Bach Printed Music Database

Bach Printed Music Database
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List	Author	Title [further info ]	Series	Vol	No	Year	Pages
		[]
1.		Author-Title-Subject: Cumulative Index 1970-2000	Bach	31	2	2000	1-67
2.		George Kochevitsky Speaks Concerning the Performance of Early Music. (1972-1976)	Bach	25	2	Fall-Winter 1994	54-58
3.		Parvula Corona Musicalis by Ernst Krenek: The Composer's Autograph Manuscript and Explanations.	Bach	27	1	Spring-Summer 1996	66-85
4.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part I: Einige Canonische Veränderungen über das Weynacht-Lied 'Vom Himmel hoch da komm ich her'.	Bach	8	3	Jul 1977	13-25
5.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part II: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1, title-page, Praeludium, Allemande, Corrente, Sarabande.	Bach	8	4	Oct 1977	11-22
6.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part III: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita 1 (contd.) Menuet I, Menuet II, Giga; Partita II Sinfonia.	Bach	9	1	Jan 1978	15-22
7.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IV: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II (contd.) Allemande, Courante, Sarabande, Rondeaux, Capriccio [1st half].	Bach	9	2	Apr 1978	17-24
8.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part IX: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, Toccata.	Bach	10	3	Jul 1979	32-39
9.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part V: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita II, concluded: Capriccio (last half); Partita III: Fantasia, Allemande, Corrente, Sarabande, Burlesca, Scherzo, Gigue.	Bach	9	3	Jul 1978	13-24
10.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VI: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita IV.	Bach	9	4	Oct 1978	11-22
11.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V.	Bach	10	1	Jan 1979	13-25
12.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part VIII: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731), Partita V, contd.: Passepied, Gigue.	Bach	10	2	Apr 1979	9-12
13.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part X: Clavierübung, Book I [The Clavier Partitas] ([Leipzig]: Published by the Author, 1731). Partita IV, contd.: Allemande, Corrente, Air, Sarabande, Tempo di Gavotta, Gigue.	Bach	10	4	Oct 1979	9-18
14.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. [Part XI] Clavierübung, Book IV [the 'Goldberg' Variations] Nürnberg: Balthaser Schmid [ca. 1742], BWV 988.	Bach	11	1	Jan 1980	2-40
15.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part II: Ricercar, a 6.	Bach	11	3	Jul 1980	24-31
16.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XII. Musicalisches Opfer (Musical Offering) (Zella St. Blasi, Thuringia: Johann Georg Schübler, 1747), Part I.	Bach	11	2	Apr 1980	29-36
17.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIV. Die Kunst der Fuge (Leipzig, 1752).	Bach	11	4	Oct 1980	32-36
18.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX. Die Kunst der Fuge (Leipzig, 1752). Conclusion.	Bach	13	1	Jan 1982	2-44
19.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XIX [sic!]. Suite Première avec Prelude (Eighteenth-century Manuscript Copy of the First 'English' Suite)	Bach	13	2	Apr 1982	29-36
20.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XV. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus I; Contrapunctus II.	Bach	12	1	Jan 1981	30-35
21.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus III, Contrapunctus IV.	Bach	12	2	Apr 1981	20-27
22.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVI. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus V, Contrapunctus VI.	Bach	12	3	Jul 1981	30-36
23.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XVIII. Die Kunst der Fuge (Leipzig, 1752). Contrapunctus VII, Contrapunctus VIII.	Bach	12	4	Oct 1981	28-35
24.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle.	Bach	14	1	Jan 1983	29-39
25.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIII. 13 Parts to Cantata BWV 174 (1729), Ich liebe den Höchsten von ganzem Gemüte, Manuscript in the hands of J. S. Bach and his circle.	Bach	14	2	Apr 1983	3-60
26.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXI. [Suite 5] Prelude, BWV 810 Gigue; [Suite 6] Prelude, BWV 811.	Bach	13	4	Oct 1982	14-29
27.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIV. Heinrich Nicolaus Gerber's Eighteenth-century Manuscript Copy of J. S. Bach's Wohl-temperirte Clavier.	Bach	14	3	Jul 1983	31-44
