Bach Printed Music Database
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Series : ^IndianaTheoryReview$
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TypeListAuthorTitle [further info]SeriesVolNoYearPagesStatus
[]
1. Baker, MichaelA curious type of 'tonal pun' in Bach's suites for unaccompanied cello. IndianaTheoryReview 27 1 Spring 2009 1-21
2. De Young, LindenStretto by Direct and Contrary Motion in Three Fugues by J. S. Bach. IndianaTheoryReview 18 2 1997 15-46
3. Franck, PeterThe theory and practice of wedge progressions within selected works of J.S. Bach. IndianaTheoryReview 29 1 Spring 2011 1-40
4. Gauldin, RobertFux to Bach: Bridging the Gap. IndianaTheoryReview 14 2 Fall 1993 45-72
5. Hauptmann, MoritzHauptmann's commentary on the Art of Fugue: A translation. IndianaTheoryReview 8 2 Fall 1987 45-66
6. Marcozzi, Rudy T.Deep-level structures in J.S. Bach's D minor Chaconne. IndianaTheoryReview 6 1-2 Fall 1982, Winter 1983 5-16
7. McClary, SusanAdorno plays the WTC: On political theory and performance. IndianaTheoryReview 27 2 Fall 2009 97-112
8. McIrvine, Edward C.Form and Tonality in Bach's Settings of 'Jesu, der du meine Seele'. IndianaTheoryReview 5 1 Fall 1981 1-22
9. Neumeyer, DavidThe Two Versions of J. S. Bach's A-minor Invention, BWV 784. IndianaTheoryReview 4 2 Winter 1981 69-99
10. Palmer, VirginiaThe application of the sonata principle to structure in La clemenza di Scipione by J.C. Bach. IndianaTheoryReview 6 1-2 Fall 1982, Winter 1983 36-62
11. Schoffman, NachumPersistent notes and proximity harmonization. IndianaTheoryReview 14 1 Spring 1993 95-131
12. Tepping, Susan E.A lesson in analysis: An account of the study of Bach's E major invention with Felix-Eberhard von Cube. IndianaTheoryReview 9 1 Spring 1988 63-74

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