Bach Printed Music Database
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Series : ^Bachperspectives$
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Baron, Carol Kitzes'Father Knew (and Filled Me Up with) Bach': Bach and Ives--Affinities in Lines and Spaces. BachPerspectives 5 2003 151-177
2. Blanken, ChristineRecently Rediscovered Sources of Music of the Bach Family in the Breitkopf Archive. BachPerspectives 11 2017 132-171
3. Brokaw, James A., IIThe Perfectability of J. S. Bach, or Did Bach Compose the Fugue on a Theme by Legrenzi, BWV 574a? BachPerspectives 1 1995 163-180
4. Broyles, MichaelHaupt's Boys: Lobbying for Bach in Nineteenth-Century Boston. BachPerspectives 5 2003 37-55
5. Buch, Laura (ed.)Bach Reworked. BachPerspectives 13 2020 149p
6. Butler, Gregory G.Bach the Cobbler: The Origins of J. S. Bach's E-Major Concerto (BWV 1053). BachPerspectives 7 2008 1-20
7. Butler, Gregory G.Johann Gottlob Immanuel Breitkopf: The Formative Years. BachPerspectives 2 1996 159-168
8. Butler, Gregory G. (ed.)J. S. Bach's Concerted Ensemble Music, The Concerto. BachPerspectives 7 2008 xi, 121p
9. Butler, Gregory G.J. S. Bach's Concerted Ensemble Music, The Ouverture. BachPerspectives 6 2007 xi, 163p
10. Butler, Gregory G.The Choir Loft as Chamber: Concerted Movements by Bach from the Mid- to Late 1720s. Bachperspectives 10 2016 76-86
11. Butler, Gregory G.The Question of Genre in J. S. Bach's Fourth Brandenburg Concerto. BachPerspectives 4 1999 9-32
12. Butler, Lynn EdwardsBach's Report on Johann Scheibe's Organ for St Paul's Church, Leipzig: A Reassessment. Bachperspectives 10 2016 1-15
13. Butt, JohnBach Recordings since 1980: A Mirror of Historical Performance. BachPerspectives 4 1999 181-198
14. Cammarota, Robert M.The Magnificat Listings in the Early Breitkopf Nonthematic Catalogs. BachPerspectives 2 1996 143-156
15. Chafe, EricBach's Ascension Oratorio: God's Kingdoms and Their Representation. BachPerspectives 8 2011 122-145
16. Chafe, Eric T.'Anfang und Ende': Cyclic Recurrence in Bach's Cantata 'Jesu, nun sei gepreiset', BWV 41. BachPerspectives 1 1995 103-134
17. Christensen, ThomasBach among the Theorists. BachPerspectives 3 1998 23-46
18. Corneilson, Paul (ed.)Bach and Mozart: Connections, Patterns, and Pathways. BachPerspectives 14 2022 xiv, 132p
19. Cortens, EvanVoices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. BachPerspectives 11 2017 113-131
20. Crist, Stephen A.Bach as Modern Jazz. BachPerspectives 13 2020 101-121
21. Crist, Stephen A. (ed.)Bach in America. BachPerspectives 5 2003 xiv, 227p
22. Crist, Stephen A.The Question of Parody in Bach's Cantata 'Preise dein Glücke, gesegnetes Sachsen', BWV 215. BachPerspectives 1 1995 135-161
23. Crist, Stephen A.The Role and Meaning of the Bach Chorale in the Music of Dave Brubeck. BachPerspectives 5 2003 179-215
24. Cron, MatthewMusic from Heaven: An Eighteenth-Century Context for Cantatas with Obbligato Organ. Bachperspectives 10 2016 87-118
25. Cypess, RebeccaMusic Historicism: Sara Levy and the Jewish Enlightenment. BachPerspectives 12 2018 129-151
26. Daub, PeggyThe Publications Process and Audience for C. P. E. Bach's 'Sonaten für Kenner und Liebhaber'. BachPerspectives 2 1996 65-83
27. Dirksen, PieterJ. S. Bach's Violin Concerto in G Minor. BachPerspectives 7 2008 21-54
28. Dirst, Matthew (ed.)Bach and the Organ. Bachperspectives 10 2016 viii, 122p
29. Dirst, MatthewDoing Missionary Work: Dwight's Journal of Music and the American Bach Awakening. BachPerspectives 5 2003 15-35
30. Dreyfus, LaurenceThe Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St. John Passion. BachPerspectives 8 2011 96-121
31. Dunlop, Alison J.The Famously Little-Known Gottlieb Muffat. BachPerspectives 9 2013 77-119
32. Exner, EllenCertifying J. S. Bach's Interplanetary Funksmanship; or, What Bach Meant to Bernie Worrell. BachPerspectives 13 2020 122-142
33. Finscher, LudwigBach's Posthumous Role in Music History. BachPerspectives 3 1998 1-21
34. Frisch, WalterBach, Brahms, and the Emergence of Musical Modernism. BachPerspectives 3 1998 109-131
35. Glöckner, AndreasChurch Cantatas in the Breitkopf Catalogs. BachPerspectives 2 1996 27-33
