Bach Printed Music Database
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Author : Schulenberg, David
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Kulukundis, Elias N.; Schulenberg, David (eds.)Keyboard Concertos from Manuscript Sources VIII / Carl Philipp Emanuel Bach. CPEBachCW 3 9. 8 2010 xvi, 8, 271p
2. Schulenberg, DavidA Bach Manuscript Recovered: Berlin, Bibliothek der Hochschule der Künste, Spitta Ms. 1491. 1998 4p
3. Schulenberg, DavidAn Eighteenth-Century Organ Is Reconstructed at Cornell. Soc18cMNL 18 Oct 2011 8-9
4. Schulenberg, DavidAn enigmatic legacy: Organ music and the Berlin Bach traditions. KeyboardPerspectives 4 2011 153-174
5. Schulenberg, DavidAn Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast Jul 2010
6. Schulenberg, DavidAn Enigmatic Legacy: Two Instrumental Works Attributed to Wilhelm Friedemann Bach. Bach 41 2 2010 24-60
7. Schulenberg, DavidAn Uncertain Legacy: Two Instrumental Works Attributed to W.F. Bach (1710-1784). [p]ABS_Wisconsin May 2010
8. Schulenberg, DavidA tale of two brothers: Friedemann and Emanuel Bach. [cr]Brooklyn2010 2014 78-102
9. Schulenberg, DavidBach. 2020 xi, 413p
10. Schulenberg, DavidBach and the Beaming of Small Note Values. 28 May 2018 24p
11. Schulenberg, DavidBach no Kenban Ongaku. 2001 727p
12. Schulenberg, DavidBach's temperament. EarlyM 40 1 Feb 2012 166-167
13. Schulenberg, DavidCarl Philipp Emanuel Bach. [ce]18cKeyboardM 1994 191-229
14. Schulenberg, DavidCarl Philipp Emanuel Bach: a tercentenary assessment. EarlyM 42 3 Aug 2014 335-345
15. Schulenberg, DavidComposition and Improvisation in the School of J. S. Bach. BachPerspectives 1 1995 1-42
16. Schulenberg, DavidComposition and Improvisation in the School of J.S. Bach. [p]AMS_Chicago Nov 1991
17. Schulenberg, DavidComposition as Variation: Inquiries Into The Compositional Procedures of the Bach Circle of Composers. CurMcol 33 1982 57-88
18. Schulenberg, DavidComposition as Variation: Style and Theory in the Sonatas of C.P.E. Bach. [p]AMS_GreaterNewYork May 1981
19. Schulenberg, David (ed.)C. P. E. Bach. [ce]Late18cComposers_CPEB 2015 xxv, 505p
20. Schulenberg, DavidC.P.E. Bach and Handel: A Son of Bach Confronts Music History and Criticism. Bach 23 2 Fall-Winter 1992 5-30
21. Schulenberg, DavidC. P. E. Bach, Haydn and the Evolving Keyboard Idioms of the Later Eighteenth Century. 18cM 21 1 2024 33-63
22. Schulenberg, DavidC. P. E. Bach in America. BachNotesABS 21 Fall 2014 4-6
23. Schulenberg, DavidC. P. E. Bach in the 1740s: The Growth of a Style. [ce]CPEBachStud 1988 217-231
24. Schulenberg, DavidC.P.E. Bach in Zerbst: The six sonatas of fall 1758 with contributions on the early biography and compositions of Carl Fasch. Schr_MittDMges 14 2007 131-152
25. Schulenberg, DavidC. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives 11 2017 83-112
26. Schulenberg, DavidC. P. E. Bach Turns Three Hundred. Soc18cMNL 24 Fall 2014 1, 11-12
27. Schulenberg, DavidCrossing the Rhine with Froberger: Suites, symbols, and seventeenth-century musical autobiography. DetroitMMcol 55 2010 271-302
28. Schulenberg, DavidEditing Bach's 'preludes and fugues' for organ. OrganYb 39 2010 59-72
29. Schulenberg, DavidEighth J.S. Bach dialogue meeting: Madingley Hall, Cambridge, 10–15 July 2017. 18cM 15 1 Mar 2018 130–131
30. Schulenberg, DavidEl clave bien temperado, parte I. Quodlibet 42 Sep-Dec 2008 115-130
31. Schulenberg, DavidExpression and Authenticity in the Harpsichord Music of J. S. Bach. JMcol 8 4 Fall 1990 449-476
32. Schulenberg, DavidExpression and Discrétion: Bach and Froberger. BachNotesABS 26 Spring 2017 5-8
33. Schulenberg, DavidFugues and Fingering: Scales and Other Technical Devices in Bach's Contrapuntal Works. [p]AMS_RhodeIsland Sep 2006
34. Schulenberg, DavidFugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 2008 14-23
35. Schulenberg, DavidGenre and Invention in Early Eighteenth-Century Instrumental Music: Sonatas and Concertos from the Bach Circle. [p]AMS_Boston Oct 1998
36. Schulenberg, DavidJ.S. Bach, C.P.E. Bach, and the invention of the concerto for keyboard and strings. EarlyKeyboardJ 25-26 2010 29-59
37. Schulenberg, David (ed.)Keyboard Concertos from Manuscript Sources II / Carl Philipp Emanuel Bach. CPEBachCW 3 9. 2 2009 xviii, 225p
