Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Boyd, Malcolm: Harmonizing 'Bach' Chorales. (1967), 39p | |
| 2. | Boyd, Malcolm: Bach's Instrumental Counterpoint. (1967), 39p | |
| 3. | Boyd, Malcolm: Baroque Oratorio: a terminological inexactitude? MTimes 119/1624 (Jun 1978), 507-508 | |
| 4. | Boyd, Malcolm: B-A-C-H. NewGrove(1) 1 (1980), 877-878 | |
| 5. | Boyd, Malcolm: Bach. (1983), 290p | |
| 6. | Boyd, Malcolm: Bach. (1984), 222p | |
| 7. | Boyd, Malcolm: Johann Sebastian Bach. Leben und Werk. (1984), 376p | |
| 8. | Boyd, Malcolm: Bach: The Brandenburg Concertos. (1993), x, 111p | |
| 9. | Boyd, Malcolm: Sacred Bach, echt and unecht. EarlyM 23/2 (May 1995), 338 | |
| 10. | Boyd, Malcolm: Bach, Telemann und das Fanfarenthema. BachJb 82 (1996), 147-150 | |
| 11. | Boyd, Malcolm: The Bach Family. [ce]CambridgeCompanion_Bach (1997), 9-16 | |
| 12. | Boyd, Malcolm: Bach: Chorale Harmonization and Instrumental Counterpoint. (1999), 39p | |
| 13. | Boyd, Malcolm (ed.): Oxford Composer Companions: J. S. Bach. (1999), xxv, 626p | |
| 14. | Boyd, Malcolm: B-A-C-H. NewGrove(2) 2 (2001), 429 | |
| 15. | Boyd, Malcolm: The Italian Serenata and related genres in Britain and Germany: Some observations. SopplimentiM 1/4 (2001), 515-527 | |