Search Result - Ordered Chronologically
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Bach Printed Music Database Search Result - Ordered Chronologically |
Author : A. M.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Agricola, Martin: Musica Instrumentalis Deutsch. (1529), 295p |  |
| | 2. | Chastellux, François-Jean Marquis de: Essai sur l'union de la poésie de la musique. (1756), 94p |  |
 | 3. | Schmidt, Gustav Martin (arr.): Sinfonie ou Suite à grand Orchestre composée par Jean Sebastian Bach (1843), 27p | |
 | 4. | A. M.: John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'). DwightJM 37/24 (2 Mar 1878), 187-188 |  |
| | 5. | A. M.: John Sebastian Bach (From Grove's 'Dictionary of Music and Musicians'. Concluded from page 188). Bach-Gesellschaft. DwightJM 37/25 (16 Mar 1878), 193-195 | |
| | 6. | Schmidt, Gustav Martin (arr.): Suite No. 1-3 für Orchester componirt von Johann Sebastian Bach EdPeters 226 (1882), 72p | |
| | 7. | Henderson, A. M. (ed.): Prelude and fugue in E minor / Bach. GemsOrg 5 (c 1900) | |
| | 8. | Henderson, A. M. (ed.): Fugue G minor / Bach. GemsOrg 5 (c 1900) | |
| | 9. | Henderson, A. M. (ed.): Choral prelude 'Vater unser im Himmelreich' (Our Father which art in Heaven) / Bach. GemsOrg 5 (c 1900) | |
| | 10. | Henderson, A. M. (ed.): Siciliano from 2nd flute and piano sonata / Bach. GemsOrg 5 (c 1900) | |
| | 11. | Henderson, A. M. (arr.): Herzlich thut mich verlangen. (My heart and my flesh cry out for the living God). CHORAL PRELUDE BY BACH. (1910), 4-5 | |
| | 12. | Henderson, A. M. (arr.): Erbarm dich mein, O Herre Gott. (Have mercy upon me, O Lord). CHORAL PRELUDE BY BACH. (1910), 6-8 | |
| | 13. | Henderson, A. M. (arr.): Liebser Jesu, wir sind hier. (Blessed Jesus we are here). CHORAL PRELUDE BY BACH. (1910), 9 | |
| | 14. | Henderson, A. M. (arr.): Es ist das Heil uns kommen her. (How is salvation come unto us). CHORAL PRELUDE BY BACH. (1910), 10-11 | |
| | 15. | Henderson, A. M. (arr.): Ich ruf' zu dir, Herr Jesu Christ. (O Lord my God, I cry to Thee). CHORAL PRELUDE BY BACH. (1910), 12-13 | |
| | 16. | Henderson, A. M. (arr.): Herr Gott nun sei gepreiset. (We praise Thee O God). CHORAL PRELUDE BY BACH. (1910), 14-15 | |
| | 17. | Henderson, A. M. (arr.): Wachet auf ruft uns die Stimme. (Wake, awake for night is flying). CHORAL PRELUDE BY BACH. (1910), 16-19 | |
| | 18. | Henderson, A. M. (arr.): O Mensch bewein' dein' Sünde gross. (O man bewail thy heavy sin). CHORAL PRELUDE BY BACH. (1910), 20-23 | |
| | 19. | Henderson, A. M. (arr.): Eight organ chorale-preludes / BACH. SchirmerLib 1087 (1910), 23p | |
| | 20. | Zadora, Michael (arr.): Konzert für Orgel / Wilhelm Friedemann Bach. (1911) | |
| | 21. | Henderson, A. M. (arr.): Selected Movements from the Orchestral Suites / Bach (1911), 19p | |
| | 22. | Zadora, Michael (arr.): Siciliano (aus der Es dur-Sonate für Pianoforte und Flöte) / Johann Sebastian Bach. (1911), 3p | |
