Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Aspden, Suzanne | 'Dresden ditties' and the feminised galant. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 2. | Black, David | Some 'New' Bach Documents in Eighteenth-Century Printed Sources. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 3. | Bärwald, Manuel | Secular music performances in the Leipzig 1740s. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 4. | Corduban, Michaela | Bach as a master of the Musica Poetica. A rhetorical approach to the Well-Tempered Clavier (Book I): proposition of a formal model. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 5. | Crean, Elise | The Fourteen Canons: Foundation or Culmination? A re-evaluation of their position amongst Bach's late works. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 6. | Dirksen, Pieter | Some Observations on Bach's Organ Sonatas. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 7. | Diskin, Kirill | The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his Bachiana. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 8. | Dodds, Michael | Ars combinatoria in a Bach Passion Chorus. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 9. | Ebata, Nobuaki | Four part Chorales of Johann Sebastian Bach's lost sacred cantatas from Picander Jahrgang. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 10. | Estrada, Erasmo | 'eine cantable Art im Spielen zu erlangen': some considerations on spiritual praxis in J.S. Bach's pedagogical collections. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 11. | Fazekas, Gergely | Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042). |
[p]BICB_Belfast |
| | Jul 2010 |
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| 12. | Golomb, Uri; Cohen, Dalia | The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 13. | Herr, Corinna | 'Buß und Reu': a symbol of female sinfulness in Bach's St Matthew Passion? |
[p]BICB_Belfast |
| | Jul 2010 |
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| 14. | Joyce, Elizabeth | The Baroque and Lutheran Views of the World Embodied in Bach's Cantata 'Was frag ich nach der Welt' (BWV 94). |
[p]BICB_Belfast |
| | Jul 2010 |
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| 15. | Kovacevic, Tanja; [Kovaèeviæ] | Off the Beaten Track: An Exploration of Bach Reception in Catholic Central Europe. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 16. | Kuhn, Eva | Bach was not the First--a Violoncello for Francesco II d'Este, Duke of Modena. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 17. | Leaver, Robin A. | Music in Published Books of Emblems. |
[p]BICB_Belfast |
| | Jul 2010 |
|
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| 18. | Ledbetter, David | Improvisation Practices in Bach's Instrumental Music. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 19. | Lutterman, John | 'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. |
[p]BICB_Belfast |
| | Jul 2010 |
|
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| 20. | Maul, Michael | New Light on the Controversy between Bach and Scheibe and music life in Leipzig during the late 1730s. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 21. | Meyer, Sarah | Chorton and Kammerton in the Actus Tragicus: A Performance Practice Perspective. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 22. | Oleskiewicz , Mary | The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background to Instrumental Works of J. S., W. F., and C. P. E. Bach. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 23. | Paczkowski, Szymon | Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 24. | Rathey, Markus | A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 25. | Rifkin, Joshua | Blinding Us with Science? Man, Machine, and the Mass in B Minor. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 26. | Rose, Stephen | Virtuosos or charlatans? Musical talent and social mobility in the German Baroque. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 27. | Röder, Matthias | The Permutation Fugue and Johann Sebastian Bach's Compositional Development. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 28. | Sackmann, Dominik | On the Aesthetics of Perfidia. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 29. | Schulenberg, David | An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 30. | Schwalbach, Burkhard | Coffee, Courtship and Counterpoint in Bach's Leipzig: The 'Goldberg Variations' and Women's Clavier Books. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 31. | Segev, Idith; Cohen, Dalia | Significant Occurrence in Even Musical Texture in Bach's Preludes. A Study Using Mathematical Tools. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 32. | Sela, Yael | Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 33. | Shabalina, Tatiana [Shabalina, Tat'jana] | Texte zur Music by J. S. Bach and his Contemporaries: J. A. Za³uski and his Role in their Preservation. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 34. | Speerstra, Joel | Emblems in Published Books of Music. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 35. | Tatlow, Ruth | The Goblet of Anise: A Case Study. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 36. | Tenkanen, Atte | Quantitative Properties of Invertible Counterpoints in Compositions by Johann Sebastian Bach. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 37. | Tomita, Yo | The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. |
[p]BICB_Belfast |
| | Jul 2010 |
|
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| 38. | Wollny, Peter | Bach's Cantata Performances in the 1730s -- New Findings, New Perspectives. |
[p]BICB_Belfast |
| | Jul 2010 |
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| 39. | Wollny, Peter | 'Meticulous, fine work' or 'reflection of a great school'? -- Wilhelm Friedemann Bach and the protestant church cantata after 1750. |
[p]BICB_Belfast |
| | Jul 2010 |
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