Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Bertoglio, Chiara | A Perfect Chord: Trinity in Music, Music in the Trinity. |
Religions |
| 4 | 2013 |
485–501 |
|
| 2. | Bertoglio, Chiara | Bach e l'Italia. Turin, 26-28 November 2020. |
18cM |
18 | 2 | Sep 2021 |
332-334 |
|
| 3. | Bertoglio, Chiara | Bach in Italy, 22–28 November 2020. |
Bach |
52 | 1 | 2021 |
72-79 |
|
| 4. | Bertoglio, Chiara | Bach performance in Italian 'instructive editions'. |
[cr]Aveiro2009 |
| | 2009 |
|
|
| 5. | Bertoglio, Chiara | Beyond 'church-dividing' differences: Music and new ecumenical perspectives on justification. |
ArbKges |
142 | | 2022 |
283-302 |
|
| 6. | Bertoglio, Chiara | Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|
| 7. | Bertoglio, Chiara | Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. |
[p]BNUK_Cambridge |
| | Jul 2015 |
|
|
| 8. | Bertoglio, Chiara | From Bach's violin to Italian pianos: the Sei Solo in the Italian piano transcriptions. |
[cr]Montecassiano2019 |
| | 2019 |
17-24 |
|
| 9. | Bertoglio, Chiara | Instructive Editions and Piano Performance Practice: A Case Study. Bach's Well-Tempered Clavier in Italy between 19th and 20th Century. |
|
| | 2012 |
364p |
|
| 10. | Bertoglio, Chiara | Instructive Editions of Bach's Well-Tempered Clavier in Italy. |
[p]BNUK_Warsaw |
| | Jul 2013 |
|
|
| 11. | Bertoglio, Chiara | Instructive Editions of Bach's Well-Tempered Clavier in Italy. |
[p]BICB_Salzburg |
| | Jul 2014 |
|
|
| 12. | Bertoglio, Chiara | Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. |
diss. |
| | 2012 |
466p |
|
| 13. | Bertoglio, Chiara | Italian Instructive Editions of The Well-Tempered Clavier: A Useful Resource for Performance Practice Studies. |
UnderstandingBach |
9 | | 2014 |
49-74 |
|
| 14. | Bertoglio, Chiara | 'Mit Harfen und mit Zimbeln schon': Bach's cantata BWV 140 as a case-study for a theological interpretation of music. |
[ce]Bertoglio |
| | 2016 |
107-178 |
|
| 15. | Bertoglio, Chiara | Nearly unplayable: Giuseppe Martucci's interpretations of Bach's orchestral suites. |
MusicaRealta |
40 | 118 | Mar 2019 |
|
|
| 16. | Bertoglio, Chiara | 'Quark's jingle': Reception of Bach's air BWV 1068 in Italy. |
StudiSaggi |
| 45 | 2021 |
151-173 |
|
| 17. | Bertoglio, Chiara | The Mother, the sinners and the cross. |
[ce]Bertoglio |
| | 2016 |
61-106 |
|
| 18. | Bertoglio, Chiara | Through music to truth: Music and theology in dialogue with Italian culture. |
[ce]Bertoglio |
| | 2016 |
187p |
|
| 19. | Bertoglio, Chiara | Translating Bach: Understanding Bach Piano Performance through Lipiński's Instructive Edition. |
[cr]Warsaw2017 |
| | 2019 |
343-367 |
|
| 20. | Bertoglio, Chiara; Borghesi, Maria (eds.) | Bach e l'Italia: sguardi, scambi, convergenze. |
StudiSaggi |
| 49 | 2022 |
xxiii, 301p |
|
| 21. | Bertoglio, Chiara; Borghesi, Maria | Bach e l'Italia: Un momento di svolta. |
StudiSaggi |
| 49 | 2022 |
vii-xxiii |
|
| 22. | Bertoglio, Chiara; Borghesi, Maria | Bach sulla scena italiana. |
StudiSaggi |
| 49 | 2022 |
143-158 |
|