| | 23. | Zadora, Michael (arr.): Orgelchoral (In dulci jubilo) / Johann Sebastian Bach. (1912), 3p | |
| | 24. | Henderson, A. M. (arr.): Selected Pieces from the Organ Works and Chamber Music / BACH. (1913), 63p | |
| | 25. | Zadora, Michael: Aria (G-Dur) aus der Matthäus-Passion (1916), 7p | |
| | 26. | Zadora, Michael (arr.): Präludium und Fuge in A moll von Joh. Seb. Bach. (1917), 7p | |
| | 27. | Zadora, Michael (arr.): Präludium und Fuge in D moll von Joh. Seb. Bach. (1917), 9p | |
| | 28. | Henderson, A. M. (arr.): Selected pieces from Early classic masters. (1921), 35p | |
| | 29. | Ushiyama, Mitsuru: Ongaku Kansho no Chishiki. (1924), 470p |  |
| | 30. | Henderson, A. M. (ed.): 23 Organ Chorale Preludes / BACH. (1925), 58p | |
| | 31. | Henderson, A. M. (ed.): An introduction to Bach for the organ. (1930), 68p | |
| | 32. | Henderson, A. M. (ed.): Lord Jesu Christ, with us abide ... Chorale for voices in unison ... (1931) | |
| | 33. | Henderson, A. M. (arr.): Wake, awake! for Night is flying = Wachet auf! ruft uns die Stimme: chorale for voices in unison from the church cantata 'Sleepers, wake!' / Bach (1931), 8p | |
| | 34. | Goodhart, A. M.: Suggestions for the Pianoforte Accompaniment of Choral Singing. MTimes 72/1056 (Feb 1931), 155-156 | |
| | 35. | Gifford, A. M.: Bach on the Modern Organ. MTimes 74/1088 (Oct 1933), 934 | |
| | 36. | Henderson, A. M. (ed.): Popular pieces for piano / Bach. (1934), 36p | |
| | 37. | Škerjanc, Lucijan Marija: J. S. Bach (Ob 250 letnici rojstva.) Jutro 16/67 (21 Mar 1935), 6 |  |
| | 38. | Škerjanc, Lucijan Marija: Trije glasbeni jubileji. NasVal 2/12 (1935), 6-7 | |
| | 39. | Škerjanc, Lucijan Marija: G. F. Händel. ZivljenjeSvet 9:17/ 8, 9 (17, 24 Feb 1935), 215-219; 242-244 | |
| | 40. | Škerjanc, Lucijan Marija: J. S. Bach. ZivljenjeSvet 9:17/12 (17 Mar 1935), 329-330 | |
| | 41. | Newman, S. T. M. [Sidney Thomas Mayow]: Bach's Motet 'Singet dem Herrn' ('Sing ye to the Lord') ProceedRMA 64 (1937-38), 97-129 | |
| | 42. | Iguchi, Motonari; Tsuchikawa, Masahiro; Fukui, Naotoshi (eds.): Invention 2-Seibu to 3-Seibu / Bach = Inventionen: 15 Inventionen und 15 Symphonien. (1943) | |
| | 43. | Stein, Max Martin: Erinnerungen an Karl Straube. Kmusiker 1/2 (1950), 36-37 | |
| | 44. | Mila, Massimo: La 'Messa in si minore' di Bach. Per soli, coro e orchestra -- Direttore: Herbert von Karajan. Mercoledì ore 21,45, Rete rossa -- Dal Teatro alla Scala di Milano. Radiocorriere 27/28 (9-15 Jul 1950), 7 |  |
| | 45. | Bonisconti, A. M.: Terzo programma - Omaggi a Bach. Domenica, ore 21,50 - Lunedì, ore 22,25 - Martedì, ore 22,35 - Terzo programma. Subato, ore 17,20 - Rete azzurra. Radiocorriere 27/46 (12-18 Nov 1950), 13-14 | |
| | 46. | Dufourcq, Norbert; Pierront, Noëlie; Bourla, Marie-Madeleine (eds.): Premier livre d'orgue / de Nicolas de Grigny. (1953), vi, 101p | |
| | 47. | Zadora, Michael (arr.): Prelude and Fugue in G minor (for organ). (1955), 11p | |
| | 48. | Kada, Mariko: C. Ph. E. Bach no Chenbaro Kyosokyoku. OngakuGaku 14/1-2 (1968), 65-75 | |
