Bach Printed Music Database
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Series : ^[ce]Jerold$
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Jerold, BeverlyBach's lament about Leipzig's professional instrumentalists. [ce]Jerold 2016 25-42
2. Jerold, BeverlyDistinguishing between artificial and natural vibrato in premodern music. [ce]Jerold 2016 287-298
3. Jerold, BeverlyEighteenth-century stringed keyboard instruments from a performance perspective. [ce]Jerold 2016 121-139
4. Jerold, BeverlyFasch and the beginning of modern artistic choral singing. [ce]Jerold 2016 63-80
5. Jerold, BeverlyIntonation standards and equal temperament. [ce]Jerold 2016 105-119
6. Jerold, BeverlyMusic performance issues, 1600–1900. [ce]Jerold 2016 xii, 348p
7. Jerold, BeverlyNotes inégales: A definitive new parameter. [ce]Jerold 2016 265-286
8. Jerold, BeverlyNumbers and tempo, 1630–1800. [ce]Jerold 2016 229-242
9. Jerold, BeverlyThe French time devices revisited. [ce]Jerold 2016 193-214
10. Jerold, BeverlyThe notable significance of C and ˘ in Bach's era. [ce]Jerold 2016 215-228
11. Jerold, BeverlyThe tromba and corno in Bach's time. [ce]Jerold 2016 141-164
12. Jerold, BeverlyThe varied reprise in eighteenth-century instrumental music: A reappraisal. [ce]Jerold 2016 333-348
13. Jerold, BeverlyWhy most a cappella music could not have been sung unaccompanied. [ce]Jerold 2016 53-62

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