36. Greenberg, YoelPrecedents for the 'Secondary Development' from Bach to Mozart and Their Implications for Understanding Early Sonata Form. BachPerspectives 14 2022 23-37
37. Greer, Mary J.'The Public...Would Probably Prefer Something that Appeals Less to the Brain and More to the Senses': The Reception of Bach's Music in New York City, 1855-1900. BachPerspectives 5 2003 57-114
38. Heber, Noelle M.A Pursuit of Wealth: The Freelance Endeavors of Bach and Mozart. BachPerspectives 14 2022 38-59
39. Hill, Goerge R.Identifying Breitkopf House Copies Produced by the Firm's Own Scribes: A Preliminary Survey. BachPerspectives 2 1996 123-141
40. Hill, Moira LeanneRepaying Debt with Interest: The Revision of Borrowed Movements in C. P. E. Bach's Passions. BachPerspectives 13 2020 36-73
41. Hinton, StephenHindemith, Bach, and the Melancholy of Obligation. BachPerspectives 3 1998 133-150
42. Hirschmann, Wolfgang'He Liked to Hear the Music of Others': Individuality and Variety in the Works of Bach and His German Contemporaries. BachPerspectives 9 2013 1-23
43. Irwin, Joyce L.Dancing in Bach's Time: Sin or Permissible Pleasure? BachPerspectives 12 2018 17-35
44. Kinderman, WilliamBachian Affinities in Beethoven. BachPerspectives 3 1998 81-108
45. Knyt, Erinn E.The Bach-Busoni Goldberg Variations. BachPerspectives 13 2020 74-100
46. Kobayashi, YoshitakeBreitkopf Attributions and Research on the Bach Family. BachPerspectives 2 1996 53-63
47. Kobayashi, YoshitakeOn the Identification of Breitkopf's Manuscripts. BachPerspectives 2 1996 107-121
48. Koster, JohnThe Harpsichord Culture in Bach's Environs. BachPerspectives 4 1999 57-77
49. Landmann, OrtrunBreitkopf's Music Trade as Reflected in the Holdings of the Sächsische Landesbibliothek. BachPerspectives 2 1996 169-179
50. Leaver, Robin A.A Catholic Hymnal for Use in Lutheran Leipzig: Catholisches Gesang-Buch (Leipzig, 1724). BachPerspectives 12 2018 36-62
51. Leaver, Robin A. (ed.)Bach and the Counterpoint of Religion. BachPerspectives 12 2018 x, 157p
52. Leaver, Robin A.Bach's Choral-Buch? The Significance of a Manuscript in the Sibley Library. Bachperspectives 10 2016 16-38
53. Mann, AlfredIntroduction: Bach's Orchestral Music. BachPerspectives 4 1999 3-8
54. Marissen, MichaelConcerto Styles and Signification in Bach's First Brandenburg Concerto. BachPerspectives 1 1995 79-101
55. Marissen, Michael (ed.)Creative Responses to Bach from Mozart to Hindemith. BachPerspectives 3 1998 ix, 160p
56. Marshall, Robert L.Bach and Mozart's Artistic Maturity. BachPerspectives 3 1998 47-79
57. Marshall, Robert L.Father and Sons: Confronting a Uniquely Daunting Paternal Legacy. BachPerspectives 11 2017 1-23
58. Maul, MichaelBach versus Scheibe: Hitherto Unknown Battlegrounds in a Famous Conflict. BachPerspectives 9 2013 120-143
59. Maul, MichaelDoles and the Prefect of the Choir: Mew Observations on Mozart's Visit to the Thomaschule. BachPerspectives 14 2022 107-122
60. May, ErnestConnections between Breitkopf and J. S. Bach. BachPerspectives 2 1996 11-26
61. Melamed, Daniel R.Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 2011 13-41
62. Melamed, Daniel R. (ed.)J. S. Bach and the Oratorio Tradition. BachPerspectives 8 2011 ix, 153p
63. Noll, MarkHistorical Proximity: John Wesley Visits Leipzig in 1738. BachPerspectives 12 2018 1-16
64. Oleskiewicz, Mary (ed.)J. S. Bach and His Sons. BachPerspectives 11 2017 x, 191p
65. Oleskiewicz, MaryKeyboards, Music Rooms, and the Bach Family at the Court of Frederick the Great. BachPerspectives 11 2017 24-82
66. Oleskiewicz, MaryThe Trio in Bach's Musical Offering: A Salute to Frederick's Tastes and Quantz's Flutes? BachPerspectives 4 1999 79-110
67. Owen, BarbaraBach Comes to America. BachPerspectives 5 2003 1-14
68. Rathey, MarkusBach's Christmas Oratorio and the Mystical Theology of Bernard of Clairvaux. BachPerspectives 12 2018 84-103
69. Rathey, MarkusDrama and Discourse: The Form and Function of Chorale Tropes in Bach's Oratorios. BachPerspectives 8 2011 42-68
70. Renwick, William39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. BachPerspectives 4 1999 137-158