| | 49. | Zijlstra, Miep: De Bach-cantatas in liturgisch verband. MensMelodie 25/12 (1970), 78-80 |  |
| | 50. | Stokowska, Magdalena: Kto? Co? O muzyce i muzykach. Cietkawosti, Wiersze, Wypowiedzi, Anegdoty. (1971), 347p |  |
 | 51. | Murata, Margaret: Extravagant Harmony and Dissonance in Early 'Seicento' Keyboard Music: 'Stravaganze' and 'Durrezze e ligature'. diss. (1971) | |
| | 52. | Zijlstra, Miep: Een vernieuwde Johannes-Passie. MensMelodie 28 (1973), 115-117 | |
| | 53. | Tsukioka, Masaaki: Kenban Gakki no Rekishiteki Soho ni tsuite. OruganKenkyu 1 (1973), 13-24 | |
| | 54. | Rideout, Sarah Margaret: Johann Sebastian Bach's solo cantatas for soprano. diss. (1974) | |
| | 55. | Sicca, Mario: Note critiche sul problema delle trascrizioni per chitarra. Fronimo 3/11 (Apr 1975), 23-25 | |
| | 56. | Yoshida, Miwako: C.P.E. Bach no Klavier Konzert Wq.43 no gakufu kotei. diss. (1976), 75p | |
| | 57. | Yamada, Minoru: Mendelssohn no Orugan Ongaku tsuite. OruganKenkyu 5 (1977), 56-61 | |
| | 58. | Kushida, Magoichi: Bunkyojo no Bach. (1978), 174p | |
| | 59. | Nishihara, Minoru: Kurth kenkyu josetsu: Kurth ni okeru shinteki keiki to ongaku tetsugaku no shomondai o megutte. diss. (1978), 376p | |
| | 60. | Schmidt, Christian Martin: Über die Konzertform in späten Orgelkompositionen J. S. Bachs. [cr]Berlin1974 (1980), 300-302 | |
| | 61. | Štraub, Žan Mari [Straub, Jean-Marie]: Anna Magdalena Bach. (1981), 35p |  |
| | 62. | Lobanova, Marina: Muzykal'nyj stil' i zanr v epohu barokko kak problema sovremmenoj istorii kul'tury (ma primere moteta). diss. (1981), 23p |  |
| | 63. | Tsukioka, Masaaki: Nitancho Toccata BWV 565 wa J. S. Bach no Orugan Kyoku ka. Peter Williams no Ronbun Shokai. OruganKenkyu 9 (1981), 33-46 | |
| | 64. | Yamashita, Michiko: Doitsu no Kenban Kumikyoku ni fukumareru Allemande: Takuto-ron no Suii kara mita Yoshiki Bunseki no kokoromi. OngakuKenkyu 4 (1982), 1-36 | |
| | 65. | Mila, Massimo: La vecchiaia di Bach. Belfagor 38 (1983), 253-264 | |
| | 66. | Nishihara, Minoru: Doitsu Keimoshugi no Ongaku Bigaku. Scheibe to 1750-Nen Zengo ni okeru 'Kanseigaku' to shite no Ongaku Bigaku no Shomondai. BulFacMTokyoGeijutsuDaigaku 9 (Mar 1983), 29-53 | |
| | 67. | Evseeva, Marina: Muzyka I.S. Baha v ispolnenii Tat'jany Nikolaevoj. [ce]MuyzkalnoeIspolnitelstvo 2 (1983) | |
| | 68. | Oyama, Mayumi: J. S. Bach no Senritsu Gakki to obligato cembalo no tame no Sonata. OngakuGaku 29/2 (1983), 186-198 | |
| | 69. | European American Music: The New Bach Edition. AmerOrganist(2) 19/ 3 (Mar 1985), 73 | |
 | 70. | Oyama, Mayumi: J.S. Bach no Henkyoku Giho. (Bigakkai Dai-36-Kai Zenkoku Taikai Hokoku). Bigaku 36/3 (1985), 51 | |
| | 71. | Lobanova, Marina: Allegorija i emblema v kantate J. S. Bacha 'O Ewigkeit, du Donnerwort' Nr. 60. [ce]ProblemyMusykalnogoStilja (1985), 45-62 | |
| | 72. | Sicca, Mario: Riflessioni di un chitarrista su alcuni problemi di articolazione nelle opere per liuto di J. S. Bach. Fronimo 13/52 (1985), 15-24 | |