28.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXIX. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	15	4	Oct 1984	37-52
29.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XX. Suite Première avec Prelude. Prélude, Gigue; [Suite 6] Gigue.	Bach	13	3	Jul 1982	23-34
30.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXV. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	14	4	Oct 1983	25-35
31.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVI. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	15	1	Jan 1984	36-43
32.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVII. Heinrich Nicolaus Gerber's Sixteenth-century [sic] (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	15	2	Apr 1984	35-44
33.		Riemenschneider Bach Institute Vault Holdings. Bach Tercentenary Facsimile Publication Project. Part XXVIII. Heinrich Nicolaus Gerber's Eighteenth-century (1725) Manuscript Copy of J. S. Bach's Das wohl-temperirte Clavier (Continued).	Bach	15	3	Jul 1984	33-36
34.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part I.	Bach	13	2	Apr 1982	6-16
35.	Adams, Courtney S.	Organization in the Two-Part Inventions of Johann Sebastian Bach, Part II.	Bach	13	3	Jul 1982	12-19
36.	Ahrens, Christian	Johann Sebastian Bach and The 'New Gusto' In Music Around 1740.	Bach	33	1	2002	69-83
37.	Ambrose, Jane	Madness and Music: Handel's Porphyric Patron, George III.	Bach	27	1	Spring-Summer 1996	57-65
38.	Ambrose, Jane	Notations on Mattheson's Der Brauchbare Virtuoso.	Bach	17	3	Jul 1986	3-9
39.	Ambrose, Jane	Notations on Mattheson's Der brauchbare Virtuoso. (1986)	Bach	25	2	Fall-Winter 1994	91-98
40.	Ambrose, Jane	The Bach Flute Sonatas: Recent Research and a Performer's Observations.	Bach	11	3	Jul 1980	32-45
41.	Ambrose, Z. Philip	Another Lament in Weinen, Klagen, Sorgen, Zagen.	Bach	13	3	Jul 1982	20-22
42.	Anson-Cartwright, Mark	Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons.	Bach	49	2	2018	266-280
43.	Appel, Richard G.	J. S. Bach and the Bay Psalm Book.	Bach	1	3	Jul 1970	22-24
44.	Armstrong, Joe (trans.)	The Formation of Bach's Motifs: Chapter Two of André Pirro's L'Esthétique de Jean-Sébastien Bach.	Bach	41	1	2010	32-96
45.	Babitz, Sol	To the editor of Bach.	Bach	3	2	Apr 1972	40-43
46.	Babitz, Sol	To the Editor of BACH.	Bach	3	3	Jul 1972	43-44
47.	Badura-Skoda, Eva	Did J. S. Bach Compose 'Pianoforte Concertos'?	Bach	31	1	2000	1-16
48.	Barber, Elinore	Albert Riemenschneider: A Portrait of the Founder of Baldwin-Wallace College's Conservatory of the Occasion of its 100th Anniversary.	Bach	29	2	Fall-Winter 1998	1-7
49.	Barber, Elinore	Bach Adds a Tempo Mark?	Bach	1	2	Apr 1970	3-5
50.	Barber, Elinore	Bach and the B-A-C-H Motive.	Bach	2	2	Apr 1971	3-5
51.	Barber, Elinore	Bach's 'Incomplete' Quadruple Fugue from Die Kunst der Fuge (1752-Edition Print Held by the Riemenschneider Bach Institute.)	Bach	17	4	Oct 1986	24-29
52.	Barber, Elinore	Bach's Portrait in Gerber's Lexicon.	Bach	2	1	Jan 1971	3-6
53.	Barber, Elinore	Beethoven and Bach.	Bach	1	4	Oct 1970	4-5
54.	Barber, Elinore	Beethoven on Bach. Excerpts from Letters.	Bach	1	4	Oct 1970	6-8
55.	Barber, Elinore	Butter, Guns, and Bach?	Bach	1	3	Jul 1970	3-4
56.	Barber, Elinore	[Facsimile of biographical entry of H. N. Gerber in his son's Historisch-Biographisches Lexicon der Tonkunstler, 1790]	Bach	15	1	Jan 1984	28-34
57.	Barber, Elinore	Hans Theodore David: 'A Portrait in Outline'.	Bach	1	3	Jul 1970	25-29
58.	Barber, Elinore	J. S. Bach and The Critics.	Bach	2	3	Jul 1971	4-6
59.	Barber, Elinore	J. S. Bach in the Year of the Moon.	Bach	1	1	Winter 1970	3-5
60.	Barber, Elinore	J. S. Bach: Suite 4 à Violoncello Solo -- A Manuscript Copy in the Hand of Anna Magdalena Bach; Doris Ornstein's Harpsichord Transcription of BWV 1010.	Bach	29	1	Spring-Summer 1998	38-76
61.	Barber, Elinore	Questions to the Editor.	Bach	2	3	Jul 1971	25-27
62.	Barber, Elinore	Questions to the Editor.	Bach	2	1	Jan 1971	38-41
63.	Barber, Elinore	Questions to the Editor.	Bach	2	4	Oct 1971	32-35
64.	Barber, Elinore	Questions to the Editor.	Bach	2	2	Apr 1971	24-26
65.	Barber, Elinore	Questions to The Editor [Part I].	Bach	1	1	Winter 1970	19-22
66.	Barber, Elinore	Questions to the editor [Part II].	Bach	1	2	Apr 1970	21-25
67.	Barber, Elinore	Questions to the Editor. [Part III].	Bach	1	3	Jul 1970	45-47
68.	Barber, Elinore	Questions to the Editor. [Part IV.]	Bach	1	4	Oct 1970	35-40
69.	Barber, Elinore	Riemenschneider Bach Institute Vault Holdings, Facsimile Series: .. Wegweiser .. Die Kunst die Orgel recht zu schlagen -- A Seventeenth-century Organ Instruction Book, Part I.	Bach	18	1	Jan 1987	25-36
