Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Kulukundis, Elias N.; Schulenberg, David (eds.) | Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. |
CPEBachCW |
3 | 9. 8 | 2010 |
xvi, 8, 271p |
|
| 2. | Schulenberg, David | A Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. |
|
| | 1998 |
4p |
|
| 3. | Schulenberg, David | An Eighteenth-Century Organ Is Reconstructed at Cornell. |
Soc18cMNL |
| 18 | Oct 2011 |
8-9 |
|
| 4. | Schulenberg, David | An enigmatic legacy: Organ music and the Berlin Bach traditions. |
KeyboardPerspectives |
4 | | 2011 |
153-174 |
|
| 5. | Schulenberg, David | An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. |
[p]BICB_Belfast |
| | Jul 2010 |
|
|
| 6. | Schulenberg, David | An Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. |
Bach |
41 | 2 | 2010 |
24-60 |
|
| 7. | Schulenberg, David | An Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). |
[p]ABS_Wisconsin |
| | May 2010 |
|
|
| 8. | Schulenberg, David | A tale of two brothers: Friedemann and Emanuel Bach. |
[cr]Brooklyn2010 |
| | 2014 |
78-102 |
|
| 9. | Schulenberg, David | Bach. |
|
| | 2020 |
xi, 413p |
|
| 10. | Schulenberg, David | Bach and the Beaming of Small Note Values. |
|
| | 28 May 2018 |
24p |
|
| 11. | Schulenberg, David | Bach no Kenban Ongaku. |
|
| | 2001 |
727p |
|
| 12. | Schulenberg, David | Bach's temperament. |
EarlyM |
40 | 1 | Feb 2012 |
166-167 |
|
| 13. | Schulenberg, David | Carl Philipp Emanuel Bach. |
[ce]18cKeyboardM |
| | 1994 |
191-229 |
|
| 14. | Schulenberg, David | Carl Philipp Emanuel Bach: a tercentenary assessment. |
EarlyM |
42 | 3 | Aug 2014 |
335-345 |
|
| 15. | Schulenberg, David | Composition and Improvisation in the School of J. S. Bach. |
BachPerspectives |
1 | | 1995 |
1-42 |
|
| 16. | Schulenberg, David | Composition and Improvisation in the School of J.S. Bach. |
[p]AMS_Chicago |
| | Nov 1991 |
|
|
| 17. | Schulenberg, David | Composition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. |
CurMcol |
| 33 | 1982 |
57-88 |
|
| 18. | Schulenberg, David | Composition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. |
[p]AMS_GreaterNewYork |
| | May 1981 |
|
|
| 19. | Schulenberg, David (ed.) | C. P. E. Bach. |
[ce]Late18cComposers_CPEB |
| | 2015 |
xxv, 505p |
|
| 20. | Schulenberg, David | C.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. |
Bach |
23 | 2 | Fall-Winter 1992 |
5-30 |
|
| 21. | Schulenberg, David | C. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century. |
18cM |
21 | 1 | 2024 |
33-63 |
|
| 22. | Schulenberg, David | C. P. E. Bach in America. |
BachNotesABS |
| 21 | Fall 2014 |
4-6 |
|
| 23. | Schulenberg, David | C. P. E. Bach in the 1740s: The Growth of a Style. |
[ce]CPEBachStud |
| | 1988 |
217-231 |
|
| 24. | Schulenberg, David | C.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. |
Schr_MittDMges |
14 | | 2007 |
131-152 |
|
| 25. | Schulenberg, David | C. P. E. Bach's Keyboard Music and the Question of Idiom. |
BachPerspectives |
11 | | 2017 |
83-112 |
|
| 26. | Schulenberg, David | C. P. E. Bach Turns Three Hundred. |
Soc18cMNL |
| 24 | Fall 2014 |
1, 11-12 |
|
| 27. | Schulenberg, David | Crossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. |
DetroitMMcol |
55 | | 2010 |
271-302 |
|
| 28. | Schulenberg, David | Editing Bach's 'preludes and fugues' for organ. |
OrganYb |
39 | | 2010 |
59-72 |
|
| 29. | Schulenberg, David | Eighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. |
18cM |
15 | 1 | Mar 2018 |
130–131 |
|
| 30. | Schulenberg, David | El clave bien temperado, parte I. |
Quodlibet |
| 42 | Sep-Dec 2008 |
115-130 |
|
| 31. | Schulenberg, David | Expression and Authenticity in the Harpsichord Music of J. S. Bach. |
JMcol |
8 | 4 | Fall 1990 |
449-476 |
|
| 32. | Schulenberg, David | Expression and Discrétion: Bach and Froberger. |
BachNotesABS |
| 26 | Spring 2017 |
5-8 |
|
| 33. | Schulenberg, David | Fugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. |
[p]AMS_RhodeIsland |
| | Sep 2006 |
|
|
| 34. | Schulenberg, David | Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. |
EastmanStudM |
58 | | 2008 |
14-23 |
|
| 35. | Schulenberg, David | Genre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. |
[p]AMS_Boston |
| | Oct 1998 |
|
|
| 36. | Schulenberg, David | J.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. |
EarlyKeyboardJ |
25-26 | | 2010 |
29-59 |
|
| 37. | Schulenberg, David (ed.) | Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. |
CPEBachCW |
3 | 9. 2 | 2009 |
xviii, 225p |
|
| 38. | Schulenberg, David | Missing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] |