| | 73. | Sicca, Mario: Articulation in the Lute Music of J. S. Bach. GuitarReview 63 (1985), 26-31 | |
| | 74. | Oyama, Mayumi: Gendai no Bach Kenkyu -5- Bach no Henkyoku Giho. OngakuGeijutsu 43/ 7 (1985), 82-89 | |
| | 75. | Schmidt, Christian Martin: Zur Entwicklung der Form im emphatischen Sinne: Bachs Orgelpräludium h-moll BWV 544. Mtheorie 1/3 (1986), 195-204 | |
 | 76. | Kawabata, Maiko: Traditions on Record: A Performance Analysis of the opening of Bach's Chaconne for Solo Violin. [p]RMARS_Cardiff (Dec 1986) | |
| | 77. | Mather, Betty Bang; Karns, Dean M.: Dance Rhythms of the French Baroque: a Handbook for Performance. (1987), xiv, 334p | |
| | 78. | Della Chiesa d'Isasca, Marco: Per una rilettura di Bach: Osservazioni sulla struttura e sulla interpretazione del preludio e fuga in fa maggiore (N. 11) dal primo volume del Clavicembalo ben temperato di J.S. Bach. Eunomio 7 (Fall 1987), 3-10 | |
| | 79. | Borio, Gianmario; Garda, Michela (eds.): L'esperienza musicale: Teoria e storia della ricezione. [ce]LEsperienzaM (1989), v, 225p | |
| | 80. | Tsukioka, Masaaki: Bach no Soshoku Kigo ni tsuiteno Ichikosatsu. Orugan Sakuhin no Jitsurei o Chushin to shite. OruganKenkyu 17 (1989), 1-20 | |
| | 81. | Schmidt, Christian Martin: Stabilität und Varietät: Zum ersten Satz von Bachs viertem Brandenburgischen Konzert BWV 1049. [fs]Kross60 (1990), 87-94 | |
| | 82. | Schmidt, Christian Martin: Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. [fs]Stephan65 (1990), 97-111 | |
| | 83. | Frolova, Marina: Igrat' li nam Baha? MoskovskijM 1 (1990), 254-259 | |
| | 84. | Carbonell Gras, Juan Miguel: Descubre la música cantando a J.S. Bach: 20 lecciones de solfeo de fácil a mediana dificultad. (1991), 83p |  |
| | 85. | Tokumaru, Yoshihiko; Ohmiya, Makoto; Kanazawa, et.al. (eds.): Tradition and its future in music. [Report of the Fourth Symposium of the International Musicological Society] [cr]Osaka1990 (1991), 695p | |
| | 86. | Schmidt, Christian Martin: Analyse und Geschichtsauffassung. Bachs Präludium und Fuge für Orgel BWV 552. MuziekWetenschap 1 (1991) | |
| | 87. | Koscha, Melanie: [Betr. Int. J.-S.-Bach-Wettbewerb 1992 Leipzig]. MKirche 62/6 (Nov-Dec 1992), 368 | |
| | 88. | Ogawa, Masafumi: An analysis of Reinhard Keiser's St. Mark's Passion. OitaDaigakuKGKK 14/2 (1992), 309-324 | |
| | 89. | Inoura, Michio: 'Esutoro' ni michita Toshi, Venezia. BCJ 8 (Jul 1993) | |
| | 90. | Inoura, Michio: Itaria Ryori no koto. BCJ 10 (Dec 1993) | |
| | 91. | Della Chiesa d'Isasca, Marco: Per una rilettura di Bach: Osservazioni sulla struttura, sulle componenti stilistiche e sulla interpretazione del preludio e fuga in do diesis maggiore (n.3) dal secondo volume del Clavicembalo ben temperato di J.S. Bach. II. Eunomio 20 (Spring-Summer 1993), 3-17 | |
| | 92. | Kostakeva, Marija: Der Teufel als Symbol des totalitaren Systems: Die neuen Mythen der Sowjet-Ara am Beispiel von Alfred Schnittkes Faust-Kantate. WortM 18 (1993), ii: 611-620 | |