70.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings.	Bach	2	2	Apr 1971	22-23
71.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings.	Bach	1	4	Oct 1970	33-34
72.	Barber, Elinore	Riemenschneider Bach Library Vault Holdings [Part I].	Bach	1	1	Winter 1970	17-18
73.	Barber, Elinore	Schweitzer and Bach.	Bach	32	1	2001	73-76
74.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings.	Bach	1	3	Jul 1970	41-44
75.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library vault holdings.	Bach	2	1	Jan 1971	35-37
76.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales.	Bach	2	4	Oct 1971	15-17
77.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings. Eighteenth-Century French Publications.	Bach	3	2	Apr 1972	38-39
78.	Barber, Elinore; Winzenburger, Janet	Riemenschneider Bach Library Vault Holdings [Part II].	Bach	1	2	Apr 1970	17-20
79.	Bates, William H.	J. S. Bach's Fantasy and Fugue in G Minor, BWV 542: A Source Study for Organists.	Bach	39	2	2008	1-89
80.	Baumgartner, Michael	J. S. Bach, Jean-Luc Godard, and the Reimagining of the Immaculate Conception in Hail Mary (1985).	Bach	50	2	Fall 2019	175-219
81.	Baumgartner, Nicholas	Currents in Bach Interpretation in Contemporary Germany.	Bach	30	2	1999	1-26
82.	Baumgartner, Nicholas	European Bach Interpretation at the Turn of the Millennium.	Bach	33	1	2002	1-56
83.	Benedum, Richard	Structure and Symbolism in Bach's Prelude and Fugue in E-flat, BWV 552.	Bach	10	4	Oct 1979	19-24
84.	Benitez, Vincent P.	Musical-Rhetorical Figures in the Orgelbüchlein of J. S. Bach.	Bach	18	1	Jan 1987	3-21
85.	Berg, Darrell M.	C. P. E. Bach's Kenner und Liebhaber Collections: A Series for the Distant Future.	Bach	52	1	2021	3-20
86.	Bertoglio, Chiara	Bach in Italy, 22–28 November 2020.	Bach	52	1	2021	72-79
87.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music.	Bach	7	1	Jan 1976	12-19
88.	Boe, John	Fully Notated Articulation in Bach's Mature Keyboard Music -- Part II.	Bach	7	2	Apr 1976	14-22
89.	Boer, Bertil Herman van Jr.	Observations on Bach's Use of the Horn.	Bach	11	2	Apr 1980	21-28
90.	Boer, Bertil H. van, Jr.	Observations on Bach's Use of the Horn.	Bach	11	3	Jul 1980	9-23
91.	Bolduan, Miriam F.	The Significance of the Viola Pomposa in the Bach Cantatas.	Bach	14	3	Jul 1983	12-17
92.	Bostrom, Kerry L.	The Use of Recitative and the Communal Style in the Solo Cantatas of Dietrich Buxtehude.	Bach	17	3	Jul 1986	22-32
93.	Botwinick, Sara	From Ohrdruf to Mühlhausen: A Subversive Reading of Bach's Relationship to Authority.	Bach	35	2	2004	1-59
94.	Braunlich, Helmut	Johann Peter Kellner's Copy of the Sonatas and Partitas for Violin Solo by J. S. Bach.	Bach	12	2	Apr 1981	2-10
95.	Brill, Mark	The Consecration of the Marginalized: Pasolini's Use of J. S. Bach in Accattone (1961) and Il Vangelo Secondo Matteo (1964).	Bach	50	2	Fall 2019	220-253
96.	Brody, Christopher	Teaching Bach's Binary Forms.	Bach	49	2	2018	281-310
97.	Brokaw, James A., II	Recent Research on the Sources and Genesis of Bach's Well-tempered Clavier, Book II.	Bach	16	3	Jul 1985	17-35
98.	Broman, Per F.	Another Woody: J. S. Bach in Dixieland.	Bach	50	2	Fall 2019	254-274
99.	Brown, Emily Freeman	Zarathustra. Reflection of the Baroque Overture.	Bach	26	1-2	1995	84-90
100.	Brown-Montesano, Kristi	Terminal Bach: Technology, Media, and the Goldberg Variations in Postwar American Culture.	Bach	50	1	2019	81-117
101.	Buelow, George J.	A Bach Borrowing by Gluck: Another Frontier.	Bach	22	1	Spring-Summer 1991	43-61
102.	Burgess, Geoffrey	Reconsidering Tonal Procedures in J. S. Bach's First Year in Leipzig: Some Implications from the Wind-Player's? Perspective.	Bach	53	2	2022	301-326
103.	Burr, Anna-Sophia	Selma Riemenschneider's Lasting Impact.	Bach	53	1	2022	125-129
104.	Butler, Gregory G.	J. S. Bach's Einige Canonische Veraenderungen: The View from the Original Print.	Bach	20	2	Summer 1989	4-37
105.	Butler, Gregory G.	J. S. Bach's 'Hudemann' Canon, BWV 1074: A Note on the Engraving and Printing History.	Bach	25	1	Spring-Summer 1994	5-10
106.	Butler, Gregory G.	The Galant Style in J. S. Bach's Musical Offering: Widening the Dimensions.	Bach	33	1	2002	57-68
107.	Butler, H. Joseph	A Newly Discovered Work of Charles Theodore Pachelbel.	Bach	28	1-2	1997	126-144
108.	Butler, Lynn Edwards	Four Sources Relating to Bach, Organ Builder Johann Scheibe, and the Organs in Zschortau and Stötteritz.	Bach	44	2	2013	1-5
109.	Butler, Lynn Edwards	Johann Christoph Bach's New Organ for Eisenach's Georgenkirche.	Bach	35	1	2004	42-60
110.	Butt, John	Leonhardt's Role in the Invention of Historically Informed Performance.	Bach	48	2 and 49/1	2018	9-12
