PacificNorthwest (Apr 1983) | |
| 6. | Fox Mollard, Pamela: From Improvisatory Freedom to Compositional Prescription: Complexity of Melodic Detail in C. P. E. Bach's Sonatas. [p]AMS_Midwest (Apr 1983) | |
| 7. | Jackson, Susan: Compositional Techniques of the German Cantata as Seen in the Works of Bach and Buxtehude. [p]AMS_RockyMountain (Apr 1983) | |
| 8. | Stauffer, George B.; Earle, Eugenia: 'I have often felt both suprise and delight at the means he employed to make, little by little, the faulty good, the good better, and the better perfect ...' -- J. S. Bach as Reviser of his Own Keyboard Works. [p]AMS_GreaterNewYork (Apr 1983) | |
| 9. | Stinson, Russell: Johann Peter Kellner's Copy of Bach's Sonatas and Partitas for Unaccompanied Violin. [p]AMS_Midwest (Sep 1983) | |