Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Anderson, Christopher | Karl Straube (1873-1950): Germany's master organist in turbulent times. |
EastmanStudM |
182 | | 2022 |
x, 558p |
|
| 2. | Anson-Cartwright, Mark | The opening tonal complex of Bach's St. Matthew passion: A linear view. |
EastmanStudM |
136 | | 2016 |
12-25 |
|
| 3. | Baron, Carol K. | Bach's Changing World: Voices in the Community. |
EastmanStudM |
37 | | 2006 |
xvi, 264p |
|
| 4. | Baron, Carol K. | Transitions, Transformations, Reversals: Rethinking Bach's World. |
EastmanStudM |
37 | | 2006 |
1-34 |
|
| 5. | Baron, Carol K. | Tumultuous Philosophers, Pious Rebels, Revolutionary Teachers, Pedantic Clerics, Vengeful Bureaucrats, Threatened Tyrants, Worldly Mystics: The Religious World Bach Inherited. |
EastmanStudM |
37 | | 2006 |
35-85 |
|
| 6. | Beach, David W. | Aspects of Unity in J. S. Bach's Partitas and Suites: An Analytical Study. |
EastmanStudM |
33 | | 2005 |
xiii, 92p |
|
| 7. | Beach, David W.; Goldenberg, Yosef (eds.) | Bach to Brahms: Essays on musical design and structure. |
EastmanStudM |
122 | | 2015 |
326p |
|
| 8. | Beach, David W.; Mak, Su-yin (eds.) | Explorations in Schenkerian analysis. |
EastmanStudM |
136 | | 2016 |
xii, 359p |
|
| 9. | Burkhart, Charles | A letter about the C-major fugue from The well-tempered clavier, Book I. |
EastmanStudM |
136 | | 2016 |
3-11 |
|
| 10. | Cleve, John van | Family Values and Dysfunctional Families: Home Life in the Moral Weeklies and Comedies of Bach's Leipzig. |
EastmanStudM |
37 | | 2006 |
86-107 |
|
| 11. | Cooper, John Michael | Mendelssohn, Goethe, and the Walpurgis night: The Heathen Muse in European Culture, 1700 - 1850. |
EastmanStudM |
43 | | 2007 |
xvi, 284p |
|
| 12. | Crist, Stephen A. | Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48. |
EastmanStudM |
28 | | 2004 |
57-84 |
|
| 13. | Crist, Stephen A.; Marvin, Roberta Montemorra (eds.) | Historical Musicology: Sources, Methods, Interpretations. Festschrift for Robert L. Marshall. |
EastmanStudM |
28 | | 2004 |
448p |
|
| 14. | Curry, Robert; Gable, David; Marshall, Robert L. (eds.) | Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. |
EastmanStudM |
58 | | 2008 |
x, 375p |
|
| 15. | Cypess, Rebecca | Duets in the collection of Sara Levy and the ideal of 'unity in multiplicity'. |
EastmanStudM |
145 | | 2018 |
181-204 |
|
| 16. | Cypess, Rebecca; Glixon, Beth; Link, Nathan (eds.) | Word, image, and song, Vol. 2: Essays on musical voices. |
EastmanStudM |
102 | | 2013 |
288p |
|
| 17. | Cypess, Rebecca; Sinkoff, Nancy (eds.) | Sara Levy's world: gender, Judaism, and the Bach tradition in Enlightenment Berlin. |
EastmanStudM |
145 | | 2018 |
x, 292p |
|
| 18. | Davidsson, Hans | Mendelssohn's sonatas, op. 65, and the Craighead-Saunders organ at the Eastman School of Music: Aspects of performance practice and context. |
EastmanStudM |
118 | | 2014 |
141-210 |
|
| 19. | Dokter, Julia | Tempo and Tactus in the German Baroque: Treatises, Scores, and the Performance of Organ Music. |
EastmanStudM |
178 | | 2021 |
544p |
|
| 20. | Goodman, Katherine R. | From Salon to Kaffeekranz: Gender Wars and the Coffee Cantata in Bach's Leipzig. |
EastmanStudM |
37 | | 2006 |
190-218 |
|
| 21. | Goozé, Marjanne E. | What was the Berlin Jewish salon around 1800? |
EastmanStudM |
145 | | 2018 |
21-38 |
|
| 22. | Gramit, David (ed.) | Beyond The art of finger dexterity: Reassessing Carl Czerny. |
EastmanStudM |
53 | | 2008 |
xiii, 280p |
|
| 23. | Helfer, Martha B. | Lessing and the limits of enlightenment. |
EastmanStudM |
145 | | 2018 |
99-121 |
|
| 24. | Irwin, Joyce L. | Bach in the Midst of Religious Transition. |
EastmanStudM |
37 | | 2006 |
108-126 |
|
| 25. | Kerman, Joseph | Fugue and its discontents. |
EastmanStudM |
58 | | 2008 |
5-13 |
|
| 26. | Kevorkian, Tanya | The reception of the Cantata during Leipzig Church Services, 1700-1750. |
EastmanStudM |
37 | | 2006 |
174-189 |
|
| 27. | Kirkpatrick, Meredith (ed.) | Reflections of an American harpsichordist: Unpublished memoirs, essays, and lectures of Ralph Kirkpatrick. |
EastmanStudM |
140 | | 2016 |
x, 199p |
|
| 28. | Kirkpatrick, Ralph | Bach and keyboard instruments. |
EastmanStudM |
140 | | 2017 |
121-129 |