111.	Byros, Vasili	Thinking in Bach's Language, Teaching in His Shoes: How the Thomaskantor Structured My Syllabus as a Modern-Day Notenbüchlein or Zibaldone.	Bach	49	2	2018	175-204
112.	Carrier-McClimon, Carolyn	Hearing the 'Töne eines Passionliedes' in J. S. Bach's Christmas Oratorio: The Nineteenth-Century Critical Reception of BWV 248.	Bach	45	2	2014	34-67
113.	Chobanian, Loris Ohannes (ed.)	FANTASIA For Organ Duo / 'Bach - Riemenschneider'	Bach	44	2	2013	21p
114.	Clement, Albert	On the Inner Correlation of the Six Chorales BWV 645-650 and its Significance.	Bach	34	2	2003	1-62
115.	Cole, Warwick	Improvisation as a Stimulus to Composition in Bach's Partita II.	Bach	31	1	2000	96-112
116.	Collins, Denis	Bach and Approaches to Canonic Composition in Early Eighteenth-Century Theoretical and Chamber Music Sources.	Bach	30	2	1999	27-48
117.	Collins, Denis	Bach's Occasional Canon BWV 1073 and 'Stacked' Canonic Procedure in the Eighteenth Century.	Bach	33	2	2002	15-34
118.	Collins, Denis	From Bull to Bach: In Search of Precedents for the 'Complete' Version of the Canon by Augmentation and Contrary Motion in J. S. Bach's Musical Offering.	Bach	38	2	2007	39-63
119.	Collins, Denis	Historical Precedents for Bach's Evolutio Canon BWV 1087/10.	Bach	24	1	Spring-Summer 1993	5-14
120.	Collins, Denis	Musical Terminology in the Canonic Works of Bach: An Historical Context.	Bach	26	1-2	1995	91-101
121.	Collins, Denis	Taneyev's Theories of Movable Counterpoint and the Music of J. S. Bach.	Bach	46	2	2015	22-45
122.	Collins, Timothy	Observations on the Origins and Influences Leading to Bach's Idiomatic Writing for the Trumpet in Grosser Herr o starker König from the Christmas Oratorio.	Bach	17	2	Apr 1986	31-45
123.	Collins, Timothy A.	Gottfried Reiche: A More Complete Biography.	Bach	19	3	Fall 1988	4-18
124.	Corlis, Timothy	Analysis of Spectra in J. S. Bach's Prelude and Fugue, BWV 552.	Bach	37	1	2006	26-49
125.	Corneilson, Paul	C. P. E. Bach's Evangelist: Johann Heinrich Michel.	Bach	41	2	2010	1-23
126.	Corneilson, Paul	The Evolution of C. P. E. Bach's St. John Passions.	Bach	52	1	2021	46-61
127.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part I.	Bach	12	4	Oct 1981	17-21
128.	Corrao, Timothy	C. P. E. Bach's Clavier Quartet in A Minor, Wotquenne 93, Part II.	Bach	13	2	Apr 1982	23-27
129.	Cortens, Evan	'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut.	Bach	46	1	2015	74-110
130.	Coul, Thomas Op de	The Augmentation Canon in J. S. Bach's Musicalisches Opfer.	Bach	37	1	2006	50-77
131.	Cowart, Georgia	Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part I.	Bach	15	1	Jan 1984	17-24
132.	Cowart, Georgia	Symbolic Correspondence in the Duets of Bach's Mass in B Minor, Part II.	Bach	15	2	Apr 1984	18-25
133.	Cox, Howard H.	Bach's Conception of His Office.	Bach	20	1	Spring 1989	22-30
134.	Cox, Howard H.	The Scholarly Detective: Investigating Bach's Personal Bible.	Bach	25	1	Spring-Summer 1994	28-45
135.	Cox, Howard H.	The Text Selection Process in Handel's Chandos Anthems.	Bach	24	1	Spring-Summer 1993	21-34
136.	Crean, Elise	G. H. Stölzel's Practischer Beweiss: A Hitherto Unconsidered Source for J. S. Bach's Fourteen Canons.	Bach	40	2	2009	1-21
137.	Cressy, Thomas A.	Baroque Pop and Psychedelia: Bachian Pastness, Prestige, and Hybridity.	Bach	54	1	2023	17-75
138.	Crist, Stephen A.	Bach, Theology, and Harmony: A New Look at the Arias.	Bach	27	1	Spring-Summer 1996	1-30
139.	Crist, Stephen A.	Johann Philipp Bach and the Aria Scotese con Variazzione: Twilight of the Bach Dynasty?	Bach	51	2	2020	186-209
140.	Crist, Stephen A.	Recovering the Cantatas of Johann Ludwig Krebs.	Bach	55	2	2024	261-283
141.	Crist, Stephen A.	What Did Johann Ludwig Krebs Learn about Arias from his Teacher, Johann Sebastian Bach?	Bach	46	2	2015	46-58
142.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part I.	Bach	5	1	Jan 1974	23-32
143.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part II.	Bach	5	2	Apr 1974	36-49
144.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part III.	Bach	5	3	Jul 1974	3-12
145.	Currie, Randolph N.	A Neglected Guide to Bach's Use of Number Symbolism -- Part IV.	Bach	5	4	Oct 1974	3-8
146.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations.	Bach	8	2	Apr 1977	15-22
147.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part II.	Bach	8	3	Jul 1977	3-12
148.	Currie, Randolph N.	Bach's Newly Discovered Canons in a First Edition: Some Observations, Part III.	Bach	8	4	Oct 1977	3-9
149.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part I.	Bach	4	1	Jan 1973	26-38
