Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Butler, Gregory G. | The engraving of J. S. Bach's six partitas. |
JMcolResearch |
7 | 1 | 1986 |
3-27 |
|
| 2. | Cooper, John Michael; Todd, R. Larry | 'With True Esteem and Friendship': The Correspondence of Felix Mendelssohn Bartholdy and Louis Spohr. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
171-259 |
|
| 3. | Currie, James Robert | Splinters in the eye: Interpreting Webern's Bach transcription. |
JMcolResearch |
21 | 3 | Jul-Sep 2002 |
167-195 |
|
| 4. | Cypess, Rebecca | Arrangement practices in the Bach tradition, then and now: Historical precedent for modern practice. |
JMcolResearch |
39 | 2-3 | 2020 |
187-212 |
|
| 5. | Hengel, Eduard van; Houten, Kees van | 'Et incarnatus': an afterthought? Against the 'Revisionist' view of Bach's B-Minor Mass. |
JMcolResearch |
23 | 1 | 2004 |
81-112 |
|
| 6. | Hill, David | Think of Damnation: J. S. Bach's Cantata 161 and Luther's Sermon on Preparing to Die. |
JMcolResearch |
16 | 1 | 1996 |
17-39 |
|
| 7. | Lessem, Alan | Schumann's arrangements of Bach as reception history. |
JMcolResearch |
7 | 1 | 1986 |
29-46 |
|
| 8. | Little, William A. | A Minor Mendelssohnian Mystery: The Curious Case of the Credo and the Nachspiel. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
148-158 |
|
| 9. | Rathey, Markus | The 'theology' of Bach's Cöthen cantatas: Rethinking the dichotomy of sacred versus secular. |
JMcolResearch |
35 | 4 | 2016 |
275-298 |
|
| 10. | Rifkin, Joshua | Bach's Chorus: Some Red Herrings [Points of View] |
JMcolResearch |
14 | 3-4 | 1995 |
223-234 |
|
| 11. | Schmalfeldt, Janet | Cadential processes: The evaded cadence and the 'one more time' technique. |
JMcolResearch |
12 | 1-2 | 1992 |
1-52 |
|
| 12. | Schulenberg, David | Recent Bach Studies. |
JMcolResearch |
22 | 4 | Oct-Dec 2003 |
387-402 |
|
| 13. | Schulenberg, David | Tempo Relationships in the Prelude of Bach's Sixth English Suite: A Performance-Studies Approach. |
JMcolResearch |
18 | 2 | 1999 |
139-160 |
|
| 14. | Seaton, Douglass | Mendelssohn in 1825: A Snapshot with Two Canons. |
JMcolResearch |
29 | 2-3 | Apr 2010 |
159-170 |
|
| 15. | Stinson, Russell | The 'critischer musikus' as keyboard transcriber? Scheibe, Bach, and Vivaldi. |
JMcolResearch |
9 | 4 | 1990 |
255-271 |
|
| 16. | Swain, Joseph P. | Harmonic Rhythm in Bach's Ritornellos. |
JMcolResearch |
22 | 3 | Jul-Sep 2003 |
183-222 |
|
| 17. | Town, Stephen | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. |
JMcolResearch |
6 | 4 | 1986 |
311-351 |
|
| 18. | Warner, Michael Allen | A Little Prelude and the Scherzo That Almost Wasn't: Beethoven's 'New Path' and the Early-Nineteenth-Century Bach Revival. |
JMcolResearch |
32 | 2-3 | Apr-Sep 2013 |
83-115 |
|
| 19. | Wiley, Christopher | Myth-making and the politics of nationality in narratives of J.S. Bach's 1717 contest with Louis Marchand. |
JMcolResearch |
38 | 3-4 | 2019 |
193-215 |
|