|
| 29. | Kirkpatrick, Ralph | Bach and Mozart for violin and harpsichord (ca. 1944) |
EastmanStudM |
140 | | 2017 |
110-142 |
|
| 30. | Kirkpatrick, Ralph | On editing Bach's Goldberg variations: For Arthur Mendel (March 31, 1973) |
EastmanStudM |
140 | | 2017 |
99-101 |
|
| 31. | Kramer, Richard A. | Carl Philipp Emanuel Bach and the Aesthetics of Patricide. |
EastmanStudM |
28 | | 2004 |
121-142 |
|
| 32. | Kuhnau, Johann | A Treatise on Liturgical Text Settings (1710). |
EastmanStudM |
37 | | 2006 |
219-226 |
|
| 33. | Little, William A. | Mendelssohn and the Organ. |
EastmanStudM |
118 | | 2014 |
91-110 |
|
| 34. | Marissen, Michael | Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works. |
EastmanStudM |
28 | | 2004 |
85-94 |
|
| 35. | Marvin, Roberta Montemorra | Scholarly Inquiry in Historical Musicology: Sources, Methods, Interpretations. |
EastmanStudM |
28 | | 2004 |
1-7 |
|
| 36. | Melamed, Daniel R. | Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. |
EastmanStudM |
102 | | 2013 |
111-135 |
|
| 37. | Mercer-Taylor, Peter | Mendelssohn and the legacy of Beethoven's ninth: Vocality in the 'Reformation' symphony. |
EastmanStudM |
118 | | 2014 |
61-88 |
|
| 38. | Near, John Richard | Widor on organ performance practice and technique. |
EastmanStudM |
156 | | 2019 |
xvi, 151p |
|
| 39. | Riggs, Robert (ed.) | The violin. |
EastmanStudM |
135 | | 2016 |
xviii, 306p |
|
| 40. | Rothfarb, Lee | August Halm: A critical and creative life in music. |
EastmanStudM |
68 | | 2009 |
xix, 293p |
|
| 41. | Sacks, Elias | Poetry, music, and the limits of harmony: Mendelssohn's aesthetic critique of christianity. |
EastmanStudM |
145 | | 2018 |
122-146 |
|
| 42. | Saffle, Michael | Czerny and the keyboard fantasy: Traditions, innovations, legacy. |
EastmanStudM |
53 | | 2008 |
202-228 |
|
| 43. | Samarotto, Frank | Recurrence and fantasy in C.P.E. Bach's rondo in G major. |
EastmanStudM |
136 | | 2016 |
26-41 |
|
| 44. | Scheibel, Gottfried Ephraim | Random Thoughts About Church Music in Our Day (1721). |
EastmanStudM |
37 | | 2006 |
227-249 |
|
| 45. | Schulenberg, David | Fugues, form, and fingering: Sonata style in Bach's preludes and fugues. |
EastmanStudM |
58 | | 2008 |
14-23 |
|
| 46. | Schulenberg, David | The Music of Carl Philipp Emanuel Bach. |
EastmanStudM |
114 | | 2014 |
xv, 416p |
|
| 47. | Schulenberg, David | The Music of Wilhelm Friedemann Bach |
EastmanStudM |
79 | | 2010 |
354p |
|
| 48. | Sela-Teichler, Yael | Longing for the sublime: Jewish self-consciousness and the 'St. Matthew Passion' in Biedermeier Berlin. |
EastmanStudM |
145 | | 2018 |
147-177 |
|
| 49. | Siegele, Ulrich | Bach's Situation in the Cultural Politics of Contemporary Leipzig. |
EastmanStudM |
37 | | 2006 |
127-173 |
|
| 50. | Speerstra, Joel | Bach and the pedal clavichord: an organist's guide. |
EastmanStudM |
26 | | 2004 |
280p |
|
| 51. | Stinson, Russell | New Perspectives on Bach's Great Eighteen Chorales. |
EastmanStudM |
28 | | 2004 |
40-56 |
|
| 52. | Stinson, Russell | Some observations on Mendelssohn's Bach recital. |
EastmanStudM |
118 | | 2014 |
111-121 |
|
| 53. | Thistlethwaite, Nicholas J. | 'He ought to have a statue': Mendelssohn, Gauntlett, and the English organ reform. |
EastmanStudM |
118 | | 2014 |
122-140 |
|
| 54. | Thym, Jürgen (ed.) | Mendelssohn, the organ, and the music of the past: Constructing historical legacies. |
EastmanStudM |
118 | | 2014 |
x,339p |
|
| 55. | Todd, R. Larry | Mendelssohn and the contrapuntal tradition. |
EastmanStudM |
118 | | 2014 |
15-39 |
|
| 56. | Vial, Stephanie D. | The Art of Musical Phrasing in the Eighteenth Century. Punctuating the Classical 'Period'. |
EastmanStudM |
55 | | 2008 |
xvi, 358p |
|
| 57. | Walker, Paul Mark | Theories of Fugue from the Age of Josquin to the Age of Bach. |
EastmanStudM |
13 | | 2000 |
485p |
|
| 58. | Willner, Channan | Ernst Oster's vision of hidden repetitions and motivic enlargements in J.S. Bach's short keyboard works. |
EastmanStudM |
122 | | 2015 |
157-170 |
|
| 59. | Wolff, Christoph | The Bach tradition among the Mendelssohn ancestry. |
EastmanStudM |
118 | | 2014 |
213-223 |
|
| 60. | Wollny, Peter (ed.) | Bach and the violin. |
EastmanStudM |
135 | | 2016 |
95-122 |
|