150.	Currie, Randolph N.	Cyclic Unity in Bach's Sechs Chorale: A New Look at the 'Schüblers,' Part II.	Bach	4	2	Apr 1973	25-39
151.	Cypess, Rebecca	Ancient Poetry, Modern Music, and the Wechselgesang der Mirjam und Debora: The Meanings of Song in the Itzig Circle.	Bach	47	1	Jun 2016	21-65
152.	Dadelsen, Georg von	Friedrich Smend's Edition of the B-minor Mass by J. S. Bach.	Bach	20	2	Summer 1989	49-74
153.	David, Hans T.	Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I.	Bach	2	3	Jul 1971	15-16
154.	David, Hans T.	Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1.	Bach	2	2	Apr 1971	18-19
155.	David, Hans T.	Bach Form -- A Letter and Ground-Plan.	Bach	1	2	Apr 1970	14-17
156.	David, Hans T.	Bach Form: Ground Plans by the Late Professor Hans T. David. Aria mit 30 Variationen (Goldberg Variations) -- J. S. Bach [1742].	Bach	1	1	Winter 1970	15-16
157.	David, Hans T.	Bach's Problems and Artistic Creed.	Bach	1	2	Apr 1970	6-13
158.	David, Hans T.	Deceptive Performance Traditions. (1926)	Bach	25	2	Fall-Winter 1994	36-53
159.	David, Hans T.	Deceptive Performance Traditions. (1926)	Bach	21	2	Summer 1990	15-22
160.	David, Hans T.	Hebrew Letters in Polyphonic Settings by Christian Composers.	Bach	2	2	Apr 1971	6-17
161.	David, Hans T.	Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations.	Bach	2	1	Jan 1971	29-32
162.	David, Hans T.	Litterae ab musicis. Hans David Disclaims the Authenticity of a 'Bach Holograph'.	Bach	1	4	Oct 1970	31-32
163.	David, Hans T.	Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music.	Bach	2	3	Jul 1971	17-20
164.	David, Hans T.	Litterae ab musicis. [Letter to Alfred Einstein]	Bach	2	1	Jan 1971	33-34
165.	David, Hans T.	Music History - A Teaching, Learning, Performing Experience.	Bach	2	3	Jul 1971	28-32
166.	David, Hans T.	Structures of Some Composite Works of the Seventeenth and Eighteenth Centuries.	Bach	1	4	Oct 1970	28-30
167.	David, Hans T.	The art of the Fugue.	Bach	1	3	Jul 1970	5-21
168.	David, Hans T.	The Original Titles of Bachs Works.	Bach	1	1	Winter 1970	5-14
169.	David, Hans T.	The Six-Four Chord Without Theory: An 'Unofficial' History.	Bach	2	3	Jul 1971	7-14
170.	David, Hans T.	The Six-Four Chord Without Theory: An 'Unofficial' History, Part II.	Bach	2	4	Oct 1971	3-9
171.	David, Hans T.	Trugerische Aufführungstraditionen. [Original Text]	Bach	21	2	Summer 1990	23-30
172.	David, Hans T.	What every graduate student should know.	Bach	2	2	Apr 1971	27-30
173.	Davis, Stacey	Teaching Rhythm and Meter with the Moto Perpetuo Movements from Bach's Unaccompanied Instrumental Works.	Bach	49	2	2018	311-329
174.	Dirksen, Pieter	Georg Böhm's Keyboard Music> Questions of Authorship and Connections with the Music of J. S. Bach.	Bach	48	2 and 49/1	2018	93-115
175.	Dirst, Matthew	Bach's Art of Fugue & Musical Offering.	Bach	55	2	2024	x, 174p
176.	Dolata, David	Stay Tuned: Temperament for Solo Lute 1600-1750.	Bach	53	2	2022	224-259
177.	Doll, Christopher	Beginnings for Beginners: A Pedagogy for Starting a Prelude.	Bach	49	2	2018	248-265
178.	Duffin, Ross W.	Introduction.	Bach	53	2	2022	143-155
179.	Dupré, Marcel	Litterae ab musicis. Marcel Dupre Writes to Albert Riemenschneider.	Bach	3	2	Apr 1972	31-32
180.	Dürr, Alfred	De vita cum imperfectis.	Bach	52	2	2021	212-225
181.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I.	Bach	16	1	Jan 1985	53-58
182.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part I.	Bach	13	4	Oct 1982	2-7
183.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II.	Bach	16	1	Jan 1985	59-68
184.	Dürr, Alfred	The Historical Background of the Composition of Johann Sebastian Bach's Clavier Suite, Part II.	Bach	14	1	Jan 1983	2-11
185.	Dürr, Alfred	Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, I.	Bach	13	4	Oct 1982	8-13
186.	Dürr, Alfred	Zur Entstehungsgeschichte der Klaviersuiten von Johann Sebastian Bach, II.	Bach	14	1	Jan 1983	12-21
187.	Ebata, Nobuaki; Tomita, Yo; Mills, Ian	Mendelssohn and The Schübler Chorales (BWV 645-650): A New Source found in the Riemenschneider Bach Institute Collection.	Bach	44	1	2013	1-45
188.	Ebert, Robert R.	A Comparison of the Prices of Organs in Bach's Time and the 1980's.	Bach	19	1	1988	28-45
189.	Ebert, Robert R.	Thalers, Patrons, and commerce -- A Glimpse at the Economy in the Times of J. S. Bach.	Bach	16	3	Jul 1985	37-54
190.	Edwards, Timothy D.	The Royal Theme's Hidden Symmetry: In Defense of the Concise Solution to the Augmentation Canon in J. S. Bach's Musical Offering.	Bach	41	1	2010	1-31
191.	Eisen, Cliff	Carl Philipp Emanuel Bach: The Complete Works.	Bach	52	1	2021	82-90
