Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Fabian, Dorottya: Bach recordings as a chronicle of performance style: in search of analytical tools for a critical assessment. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1996. | |
| 2. | Leahy, Anne: The opening movements of BWV 78, Jesu, der du meine Seele, yet another demonstration of Bach's preoccupation with matters soteriological. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. | |
| 3. | Stockigt, Janice B.: Two Zelenka masses in J. S. Bach's Nachlaß. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. | |
| 4. | Talbot, Michael: Purpose and peculiarities of the Brandenburg Concertos. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. | |
| 5. | Tomita, Yo: Hitherto unknown musical transcription of Psalms in Bach's Well-Tempered Clavier, Book II? The old question revisited [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. http://www.mu.qub.ac.uk/tomita/WTC2Psalm/index.html | |
| 6. | Wollny, Peter: A newly discovered Bach autograph from the Weimar period. [p]BCB_Exeter (Jul 1998) A Paper read at Eighth Biennial Conference on Baroque Music, Univ. of Exeter, 9-12 July 1998. | |