Bach Printed Music Database
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Author : Davis, Stacey
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
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1. Davis, StaceyBring out the counterpoint: Exploring the relationship between implied polyphony and rubato in Bach's solo violin music. PsycholM 37 3 Jul 2009 301-324
2. Davis, StaceyCreating Clarity and Contrast: A Dialogue with Rachel Podger on the Analysis and Performance of Implied Polyphony in Bach's Unaccompanied Violin Works. UnderstandingBach 12 2017 59-84
3. Davis, StaceyImplied Polyphony in the Solo String Works of J. S. Bach: A Case for the Perceptual Relevance of Structural Expression. MPerception 23 5 Jun 2006 423-446
4. Davis, StaceyImplied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. diss. 2001 266p
5. Davis, StaceyImplied polyphony in the unaccompanied string works of J.S. Bach: A rule system for discerning melodic strata. [cr]ESCOM_Keele 2000
6. Davis, StaceyStream segregation and perceived syncopation: Analyzing the rhythmic effects of implied polyphony in Bach's unaccompanied string works. MTheoryOnline 17 1 Apr 2011
7. Davis, StaceyTeaching Rhythm and Meter with the Moto Perpetuo Movements from Bach's Unaccompanied Instrumental Works. Bach 49 2 2018 311-329
8. Davis, StaceyThe Analysis and Performance of Implied Polyphony in Solo Bach. [p]BICB_Canterbury Jul 2016

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