Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Cortens, Evan: Theological Allegory in the Cantatas of J. S. Bach. [p]AMS_PacificNorthwest (Mar-Apr 2006) | |
| 2. | Cortens, Evan Philip: The Installation Cantatas of C. P. E. Bach. diss. (2008), 124p | |
| 3. | Cortens, Evan: The Installation Cantatas of C. P. E. Bach. [p]AMS_NewEngland (Apr 2008) | |
| 4. | Cortens, Evan: Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. [p]AMS_GreaterNewYork (Apr 2009) | |
| 5. | Cortens, Evan: Wenn man an einem 'Instrumente Mangel' hat: Obbligato Organ in Cantatas of J. S. Bach. [p]Soc18cM_Brooklyn (Apr 2010) | |
| 6. | Cortens, Evan: Johann Samuel Schroeter (c. 1752-1788). Soc18cMNL 17 (Sep 2010-Apr 2011), 1,12 | |
| 7. | Cortens, Evan: Johann Samuel Schroeter and the English Piano Concerto. Soc18cMNL 18 (Oct 2011), 4-6 | |
| 8. | Cortens, Evan: Distracted Fragments: J. C. Bach's Temistocle in Mannheim. Soc18cMNL 20 (Oct 2012), 4-7 | |
| 9. | Cortens, Evan: 'Ein Musikdirector hat an einem Instrumente Mangel': Obbligato organ in the Bach cantatas. [cr]Brooklyn2010 (2014), 52-77 | |
| 10. | Cortens, Evan: The sacred cantatas of Christoph Graupner: Music at the intersection of opera and theology. diss. (2014), xi, 307p | |
| 11. | Cortens, Evan: 'Durch die Music gleichsam lebendig vorgestellet': Graupner, Bach, and Mein Herz schwimmt im Blut. Bach 46/1 (2015), 74-110 | |
| 12. | Cortens, Evan: From the divine to the diapason: Bach in his religious and instrumental context. KeyboardPerspectives 9 (2016), 159-168 | |
| 13. | Cortens, Evan: Voices and Invoices: The Hamburg Vocal Ensemble of C. P. E. Bach. BachPerspectives 11 (2017), 113-131 | |
| 14. | Cortens, Evan: A Passion Cycle and a Set of Epiphany Cantatas by Christoph Graupner. BachNotesABS 32 (Spring 2020), 7-11 | |
| 15. | Cortens, Evan (ed.): Passion according to St. Mark (1782) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 5.4 (2020), xxx, 87p | |