Bach Printed Music Database Search Result - Ordered Chronologically

Author : Chapin, Keith

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Chapin, Keith Moore:   From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. diss. (2002), 322p
	2.	Chapin, Keith:   Human Work with Divine Material: A Work Concept in the Theory of Christoph Bernhard. [p]SSCM_Winston-Salem (Apr 2003)
	3.	Chapin, Keith:   Classicist Terms of Sublimity: Christian Friedrich Michaelis, Fugue, and Fantasy. AdParnassum 4/8 (Oct 2006), 115-139
	4.	Chapin, Keith:   Scheibe's Mistake: Sublime Simplicity and the Criteria of Classicism. 18cM 5/2 (Sep 2008), 165-178
	5.	Chapin, Keith:   The Rhythms of Counterpoint and the Representation of Time: Bach, Haydn, and the Et vitam venturi Fugue in the Missa in tempore belli. [p]AMS_Nashville (Nov 2008)
	6.	Chapin, Keith M.:   Bach's silence, Mattheson's words: Professional and humanist ways of speaking of music. (2013), 49-69
	7.	Chapin, Keith:   Temporal Modes and Symbolic Stakes: Strict Composition in Early Nineteenth-Century Europe. Musurgia 21/1-2-3 (Oct 2014), 29-41
	8.	Chapin, Keith M.:   C.P.E. Bach and the neoclassical sublime: Revisions of a concept. [ce]MSonorousSublime (2020), 91-119