Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Cortens, Evan: Theological Allegory in the Cantatas of J. S. Bach. [p]AMS_PacificNorthwest (Mar-Apr 2006) | |
| 2. | Fisher, Stephen C.: C.P.E. Bach's Sonatinas for Keyboard(s) and Orchestra. [p]AMS_NewEngland (Jan 2006) | |
| 3. | Franck, Peter: 'A Fallacious Concept': The Role of Invertible Counterpoint within the Ursatz. [p]AMS_LosAngeles (Nov 2006) | |
| 4. | Grieve, Emily: The Dona nobis of J. S. Bach's B-Minor Mass: Discussion of the Added Significance of Musical Parody. [p]AMS_PacificNorthwest (Mar-Apr 2006) | |
| 5. | Lloyd, Rebecca: Bach: Luther's Musical Prophet? [p]AMS_LosAngeles (Nov 2006) | |
| 6. | Lutterman, John: Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. [p]AMS_NorthCalifornia (May 2006) | |
| 7. | Oleskiewicz, Mary: Rewriting the Recent Past: Icons, Anecdotes, and the Music of Eighteenth-Century Berlin. [p]AMS_LosAngeles (Nov 2006) | |
| 8. | Rifkin, Joshua: Bach's Struggle ... and Mine. [p]AMS_NewEngland (Apr 2006) | |
| 9. | Schulenberg, David: Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland (Sep 2006) | |
| 10. | Traut, Don: Bach's Tetrachords and Stravinsky's Blocks: The Sketches for the 'Grand Chorale'. [p]AMS_LosAngeles (Nov 2006) | |