71. Rifkin, JoshuaThe 'B-Minor Flute Suite' Deconstructed. New Light on Bach's Ouverture BWV 1067. BachPerspectives 6 2007 1-98
72. Roe, StephenJohann Christian Bach's German Heritage. BachPerspectives 14 2022 60-71
73. Schulenberg, DavidComposition and Improvisation in the School of J. S. Bach. BachPerspectives 1 1995 1-42
74. Schulenberg, DavidC. P. E. Bach's Keyboard Music and the Question of Idiom. BachPerspectives 11 2017 83-112
75. Schulenberg, DavidMozart, J. C. Bach, and the Bach Tradition. BachPerspectives 14 2022 72-106
76. Schulenberg, David (ed)The Music of J. S. Bach. Analysis and Interpretation. BachPerspectives 4 1999 x, 208p
77. Schulenberg, DavidThe Sonate auf Concertenart: A Postmodern Invention? BachPerspectives 7 2008 55-96
78. Schulenberg, DavidVersions of Bach: Performing Practice in the Keyboard Works. BachPerspectives 4 1999 111-135
79. Schulze, Hans-Joachim'A Lineal Descendant of the Great Musician, John Sebastian Bach'? Bach Descendants in the United States and the Problem of Family Oral Tradition. BachPerspectives 5 2003 115-122
80. Schulze, Hans-JoachimJ. S. Bach's Vocal Works in the Breitkopf Nonthematic Catalogs of 1761 to 1836. BachPerspectives 2 1996 35-49
81. Selfridge-Field, EleanorThe Keyboard Transcriptions of J. S. Bach and J. G. Walther. BachPerspectives 14 2022 1-22
82. Snyder, Kerala J.Oratorio on Five Afternoons: From the Lübeck Abendmusiken to Bach's Christmas Oratorio. BachPerspectives 8 2011 69-95
83. Stauff, DerekThe Church under Persecution: Bach's Cantatas for the Fourth Sunday after Epiphany. BachPerspectives 12 2018 104-128
84. Stauffer, George B. (ed.)J. S. Bach, the Breitkopfs, and Eighteenth-Century Music Trade. BachPerspectives 2 1996 xv, 219p
85. Stauffer, George B.Miscellaneous Organ Trios from Bach's Leipzig Workshop. Bachperspectives 10 2016 39-59
86. Stauffer, George B.The Breitkopf Family and Its Role in Eighteenth-Century Music Publishing. BachPerspectives 2 1996 1-9
87. Stauffer, George B.The Thomasschule and the Haus 'zum Goldenen Bären': A Bach-Breitkopf Architectural Connection. BachPerspectives 2 1996 181-203
88. Stinson, Russell (ed.)Bach Perspectives I. BachPerspectives 1 1995 xii, 226p
89. Stinson, RussellThe Compositional History of Bach's Orgelbüchlein Reconsidered. BachPerspectives 1 1995 43-78
90. Stockigt, Janice B.Liturgical Music for a New Elector: Origins of Bach's 1733 Missa Revisited. BachPerspectives 12 2018 63-83
91. Swack, JeanneA Comparison of Bach's and Telemann's Use of the Ouverture as Theological Signifier. BachPerspectives 6 2007 99-135
92. Swack, JeanneModular Structure and the Recognition of Ritornello in Bach's Brandenburg Concertos. BachPerspectives 4 1999 33-53
93. Talle, AndrewBach, Graupner, and the Rest of Their Contented Contemporaries. BachPerspectives 9 2013 50-76
94. Talle, Andrew (ed.)J. S. Bach and His German Contemporaries. BachPerspectives 9 2013 viii, 151p
95. Walker, PaulFugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue. BachPerspectives 4 1999 159-179
96. Wolff, ChristophDescendants of Wilhelm Friedemann Bach in the United States. BachPerspectives 5 2003 123-130
97. Wolff, ChristophDid J. S. Bach Write Organ Concertos? Apropos the Prehistory of Cantata Movements with Obbligato Organ. Bachperspectives 10 2016 60-75
98. Wolff, ChristophSicilianos and Organ Recitals: Observations on J. S. Bach's Concertos. BachPerspectives 7 2008 97-114
99. Wolff, ChristophUnder the Spell of Opera? Bach's Oratorio Trilogy. BachPerspectives 8 2011 1-12
100. Wollny, PeterOn Miscellaneous American Bach Sources. BachPerspectives 5 2003 131-150
101. Zaslaw, NealThe Breitkopf Firm's Relations with Leopold and Wolfgang Mozart. BachPerspectives 2 1996 85-103
102. Zepf, MarkusReworking Fischer: Some Observations about Johann Sebastian Bach and Johann Caspar Ferdinand Fischer. BachPerspectives 13 2020 1-35
103. Zohn, StevenAesthetic Mediation and Tertiary Rhetoric. BachPerspectives 9 2013 24-49
104. Zohn, StevenBach and the Concert en ouverture. BachPerspectives 6 2007 137-156

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