| | 93. | Yamashita, Michiko: 'Schütz to Schein no Yube' ni yosete. BCJ 13 (May 1994) | |
| | 94. | Schmidt, Christian Martin: 'Dem Höchsten Gott Allein Zu Ehren, Dem Nechsten, Draus Sich Zu Belehren'. Die musikalische Wissenschaft des Johann Sebastian Bach. (1995), 61-87 | |
| | 95. | Machella, Maurizio (ed.): Opere dubbie e spurie per organo / J. S. Bach ; 2. (1995), 64p | |
| | 96. | Oyama, Mayumi: [Fukugen Kyosokyoku] BWV 1055R, 1060R, 1052R, 1053R, 1059R, 1064R. BachZenshu 14 (Dec 1995), 208-211 [50-53] | |
| | 97. | Oyama, Mayumi: Bach no Chenbaro Kyosokyoku. BachZenshu 14 (Dec 1995), 211-221 [40-50] | |
| | 98. | Taira, Maiko: Totonotta Kyokai Ongaku to iu Kyukyoku Mokuteki. BCJ 21 (Nov 1995) | |
| | 99. | Schmierer, Elisabeth; Fontaine, Susanne; Grunzweig, Werner; Brzoska, Matthias (eds.): Töne, Farben, Formen. Über Musik und die bildenden Künste. Festschrift Elmar Budde zum 60. Geburtstag. [fs]Budde60 (1995), x, 369p | |
| | 100. | Schmidt, Christian Martin: Die Musikgeschichte des 19. Jahrhunderts kann man ohne Bach nicht schreiben. JbStaatInstMf 1994 (1995), 96-109 | |
| | 101. | Wakakuwa, Midori: Kaiga ni arawareta 'Ieru Junan' no sugata: Catholic to Protestant. BachZenshu 7 (Oct 1996), 102-115 | |
| | 102. | Nishihara, Minoru: 19-Seiki no Cembalo Fukko. BachZenshu 11 (Jul 1996), 88-100 | |
| | 103. | Marx-Weber, Magda; Marx, Hans Joachim (eds.): Ausgewählte Aufsätze zur geistlichen Musik / Arnold Schmitz. BeitrGesKm 3 (1996), viii, 346p | |
| | 104. | Vaahtoranta, Martti: J.S.Bach und das Luthertum--eine zufallige Kombination?: Bilderverehrung und Abendmahlsanbetung bei Johann Gerhard. (1997), 67-77 | |
| | 105. | Kanazawa, Masakata: Johann Sebastian Bach to Watashi. BachZenshu 2 (Apr 1997), 86-95 | |
| | 106. | Nishihara, Minoru: Bach to Keizai Seikatsu. BachZenshu 2 (Apr 1997), 144-158 | |
| | 107. | Waldura, Markus: Heinrich Christoph Koch--Hofkapellmitglied, Musiktheoretiker und Komponist. BeitrSchwarzburgKunstKulturGes 6 (1997), 147-178 | |
| | 108. | Kostek, Bozena; Szczerba, Marek; Wieczorkowska, Alicja: Musikdatenbanken: Aufbau und Analyse. [ce]19Tonmeistertagung (1997), 807-812 | |
| | 109. | Schmidt, Christian Martin (ed.): Felix Mendelssohn Bartholdy: Kongreß-Bericht Berlin 1994. [cr]Berlin1994 (1997), 351p | |
| | 110. | Lobanova, Marina: Bild, Wort und Ton: Wie Johann Sebastian Bach Sinnbilder des Barock musikalisch umsetzte. Orchester(Mainz) 45/ 4 (1997), 23-30 | |
| | 111. | Bach Bachtischa, Michael: Die Suiten für Violoncello von Johann Sebastian Bach: Einige Gedanken zu ihrer Ausführung mit dem Rundbogen. Orchester(Mainz) 45/ 7-8 (1997), 16-20 | |
| | 112. | Jira, Martin: Musikalische Temperaturen in der Klaviermusik des 17. und frühen 18. Jahrhunderts. WürzburgMHistBeitr 17 (1997), 264p | |
| | 113. | Venezia, Mike: Johann Sebastian Bach. (1998), 32p | |
| | 114. | Nishihara, Minoru: Bach no Kyutei Seikatsu. BachZenshu 6 (Apr 1998), 166-176 | |
