Bach Printed Music Database
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Series : ^EastmanStudM$
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Anderson, ChristopherKarl Straube (1873-1950): Germany's master organist in turbulent times. EastmanStudM 182 2022 x, 558p
2. Anson-Cartwright, MarkThe opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 2016 12-25
3. Baron, Carol K.Bach's Changing World: Voices in the Community. EastmanStudM 37 2006 xvi, 264p
4. Baron, Carol K.Transitions, Transformations, Reversals: Rethinking Bach's World. EastmanStudM 37 2006 1-34
5. Baron, Carol K.Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited. EastmanStudM 37 2006 35-85
6. Beach, David W.Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. EastmanStudM 33 2005 xiii, 92p
7. Beach, David W.; Goldenberg, Yosef (eds.)Bach to Brahms: Essays on musical design and structure. EastmanStudM 122 2015 326p
8. Beach, David W.; Mak, Su-yin (eds.)Explorations in Schenkerian analysis. EastmanStudM 136 2016 xii, 359p
9. Burkhart, CharlesA letter about the C-major fugue from The well-tempered clavier, Book I. EastmanStudM 136 2016 3-11
10. Cleve, John vanFamily Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig. EastmanStudM 37 2006 86-107
11. Cooper, John MichaelMendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. EastmanStudM 43 2007 xvi, 284p
12. Crist, Stephen A.Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48. EastmanStudM 28 2004 57-84
13. Crist, Stephen A.; Marvin, Roberta Montemorra (eds.)Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall. EastmanStudM 28 2004 448p
14. Curry, Robert; Gable, David; Marshall, Robert L. (eds.)Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. EastmanStudM 58 2008 x, 375p
15. Cypess, RebeccaDuets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. EastmanStudM 145 2018 181-204
16. Cypess, Rebecca; Glixon, Beth; Link, Nathan (eds.)Word, image, and song, Vol. 2: Essays on musical voices. EastmanStudM 102 2013 288p
17. Cypess, Rebecca; Sinkoff, Nancy (eds.)Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. EastmanStudM 145 2018 x, 292p
18. Davidsson, HansMendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. EastmanStudM 118 2014 141-210
19. Dokter, JuliaTempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. EastmanStudM 178 2021 544p
20. Goodman, Katherine R.From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig. EastmanStudM 37 2006 190-218
21. Goozé, Marjanne E.What was the Berlin Jewish salon around 1800? EastmanStudM 145 2018 21-38
22. Gramit, David (ed.)Beyond The art of finger dexterity: Reassessing Carl Czerny. EastmanStudM 53 2008 xiii, 280p
23. Helfer, Martha B.Lessing and the limits of enlightenment. EastmanStudM 145 2018 99-121
24. Irwin, Joyce L.Bach in the Midst of Religious Transition. EastmanStudM 37 2006 108-126
25. Kerman, JosephFugue and its discontents. EastmanStudM 58 2008 5-13
26. Kevorkian, TanyaThe reception of the Cantata during Leipzig Church Services, 1700-1750. EastmanStudM 37 2006 174-189
27. Kirkpatrick, Meredith (ed.)Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. EastmanStudM 140 2016 x, 199p
28. Kirkpatrick, RalphBach and keyboard instruments. EastmanStudM 140 2017 121-129
29. Kirkpatrick, RalphBach and Mozart for violin and harpsichord (ca. 1944) EastmanStudM 140 2017 110-142
30. Kirkpatrick, RalphOn editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) EastmanStudM 140 2017 99-101
31. Kramer, Richard A.Carl Philipp Emanuel Bach and the Aesthetics of Patricide. EastmanStudM 28 2004 121-142
32. Kuhnau, JohannA Treatise on Liturgical Text Settings (1710). EastmanStudM 37 2006 219-226
33. Little, William A.Mendelssohn and the Organ. EastmanStudM 118 2014 91-110
34. Marissen, MichaelPerformance Practice Issues That Affect Meaning in Two Bach Instrumental Works. EastmanStudM 28 2004 85-94
35. Marvin, Roberta MontemorraScholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations. EastmanStudM 28 2004 1-7
36. Melamed, Daniel R.Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 2013 111-135
37. Mercer-Taylor, PeterMendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony. EastmanStudM 118 2014 61-88
38. Near, John RichardWidor on organ performance practice and technique. EastmanStudM 156 2019 xvi, 151p
39. Riggs, Robert (ed.)The violin. EastmanStudM 135 2016 xviii, 306p
40. Rothfarb, LeeAugust Halm: A critical and creative life in music. EastmanStudM 68 2009 xix, 293p
41. Sacks, EliasPoetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity. EastmanStudM 145 2018 122-146
42. Saffle, MichaelCzerny and the keyboard fantasy: Traditions, innovations, legacy. EastmanStudM 53 2008 202-228
43. Samarotto, FrankRecurrence and fantasy in C.P.E. Bach's rondo in G major. EastmanStudM 136 2016 26-41
44. Scheibel, Gottfried EphraimRandom Thoughts About Church Music in Our Day (1721). EastmanStudM 37 2006 227-249
45. Schulenberg, DavidFugues, form, and fingering: Sonata style in Bach's preludes and fugues. EastmanStudM 58 2008 14-23
46. Schulenberg, DavidThe Music of Carl Philipp Emanuel Bach. EastmanStudM 114 2014 xv, 416p
47. Schulenberg, DavidThe Music of Wilhelm Friedemann Bach EastmanStudM 79 2010 354p
48. Sela-Teichler, YaelLonging for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin. EastmanStudM 145 2018 147-177
49. Siegele, UlrichBach's Situation in the Cultural Politics of Contemporary Leipzig. EastmanStudM 37 2006 127-173
50. Speerstra, JoelBach and the pedal clavichord: an organist's guide. EastmanStudM 26 2004 280p
51. Stinson, RussellNew Perspectives on Bach's Great Eighteen Chorales. EastmanStudM 28 2004 40-56
52. Stinson, RussellSome observations on Mendelssohn's Bach recital. EastmanStudM 118 2014 111-121
53. Thistlethwaite, Nicholas J.'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform. EastmanStudM 118 2014 122-140
54. Thym, Jürgen (ed.)Mendelssohn, the organ, and the music of the past: Constructing historical legacies. EastmanStudM 118 2014 x,339p
55. Todd, R. LarryMendelssohn and the contrapuntal tradition. EastmanStudM 118 2014 15-39
56. Vial, Stephanie D.The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. EastmanStudM 55 2008 xvi, 358p
57. Walker, Paul MarkTheories of Fugue from the Age of Josquin to the Age of Bach. EastmanStudM 13 2000 485p
58. Willner, ChannanErnst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works. EastmanStudM 122 2015 157-170
59. Wolff, ChristophThe Bach tradition among the Mendelssohn ancestry. EastmanStudM 118 2014 213-223
60. Wollny, Peter (ed.)Bach and the violin. EastmanStudM 135 2016 95-122

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