192.	Elferen, Isabella van	'Recht bitter und doch süße': Textual and Musical Expression of Mystical Love in German Baroque Meditations of Christ's Passion.	Bach	35	1	2004	1-28
193.	Elferen, Isabella van	The Hungry Soul: Communion Mystics and Physiology in J. S. Bach's St. Matthew Passion.	Bach	40	1	2009	35-57
194.	Eller, Rudolf	Thoughts on Bach's Leipzig Creative Years.	Bach	21	2	Summer 1990	31-54
195.	Ellis, Mark	Motif and Structure in Bach's Fifth Prelude.	Bach	37	1	2006	1-25
196.	Emans, Reinmar	Stilkritik und Textphilologie im Dienste der 'inneren Chronologie'. Stilkritische Untersuchungen zu ausgewählten Arien Johann Sebastian Bachs.	Bach	26	1-2	1995	15-27
197.	Emans, Reinmar	Stylistic Analysis and Text Philology in the Service of 'Inner Chronology' involving Stylistic Analysis of Selected Arias by Johann Sebastian Bach.	Bach	26	1-2	1995	1-14
198.	Erickson, Raymond	Bach at the Barre: An Annotated List of Choreographies Using J. S. Bach's Violin Ciaccona (Chaconne).	Bach	55	1	2024	1-43
199.	Espinosa, Alma	More on the Figured-bass Accompaniment in Bach's Time: Friedrich Erhard Niedt and The Musical Guide.	Bach	12	1	Jan 1981	13-22
200.	Exner, Ellen	The Godfather: Georg Philipp Telemann, Carl Philipp Emanuel Bach, and the Family Business.	Bach	47	1	Jun 2016	1-20
201.	Fairleigh, James P.	Italian Prototypes of the Baroque Ritornello.	Bach	14	3	Jul 1983	2-11
202.	Faulkner, Quentin	Jacob Adlung's 'Musica Mechanica Organoedi' and the 'Bach Organ'.	Bach	21	1	Spring 1990	42-59
203.	Flindell, E. Frederick	Apropos Bach's Inventions [Part I]	Bach	14	4	Oct 1983	3-14
204.	Flindell, E. Frederick	Apropos Bach's Inventions, Part II.	Bach	15	1	Jan 1984	3-16
205.	Flindell, E. Frederick	Apropos Bach's Inventions, Part III.	Bach	15	2	Apr 1984	3-17
206.	Flindell, E. Frederick	Bach and the Middle Ages.	Bach	36	2	2005	1-119
207.	Flindell, E. Frederick	Bach's Tempos and Rhetorical Applications.	Bach	28	1-2	1997	151-236
208.	Fogelsanger, Allen; Foote, Kristen	José Limón's Chaconne.	Bach	55	1	2024	44-87
209.	Franklin, Don O.	In Memoriam: Martin Petzoldt (13 April 1946--13 March 2015).	Bach	46	1	2015	1
210.	Franklin, Don O.	Notational and Performance Issues in J. S. Bach's Preludes and Fugues for Organ.	Bach	51	2	2020	241-258
211.	Franklin, Don O.	Reading Bachäs Notation: A Guide to the Temporal Structure of the 1733 Missa.	Bach	48	1	2017	76-92
212.	Franklin, Don O.	'Recht Glauben, Christlig Leben, Seelig Sterben': Johann Olearius and the Libretto of Cantata 67.	Bach	46	1	2015	2-28
213.	Franklin, Don O.	The Carnegie Manuscript and J. S. Bach.	Bach	22	1	Spring-Summer 1991	5-15
214.	Franklin, Don O.	Viewing the Poetic Texts in Bach's Matthew Passion from a New Perspective.	Bach	46	1	2015	29-48
215.	Fuhrmann, Christina	Editorial: Tribute to Dr. Elinore L. Barber.	Bach	51	1	2020	1-4
216.	Fülöp, Rebecca	Introduction.	Bach	50	1	2019	1-4
217.	Ganz, Beatrice	Problems of Articulation in Baroque Keyboard Music (At the Piano or Organ).	Bach	7	2	Apr 1976	3-13
218.	Garcia, Federico	The Nature of Bach's Italian Concerto BWV 971.	Bach	36	1	2005	1-24
219.	Geck, Martin	The Ultimate Goal of Bach's Art.	Bach	35	1	2004	29-41
220.	Getz, Christine Suzanne	A Telemann Concerto for Violin and Strings?: Some Hints on the Reconstruction of an Unidentified Concerto.	Bach	19	2	1988	3-24
221.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book.	Bach	3	1	Jan 1972	3-12
222.	Gleason, Harold	A Seventeenth-Century Organ Instruction Book. [Wegweiser die Kunst die Orgel]	Bach	12	3	Jul 1981	11-20
223.	Gleason, Harold	A seventeenth-century Organ Instruction Book. [Wegweiser die Kunst die Orgel recht zu schlagen]	Bach	27	2	Fall-Winter 1996	60-83
224.	Glöckner, Andreas	Alumni and Externals in the Choirs of the Thomas School during Bach's Time.	Bach	40	1	2009	1-34
225.	GoGwilt, Keir	A Violinist's Viewpoint: Performing J. S. Bach's Chaconne in Bobbi Jene Smith's Broken Theater.	Bach	55	1	2024	88-110
226.	Goldstein, Michael	In Tokyo: A Little-Known Bach Autograph. [BWV 1006a]	Bach	9	2	Apr 1978	33-36
227.	Grant, Jason B.	Recently Identified Borrowings in the Hamburg Vocal Music of C. P. E. Bach.	Bach	52	1	2021	21-45
228.	Grant, Jason B.	The Origins of the Aria 'Ich folge dir, verklärter Held' and the Recurring Chorus 'Triumph!' from the Oratorio Die Auferstehung und Himmelfahrt Jesu by Carl Philipp Emanuel Bach.	Bach	44	2	2013	6-24
229.	Greer, Mary	'Denn er ist unser Friede' ['For He is our peace']: The Significance of the Marking 'Due Chori in unisono' in the Autograph Score of J. S. Bach's St. Matthew Passion.	Bach	45	1	2014	44-89
230.	Greer, Mary	Embracing Faith: The Duet as Metaphor in Selected Sacred Cantatas by J. S. Bach.	Bach	34	1	2003	1-71