AmerBachSocNL |
| | Fall 1998 |
6-7 |
|
| 39. | Schulenberg, David | Modifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. |
18cM |
8 | 1 | Mar 2011 |
21-51 |
|
| 40. | Schulenberg, David | Modifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. |
[p]ABS_Bethlehem |
| | May 2008 |
|
|
| 41. | Schulenberg, David | Mozart, J. C. Bach, and the Bach Tradition. |
BachPerspectives |
14 | | 2022 |
72-106 |
|
| 42. | Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in Baroque Music. |
[p]AMS_Montreal |
| | Nov 1993 |
|
|
| 43. | Schulenberg, David | Musical Allegory Reconsidered: Representation and Imagination in the Baroque. |
JMcol |
13 | 2 | Spring 1995 |
203-239 |
|
| 44. | Schulenberg, David | Musical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. |
[p]AMS_Vancouver |
| | Nov 1985 |
|
|
| 45. | Schulenberg, David | Musical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. |
ContributStudMDance |
19 | | 1992 |
95-109 |
|
| 46. | Schulenberg, David | Music of the Baroque. |
|
| | 2001 |
xiv, 349p |
|
| 47. | Schulenberg, David | 'Partes feminarum': Gender Representation in Baroque Music. |
[p]FTM_Virginia |
| | Jun 1997 |
|
|
| 48. | Schulenberg, David | Performer's View. |
AmerBachSocNL |
| | Spring 2002 |
3, 8-9 |
|
| 49. | Schulenberg, David | Performing C. P. E. Bach: Some Open Questions. |
EarlyM |
16 | 4 | Nov 1988 |
542-551 |
|
| 50. | Schulenberg, David | Performing C. P. E. Bach: some questions answered? |
EarlyM |
41 | 1 | Feb 2013 |
119-122 |
|
| 51. | Schulenberg, David | Preludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. |
[p]ABS_Rochester |
| | Sep 2012 |
|
|
| 52. | Schulenberg, David (ed.) | Preludes and Fugues II / Johann Sebastian Bach. |
SämtOrgW(Breitkopf2) |
2 | | 2014 |
148p |
|
| 53. | Schulenberg, David (ed.) | Preludes and Fugues I / Johann Sebastian Bach. |
SämtOrgW(Breitkopf2) |
1 | | 2013 |
140p |
|
| 54. | Schulenberg, David (ed.) | 'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. |
CPEBachCW |
1 | 3 | 2005 |
xxxiv, 190p |
|
| 55. | Schulenberg, David | Recent Bach Studies. |
JMcolResearch |
22 | 4 | Oct-Dec 2003 |
387-402 |
|
| 56. | Schulenberg, David | Seventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. |
[ce]WorldOfBaroqueMusic |
| | 2006 |
185-212 |
|
| 57. | Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. |
JMcolResearch |
18 | 2 | 1999 |
139-160 |
|
| 58. | Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. |
[p]AMS_Southwest |
| | Feb 1997 |
|
|
| 59. | Schulenberg, David | The Instrumental Music of Carl Philipp Emanuel Bach. |
StudMcol |
77 | | 1984 |
192p |
|
| 60. | Schulenberg, David | The Keyboard Music of J. S. Bach. |
|
| | 1992 |
473p |
|
| 61. | Schulenberg, David | The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. |
[p]IS_Memphis |
| | Nov 2003 |
|
|
| 62. | Schulenberg, David | The Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. |
[p]AMS_Houston |
| | Nov 2003 |
|
|
| 63. | Schulenberg, David | The Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. |
|
| | 2003 |
|
|
| 64. | Schulenberg, David | The Music of Carl Philipp Emanuel Bach. |
EastmanStudM |
114 | | 2014 |
xv, 416p |
|
| 65. | Schulenberg, David (ed) | The Music of J. S. Bach. Analysis and Interpretation. |
BachPerspectives |
4 | | 1999 |
x, 208p |
|
| 66. | Schulenberg, David | The Music of Wilhelm Friedemann Bach |
EastmanStudM |
79 | | 2010 |
354p |
|
| 67. | Schulenberg, David | The 'Sonata auf Concertenart': A Modern Invention? |
[p]ABS_Yale |
| | Apr 1998 |
|
|
| 68. | Schulenberg, David | The Sonate auf Concertenart: A Postmodern Invention? |
BachPerspectives |
7 | | 2008 |
55-96 |
|
| 69. | Schulenberg, David | 'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
157-168 |
|
| 70. | Schulenberg, David | Versions of Bach: Performing Practice in the Keyboard Works. |
BachPerspectives |
4 | | 1999 |
111-135 |
|
| 71. | Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. |
[ce]Late18cComposers_CPEB |
| | 2015 |
477-492 |
|
| 72. | Schulenberg, David | When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. |
DeClavicordio |
4 | | 2000 |
37-53 |
|
| 73. | Schulenberg, David | Why we know so little about Bach's early works: a case study of two keyboard fugues. |
[fs]Williams70 |
| | 2007 |
169-203 |
|
| 74. | Schulenberg, David Louis | The Instrumental Music of Carl Philipp Emanuel Bach. |
diss. |
| | 1982 |
viii, 408p |
|
| 75. | Tomita, Yo; Schulenberg, David; Lewis, Daniel Martyn | Bach's quaver notation and performance implications. |
[p]BNUK_Cambridge |
| | Jul 2017 |
|
|