38. Schulenberg, DavidMissing Spitta Manuscript Found. [Berlin, Bibliothek der Hochschule der Künste, Spitta Ms.1491] AmerBachSocNL Fall 1998 6-7
39. Schulenberg, DavidModifying the Da Capo? Through-composed arias in vocal works by Bach and other composers. 18cM 8 1 Mar 2011 21-51
40. Schulenberg, DavidModifying the Da Capo? Through-Composed Da Capo Arias in Cantatas and Oratorios of Bach and Handel. [p]ABS_Bethlehem May 2008
41. Schulenberg, DavidMozart, J. C. Bach, and the Bach Tradition. BachPerspectives 14 2022 72-106
42. Schulenberg, DavidMusical Allegory Reconsidered: Representation and Imagination in Baroque Music. [p]AMS_Montreal Nov 1993
43. Schulenberg, DavidMusical Allegory Reconsidered: Representation and Imagination in the Baroque. JMcol 13 2 Spring 1995 203-239
44. Schulenberg, DavidMusical Expression and Musical Rhetoric in the Harpsichord Works of J. S. Bach. [p]AMS_Vancouver Nov 1985
45. Schulenberg, DavidMusical Expression and Musical Rhetoric in the Keyboard Works of J. S. Bach. ContributStudMDance 19 1992 95-109
46. Schulenberg, DavidMusic of the Baroque. 2001 xiv, 349p
47. Schulenberg, David'Partes feminarum': Gender Representation in Baroque Music. [p]FTM_Virginia Jun 1997
48. Schulenberg, DavidPerformer's View. AmerBachSocNL Spring 2002 3, 8-9
49. Schulenberg, DavidPerforming C. P. E. Bach: Some Open Questions. EarlyM 16 4 Nov 1988 542-551
50. Schulenberg, DavidPerforming C. P. E. Bach: some questions answered? EarlyM 41 1 Feb 2013 119-122
51. Schulenberg, DavidPreludes and Fugues by Bach? Questions of Text, Genre, and Attribution in the Organ Works. [p]ABS_Rochester Sep 2012
52. Schulenberg, David (ed.)Preludes and Fugues II / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 2 2014 148p
53. Schulenberg, David (ed.)Preludes and Fugues I / Johann Sebastian Bach. SämtOrgW(Breitkopf2) 1 2013 140p
54. Schulenberg, David (ed.)'Probestücke', 'Leichte' and 'Damen' sonatas / Carl Philipp Emanuel Bach. CPEBachCW 1 3 2005 xxxiv, 190p
55. Schulenberg, DavidRecent Bach Studies. JMcolResearch 22 4 Oct-Dec 2003 387-402
56. Schulenberg, DavidSeventeenth-Century Keyboard Music in Northern Europe: Germany, Austria, and the Netherlands. [ce]WorldOfBaroqueMusic 2006 185-212
57. Schulenberg, DavidTempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. JMcolResearch 18 2 1999 139-160
58. Schulenberg, DavidTempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance Studies Approach. [p]AMS_Southwest Feb 1997
59. Schulenberg, DavidThe Instrumental Music of Carl Philipp Emanuel Bach. StudMcol 77 1984 192p
60. Schulenberg, DavidThe Keyboard Music of J. S. Bach. 1992 473p
61. Schulenberg, DavidThe Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]IS_Memphis Nov 2003
62. Schulenberg, DavidThe Last Bach-Family Copper-Engraved Print: C.P.E. Bach's Probestücke. [p]AMS_Houston Nov 2003
63. Schulenberg, DavidThe Last Bach-Family Engraved Print: The Musical Supplement to C.P.E. Bach's Versuch. 2003
64. Schulenberg, DavidThe Music of Carl Philipp Emanuel Bach. EastmanStudM 114 2014 xv, 416p
65. Schulenberg, David (ed)The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 1999 x, 208p
66. Schulenberg, DavidThe Music of Wilhelm Friedemann Bach EastmanStudM 79 2010 354p
67. Schulenberg, DavidThe 'Sonata auf Concertenart': A Modern Invention? [p]ABS_Yale Apr 1998
68. Schulenberg, DavidThe Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 2008 55-96
69. Schulenberg, David'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. [ce]KeyboardInBaroqueEurope 2003 157-168
70. Schulenberg, DavidVersions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 1999 111-135
71. Schulenberg, DavidWhen did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. [ce]Late18cComposers_CPEB 2015 477-492
72. Schulenberg, DavidWhen did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style and medium in eighteenth-century keyboard music. DeClavicordio 4 2000 37-53
73. Schulenberg, DavidWhy we know so little about Bach's early works: a case study of two keyboard fugues. [fs]Williams70 2007 169-203
74. Schulenberg, David LouisThe Instrumental Music of Carl Philipp Emanuel Bach. diss. 1982 viii, 408p
75. Tomita, Yo; Schulenberg, David; Lewis, Daniel MartynBach's quaver notation and performance implications. [p]BNUK_Cambridge Jul 2017

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