231.	Greer, Mary	Masonic Allusions in the Dedications of two Canons by J. S. Bach: BWV 1078 and 1075.	Bach	43	2	2012	1-45
232.	Greer, Mary	The Secret Subscribers to C. P. E. Bach's Oratorio Die Israeliten in der Wüste: The Masonic Connection.	Bach	47	2	2016	77-94
233.	Górny, Tomacz	What Does the Author Mean? The Example of Clavier-Übung III.	Bach	53	1	2022	45-69
234.	Göncz, Zoltán	The Sacred Codes of the Six-Part Ricercar.	Bach	42	1	2011	46-69
235.	Göncz, Zoltán	Two New Possible Models for the 'Confiteor' of J. S. Bach's Mass in B Minor.	Bach	54	1	2023	106-128
236.	Haldey, Olga	Voice of the Dance: J. S. Bach and Other Classics in the Maksimova-Vasiliev Film Fouetté (1986).	Bach	50	2	Fall 2019	136-174
237.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part I.	Bach	8	3	Jul 1977	26-31
238.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part II.	Bach	9	1	Jan 1978	30-36
239.	Hammel, Marla	The Figured-bass Accompaniment in Bach's Time: A Brief Summary of Its Development and An Examination of Its Use, Together With a Sample Realization, Part III.	Bach	9	2	Apr 1978	37-39
240.	Harmon, Thomas	The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration.	Bach	26	1-2	1995	57-69
241.	Harmon, Thomas	The Mühlhausen Organ Revisited. Precious Clues to Bach's Preference in Organ Design and Registration.	Bach	4	1	Jan 1973	3-15
242.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part I.	Bach	11	2	Apr 1980	2-20
243.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part II.	Bach	11	3	Jul 1980	2-8
244.	Harriss, Ernest	A Chronology of the Works of Johann Sebastian Bach. Part III.	Bach	11	4	Oct 1980	3-7
245.	Harriss, Ernest C.	J. F. Agricola's Anleitung zur Singkunst: A Rich Source by a Pupil of J. S. Bach.	Bach	9	3	Jul 1978	2-8
246.	Heinrich, Adel	A Collation of the Expositions in Die Kunst der Fuge of J. S. Bach.	Bach	12	2	Apr 1981	28-40
247.	Heinrich, Adel	Heretofore Unpublished Conclusions for the 'Incomplete' Quadruple Fugue (Die Kunst der Fuge) Project. Part I: Adel Heinrich's 1986 Contribution.	Bach	17	4	Oct 1986	30-41
248.	Heinrich, Adel	Significance of the Original Subject and Its Variants in Bach's Die Kunst der Fuge.	Bach	15	3	Jul 1984	24-32
249.	Helman, Olivia	The Marchesi Legacy: Selma Riemenschneider and Vocal Pedagogy.	Bach	53	1	2022	102-110
250.	Herford, Julius	Bach's Models of 'Good Inventiones' -- How to Develop the Same Well.	Bach	4	1	Jan 1973	16-20
251.	Herford, Julius	Bach's Models of 'Good Inventiones'. [Part I].	Bach	2	4	Oct 1971	10-14
252.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part II.	Bach	3	1	Jan 1972	27-30
253.	Herford, Julius	Bach's Models of 'Good Inventiones'. Part III.	Bach	3	2	Apr 1972	28-30
254.	Herford, Julius	J. S. Bach's Fugue II in C Minor (The Well-Tempered Clavier, Book 1): An Analysis.	Bach	4	3	Jul 1973	36-40
255.	Herford, Julius	The C-Major and C-Minor Preludes of the Well-tempered Clavier, Book 1.	Bach	4	2	Apr 1973	17-21
256.	Herz, Gerhard	A Bach Signature in the Possession of Gerhard Herz.	Bach	9	4	Oct 1978	23-24
257.	Herz, Gerhard	Lombard Rhythm in the Domine Deus of Bach's B minor Mass: An Old Controversy Resolved.	Bach	8	1	Jan 1977	3-11
258.	Herz, Gerhard	The Story behind Alfred Dürr's 'Capriccio'.	Bach	21	3	Winter 1990	4-8
259.	Herz, Gerhard	Toward a New Image of Bach.	Bach	16	1	Jan 1985	12-52
260.	Herz, Gerhard	Toward a New Image of Bach. [Part I.]	Bach	1	4	Oct 1970	9-27
261.	Herz, Gerhard	Toward a New Image of Bach. Part II.	Bach	2	1	Jan 1971	7-28
262.	Herz, Gerhard	Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text.	Bach	21	1	Spring 1990	3-25
263.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part I, Continued: Walter B Hewlett's English Translations of the Eight Wegweiser Pages Previously Printed in the January 1987 BACH Journal together with BACH Editorial Notes Including Minor Differences between the 1692 and 1698 Wegweiser Editions, and Dr. Hewlett's Explanatory Notes.	Bach	18	2	Apr 1987	4-35
264.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. Part II: 'Introductory Remarks' from Walter B Hewlett's Vermehrter ... Wegweiser of 1698 and the 1692 Wegweiser Pages 9-14 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and BACH Editorial Notes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	2	Apr 1987	37-63
265.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part III). The 1692 Wegweiser, Pages 15-21 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	3	Jul 1987	11-37
