Bach Printed Music Database Search Result

Series : ^CambridgeStudMTheoryAnalysis$
Max number of results shown : 300
Output sorted : alphabetically (table)

Type	List	Author	Title [further info]	Series	Vol	No	Year	Pages	Status
			[]
	1.	Kurth, Ernst	Grundlagen des linearen Kontrapunkts (Foundations of linear counterpoint).	CambridgeStudMTheoryAnalysis	2		1991	35-95
	2.	Rothfarb, Lee A. (ed.)	Ernst Kurth: Selected writings.	CambridgeStudMTheoryAnalysis	2		1991	xvii, 235p
	3.	Rothfarb, Lee A.	Introduction.	CambridgeStudMTheoryAnalysis	2		1991	1-33
	4.	Rothgeb, John; Schenker, Heinrich	A counter-example: Max Reger's variatons and fugue on a theme by Bach, op. 81, for piano.	CambridgeStudMTheoryAnalysis	8		1996	106-117
	5.	Schenker, Heinrich	The masterwork in music: A yearbook. II (1926).	CambridgeStudMTheoryAnalysis	8		1996	xvii, 133p
	6.	Schenker, Heinrich	The sarabande of Bach's suite no 3. for solo violoncello [BWV 1009].	CambridgeStudMTheoryAnalysis	8		1996	55-58
	7.	Schenker, Heinrich; Siegel, Hedi	The organic nature of fugue as demonstrated in the C minor fugue from Bach's Well-tempered clavier, book I.	CambridgeStudMTheoryAnalysis	8		1996	31-54