Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Anson-Cartwright, Mark: Elision and the Embellished Final Cadence in J. S. Bach's Preludes. MAnalysis 26/3 (Oct 2007), 267-288 | |
| 2. | Anson-Cartwright, Mark: Subdominant Returns in the Vocal Music of J.S. Bach. 18cM 10/2 (Sep 2013), 253-276 | |
| 3. | Anson-Cartwright, Mark: The Mutable Subject: Tonal and Rhythmic Transformations in Selected Fugues of J. S. Bach. JMTheory 58/1 (Spring 2014), 1-24 | |
| 4. | Anson-Cartwright, Mark: The opening tonal complex of Bach's St. Matthew passion: A linear view. EastmanStudM 136 (2016), 12-25 | |
| 5. | Anson-Cartwright, Mark: Teaching Bach's Aria Forms: Expanding Students' Analytical Horizons. Bach 49/2 (2018), 266-280 | |