| | 115. | Ohara, Mayumi: Bach-ke no 'Kazoku no Shozo'. BachZenshu 8 (Jan 1998), 112-121 | |
| | 116. | Nishihara, Minoru: Bach no Shogai: 19-Seiki Kindai ni okeru Bach no Egakarekata. BachZenshu 10 (Jan 1998), 192-206 | |
| | 117. | Setaka, Michisuke: Countertenor no 3tsu no Dojo. BCJ 34 (Jun 1998), [16-19] | |
| | 118. | Yamashita, Michiko: Leipzig to Bach no Kantoru Shunin. BCJ 35 (Sep 1998), 20-25 | |
| | 119. | Kopiez, Reinhard; Barthelmes, Barbara; Gembris, Heiner; Kloppenburg, Josef; Loesch, Heinz von; Neuhoff, Hans; Rotter, Gunther; Schmidt, Christian Martin: Musikwissenschaft zwischen Kunst, Ästhetik und Experiment: Festschrift Helga de la Motte-Haber zum 60. Geburtstag. [fs]Motte-Haber60 (1998), xxx, 670p | |
| | 120. | Zorilova, Ljudmila S.; Sidorova, Margarita Borisovna (eds.): Muzykal'naja pedagogika: Ispolnitel'stvo. III. MuzykalnajaPedagIspol 3 (1998), 105p | |
| | 121. | Lamla, Michael H.: Musical Books of Patterns in Seventeenth-Century Italy. [p]SSCM_Illinois (Apr 1998) | |
| | 122. | Videla, Mario: Albert Schweitzer, el organista. RadioClasica 10/115 (Feb 1998), 35-38 | |
 | 123. | Ulloa, Mário: Gavotte I BWV 995: redução e performance musical. Urucungo 1/1 (1998) |  |
| | 124. | Yamashita, Michiko: Kuhnau to Bach ... Futari no Thomas Kantoru. BCJ 37 (Feb 1999), 16-21 | |
| | 125. | Schmidt, Christian Martin; Chailly, Riccardo; Berio, Luciano: De innerlijke tragedie van een mens. [ce]MatthausPassion100JPKC (1999), 10-17 | |
| | 126. | Schmidt, Christian Martin: De herontdekking van de Matthäus-Passion door Felix Mendelssohn Bartholdy. [ce]MatthausPassion100JPKC (1999), 18-21 | |
| | 127. | Dinglinger, Wolfgang; Schmidt, Christian Martin (eds.): De Matthäus-Passion: 100 jaar passietraditie van het Koninklijk Concertgebouworkest. [ce]MatthausPassion100JPKC (1999), 174p | |
| | 128. | Ishikawa, Miyuki: J. S. Bach no Junankyoku oyobi Oratorio ni okeru Alto Solo no Yakuwari to Igi ni kansuru Kenkyu. diss. (1999) | |
| | 129. | Szoka, Marta (ed.): Arcana musicae. [fs]Wesolowski (1999), 217p | |
| | 130. | Khalifa, Michel: De tegenstelling vlees-geest in twee motetten van Bach. TijdschrMtheorie 4/3 (Nov 1999), 189-205 | |
| | 131. | Ohazama, Moriko: Waga Kokoro no BCJ. BCJ 43 (Jul 2000), 25-26 | |
| | 132. | Oniwa, Midori: BCJ to Watashi. BCJ 43 (Jul 2000), 26-27 | |
| | 133. | Taneda, Minoru: Bach to BCJ to Watashi. BCJ 43 (Jul 2000), 33-34 | |
| | 134. | Fukuda, Mitsuo: BCJ Soritsu 10-Nen, Omedeto gozaimasu. BCJ 43 (Jul 2000), 42 | |
| | 135. | Kanazawa, Masakata: J. S. Bach 7-Ban Shobu. Bach vs. Vivaldi. [ce]Daremoiwanakatta (2000), 126-145 | |
| | 136. | Kanazawa, Masakata: J. S. Bach 7-Ban Shobu. J. S. Bach vs. J. S. Bach (botsugo) [ce]Daremoiwanakatta (2000), 196-207 | |
| | 137. | Kanazawa, Masakata (ed.): Dare mo iwanakatta 'Dai-Ensoka Bach' Kanshoho. [ce]Daremoiwanakatta (2000), 334p | |
| | 138. | Sannomiya, Masamitsu; Suzuki, Masaaki: Oboe. [ce]GakkiHakubutsukan (2000), 12-15 | |