266.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library, Facsimile Series: Vermehrter ... Wegweiser... die Kunst die Orgel recht zu schlagen. (Part IV). The 1692 Wegweiser, Pages 22-29 Published in Tandem with Dr. Hewlett's Translation and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	18	4	Oct 1987	29-54
267.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kunst die Orgel recht zu schlagen (Part V). The 1692 Wegweiser, Pages 30-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions.	Bach	19	2	1988	25-56
268.	[Hewlett, Walter B.]	Riemenschneider Bach Institute Library. Facsimile Series: Vermehrter...Wegweiser... die Kust die Orgel recht zu schlagen. The 1692 Wegweiser, Pages 41-48 Published in Tandem with Dr. Walter Hewlett's 1698 Translations and Explanatory Notes and Editorial Footnotes Indicating Minor Differences between the 1692 and 1698 Wegweiser Editions Together with Dr. Hewlett's Translation of Carissimi's Ars Cantandi, 1696 Edition (Published with the 1698 Wegweiser)	Bach	19	3	Fall 1988	19-74
269.	Hirsch, Artur	Johann Sebastian Bach's Cantatas in Chronological Order.	Bach	4	3	Jul 1973	18-35
270.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part I.	Bach	6	3	Jul 1975	11-19
271.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part II.	Bach	6	4	Oct 1975	14-19
272.	Hirsch, Artur	Number Symbolism in Bach's First Cantata Cycle: 1723-1724 -- Part III.	Bach	7	1	Jan 1976	27-32
273.	Hoag, Melissa	On Relevance and Repertoire in the Eighteenth-Century Counterpoint Classroom	Bach	49	2	2018	388-401
274.	Hochreither, Karl	Some Reflections on the Performance of Bach's Vocal-Instrumental Works.	Bach	8	2	Apr 1977	2-14
275.	Inman, Samantha M.	Introduction to Graduate Theory: Teaching Tonal Hierarchy through Bach.	Bach	49	2	2018	345-364
276.	Irwin, Joyce	The Orthodox Lutheranism of Mattheson and Bach.	Bach	42	1	2011	70-83
277.	Ishii, Akira	Johann Sebastian Bach, Carl Philipp Emanuel Bach, and Johann Jacob Froberger: The Dissemination of Froberger's Contrapuntal Works in Late Eighteenth-Century Berlin.	Bach	44	1	2013	46-133
278.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. [I]	Bach	4	4	Oct 1973	18-26
279.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues. Part II.	Bach	5	1	Jan 1974	3-8
280.	Jenne, Natalie	Bach's Use of Dance Rhythms in Fugues: Part III.	Bach	5	2	Apr 1974	3-21
281.	Jenne, Natalie	On the Performance of Keyboard Allemandes.	Bach	10	2	Apr 1979	13-30
282.	Jerold, Beverly	Bach's Lament about Leipzig's Professional Instrumentalists.	Bach	36	1	2005	67-96
283.	Jerold, Beverly	Editorial Decisions for Ornaments in Bach's Works.	Bach	33	2	2002	1-14
284.	Jerold, Beverly	Fasch and the Beginning of Modern Artistic Choral Singing.	Bach	35	1	2004	61-86
285.	Jerold, Beverly	Johann Philipp Kirnberger and the Bach Chorale Settings.	Bach	45	1	2014	34-43
286.	Jerold, Beverly	[On Gertrud Schmeling Mara.]	Bach	36	2	2005	120-122
287.	Jerold, Beverly	Pitch in the Vocal Works of J. S. Bach.	Bach	31	1	2000	74-95
288.	Jerold, Beverly	The Bach-Scheibe Controversy: New Documentation.	Bach	42	1	2011	1-45
289.	Johnson, Paul	Tempo Relation in a Class of Keyboard Compositions from Sweelinck to Bach.	Bach	18	4	Oct 1987	4-28
290.	Joseph, Charles M.	Some Revisional Aspects of Bach's Keyboard Partitas, BWV 827 and 830.	Bach	9	2	Apr 1978	2-16, 25-27
291.	Kellner, Herbert Anton	A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament.	Bach	10	4	Oct 1979	2-8
292.	Kellner, Herbert Anton	A Mathematical Approach Reconstructing J. S. Bach's Keyboard Temperament.	Bach	30	1	Spring-Summer 1999	1-9
293.	Kellner, Herbert Anton	Considering the Tempering Tonality B-Major in Well-Tempered Clavier II.	Bach	30	1	Spring-Summer 1999	10-25
294.	Kellner, Herbert Anton	Kepler, Bach, and Gauss: The Celestial Harmony of the Earth's Motion.	Bach	25	1	Spring-Summer 1994	46-56
295.	Kennelly, Laura	In Memoriam: Elinore Louise Barber (June 3, 1919-March 26, 2013)	Bach	44	1	2013	134
296.	Kennelly, Laura	The Willard Palmer Collection at the Riemenschneider Bach Institute.	Bach	34	1	2003	72-89
297.	Kilgore, Edna	Time Signatures of the Well-Tempered Clavier: Their Place in Notational History.	Bach	4	2	Apr 1973	3-16
298.	Kjar, David	Historically Informed Patronage: Signifying Modern Royalty with New Early Music on Pine Island.	Bach	55	2	2024	284-305
299.	Kobayashi, Yoshitake	Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. (In Memoriam Dietrich Kilian.)	Bach	24	2	Fall-Winter 1993	3-25
300.	Kochevitsky, George A.	More on Articulation in J. S. Bach's Keyboard Music.	Bach	8	1	Jan 1977	25-29
301.	Kochevitsky, George A.	Performing Bach's Keyboard Music: Articulation.	Bach	4	1	Jan 1973	21-25

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