Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Geiringer, Karl: Brahms als Musikhistoriker. DieMusik 25/ 8 (May 1933), 571-578 | |
| 2. | Geiringer, Karl (ed.): Die Familie Bach. (1936), 48p | |
| 3. | Geiringer, Karl (ed.): Alte Meistersonaten für Geige und Klavier (1937), 48p + St | |
| 4. | Geiringer, Karl (arr.): I know that my Redeemer lives ... / [Johann Michael Bach] (1940) | |
| 5. | Geiringer, Karl: Musical Instruments. Their History from the Stone Age to the Present Day. (1943), 339p | |
| 6. | Geiringer, Karl: The lost portrait of J. S. Bach. (1950), 12p | |
| 7. | Geiringer, Karl: Artistic interrelations of the Bachs. MQ 36/3 (Jul 1950), 363-374 | |
| 8. | Geiringer, Karl: The Bachs. A family portrait. (1953), 23p | |
| 9. | Geiringer, Karl: The Bach Family. Seven generations of creative genius. (1954), 514p | |
| 10. | Geiringer, Karl (ed.): The Music of the Bach Family: An Anthology. (1955), 248p | |
| 11. | Geiringer, Karl: Bach et sa Famille. Sept Générations des Génies Créateurs. (1955), 559p | |
| 12. | Geiringer, Karl: Symbolism in the music of Bach. A Lecture. (1956), 16p | |
| 13. | Geiringer, Karl: Hun naam was Bach. Zeven generaties muzikale scheppingskracht. (1956), 495p | |
| 14. | Geiringer, Karl: Unbeachtete Kompositionen des Bückeburger Bach. InnsbruckBeitrKulturWiss 3 (1956), 99-107 | |
| 15. | Geiringer, Karl: Die Musikerfamilie Bach. Leben und Wirken in drei Jahrhunderten. (1958), xiv, 571p | |
| 16. | Geiringer, Karl: Unbekannte Werke von Nachkommen J. S. Bachs in amerikanischen Sammlungen. (1959), 110-112 | |
| 17. | Geiringer, Karl; Geiringer, Irene: La familia de los Bach. Siete generaciones de genio creador. (1962), 592p | |
| 18. | Geiringer, Karl: Bach's work-cycle. [cr]NewYork1961 2 (1962), 129-130 | |
| 19. | Dadelsen, Georg von; Geiringer, Karl: Bach as 'conservator' vs. Bach as 'pathbreaker'. [cr]NewYork1961 2 (1962), 131 | |
| 20. | Geiringer, Karl: Es ist genug. (1965) | |
| 21. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. The culmination of an era. (1966), 382p | |
| 22. | Geiringer, Karl: Bach's Oratorios. AmerChoralReview 9/3 (Spring 1967), 22-25 | |
| 23. | Geiringer, Karl: Johann Sebastian Bach. (1969), 339p | |
| 24. | Geiringer, Karl: Der Einfluß der Aufklärung auf J. S. Bachs künstlerisches Denken. StudMcolAcadSciHungaricae 11/1-4 (1969), 201-206 | |
| 25. | Geiringer, Karl; Geiringer, Irene: J. S. Bach. (1970), 398p | |
| 26. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. Sono Shogai to Ongaku. (1970), 452p | |
| 27. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. (1971), xii, 376p | |
| 28. | Geiringer, Karl: Pictorialism and Symbolism in the Music of Bach. [p]AMS_PacificNorthwest (May 1973) | |
| 29. | Geiringer, Karl: Johann Sebastian Bach. (1976), 293p | Latin 2
|
| 30. | Geiringer, Karl: Die Musikerfamilie Bach. Musiktradition in 7 Generationen. (1977), ix, 397p | |
| 31. | Geiringer, Karl: Bach no Ongaku ni okeru Shochoho. BachSosho 9 (1978), 7-24 | |
| 32. | Geiringer, Karl: I. Bach. (1981), 714p | |
| 33. | Geiringer, Karl; Geiringer, Irene: Johann Sebastian Bach. Culminación de una era. (1982), x, 410p | |
| 34. | Geiringer, Karl: C.P.E. Bach and the Viennese Classical School. [p]AMS_PacificSouthwest (Nov 1987) | |
| 35. | Geiringer, Karl: Carl Philipp Emanuel Bach und die Meister der Wiener klassischen Schule. OMzs 43/ 6 (1988), 300-306 | |
| 36. | Geiringer, Karl: Emanuel Bach and the music of the Viennese classical triad. DetroitMMcol 35 (2002), 195-202 | |
| 37. | Geiringer, Karl: Brahms's performance arrangements of Es ist genug. DetroitMMcol 49 (2006), 379-387 | |