| | 139. | Schmidt, Christian Martin: Die Wiederentdeckung der Matthäus-Passion durch Felix Mendelssohn-Bartholdy. JbBachWoche_Dillenburg (2000), 63-68 | |
| | 140. | Videla, Mario: La Biblia personal de J.S. Bach. MusicaInvestigacion 3/6 (2000), 135-142 | |
| | 141. | Drozdova, Marina Anatol'evna: Judina: Vzgljad na HTK. MuzykalnajaZizn 7 (2000), 9-11 | |
| | 142. | Brezneva, Irina Vâceslavovna; Malinina, Galina Mihajlovna (eds.): Russkie muzykal'nye arhivy za rubezom, zarubeznye muzykal'nye arhivy v Rossii. NaucnyeTrudy 31 (2000), 237p | Latin 2
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| | 143. | Jira, Martin: Verwendete Johann Sebastian Bach beim Komponieren der Chromatischen Fantasie und Fuge d-moll BWV 903 eine offene Temperatur? NMwJb 9 (2000), 37-47 | |
| | 144. | Blahynka, Miloslav: Reflexia Johanna Sebastiana Bacha vo filozofii 20. storoèia. SlovenskaHudba 26/4 (2000), 417-424 | Latin 2
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| | 145. | Jira, Martin: Musikalische Temperaturen und musikalischer Satz in der Klaviermusik von J. S. Bach. WürzburgMHistBeitr 20 (2000), 319p | |
| | 146. | Yamada, Mitsugu: Bach to Rauten Klavier: Ushinawareta Gakki o motomete. (2001), 242p | |
| | 147. | Yamada, Mutsugu: Bach to Lauten-Klavier: Ushinawareta Gakki o motomete. (2001), 242p | |
| | 148. | Iwata, Makoto: No to ongaku. (2001), 340p | |
| | 149. | Sugihara, Michio: 'R. Nak & His Tokyo Bach Band'. BrassBul 114 (2001), 84-86 | |
| | 150. | Brzoska, Matthias; Heinemann, Michael (eds.): Die Geschichte der Musik. I: Die Musik von den Anfängen bis zum Barock. [ce]GeschichteDerMusik 1 (2001), x, 395p | |
| | 151. | Brzoska, Matthias; Heinemann, Michael (eds.): Die Geschichte der Musik. II: Die Musik der Klassik und Romantik. [ce]GeschichteDerMusik 2 (2001), 405p | |
| | 152. | Moreno i Morera, Modest: Nun komm, der Heiden Heiland. Filomusica 23 (Dec 2001) | |
| | 153. | Waldura, Markus: Zu Johann Matthesons Lehre von den Ab- und Einschnitten der Klang-Rede. Mtheorie 16/3 (2001), 195-219 | |
| | 154. | Machella, Maurizio (ed.): Opere dubbie e spurie per organo / J. S. Bach ; 1. (c 2002), 41p | |
| | 155. | Yamada, Mitsugu: Bach no Mubanso Sakuhin no Henkyoku / Kenbanka. [1] AnnGifuShotokuGakuenU 41 (2002), 127-148 | |
| | 156. | Schmidt, Christian Martin: Zwischen Quellentreue und Werkrezeption, oder, Dem Wandel des historischen Bewußtseins ist nicht zu entkommen. BeihEditio 17 (2002), 3-17 | |
| | 157. | Kraa, Maria: Nie wahrgenommene Klänge. [ce]BegegnungenMitBach (2002), 130-131 | |
| | 158. | Bogdan, Izabela; Miernikiewicz, Patryk: 'Confessio fidei Bachiana'. Religious Experience of God in the Works of Johann Sebastian Bach. CompostelaPrize 2 (2002), 205-215 | |
| | 159. | Jira, Martin: Der Einfluß musikalischer Temperaturen auf die Komposition der franzözischen Suiten von Johann Sebastian Bach. PubHochsMTheaterHannover 12 (2002), 249-254 | |
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