Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Butt, John | Towards a genealogy of the keyboard concerto. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
93-110 |
|
| 2. | Delft, Menno van | 'Schnellen': a quintessential articulation technique in eighteenth-century keyboard playing. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
187-197 |
|
| 3. | Hogwood, Christopher (ed.) | The Keyboard in Baroque Europe. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
xviii, 245p |
|
| 4. | Levin, Robert D. | Mozart's non-metrical keyboard preludes. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
198-216 |
|
| 5. | Moroney, Davitt | Couperin, Marpurg and Roeser: a Germanic 'Art de Toucher le Clavecin', or a French 'Wahre Art'? |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
111-130 |
|
| 6. | Mortensen, Lars Ulrik | J. S. Bach: Keyboard Partita in A minor after BWV 1004. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
218-236 |
|
| 7. | Schulenberg, David | 'Towards the most elegant taste': developments in keyboard accompaniment from J. S. to C. P. E. Bach. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
157-168 |
|
| 8. | Williams, Peter F. | Is there an anxiety of influence discernible in J. S. Bach's 'Clavierübung I'? |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
140-156 |
|
| 9. | Wolff, Christoph | Invention, composition and the improvement of nature: apropos Bach the teacher and practical philosopher. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
133-139 |
|
| 10. | Wollny, Peter | '... welche dem größten Concerte gleichen': the polonaises of Wilhelm Friedemann Bach. |
[ce]KeyboardInBaroqueEurope |
| | 2003 |
169-183 |
|