Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Golomb, Uri: András Schiff/Philharmonia Orchestra: Johann Sebastian Bach, 2000. (Oct 2000) | |
| 2. | Golomb, Uri: The St. John Passion on stage. (Apr 2000) | |
| 3. | Golomb, Uri: Style, expression and performance in the second Kyrie of Bach's B minor Mass. [p]BCB_Dublin (Jul 2000) | |
| 4. | Golomb, Uri: Text, music and performative interpretation in Bach's cantata Ich habe genug. (Mar 2001) | |
| 5. | Golomb, Uri: Two Easter St. Matthew Passions (Plus One). (May 2002) | |
| 6. | Golomb, Uri: Ton Koopman. Goldberg 24 (Sep 2003), 42-51 | |
| 7. | Golomb, Uri: Sellars Staging. (Jan 2004) | |
| 8. | Golomb, Uri: Expression and Meaning in Bach Performance and Reception: An Examination of the B minor Mass on Record. diss. (2004), xv, 432p | |
| 9. | Golomb, Uri: Rhetoric and Gesture in Performances of the 'First Kyrie' from Bach's Mass in B Minor (BWV 232). JMMeaning 3 (Fall-Winter 2004-05) | |
| 10. | Golomb, Uri: Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. [p]SocMAnalysis_Manchester (Feb 2005) | |
| 11. | Golomb, Uri: El arte de la fuga de Johann Sebastián Bach / Johann Sebastian Bach's The Art of Fugue. Goldberg 38 (Feb 2006), 64-73 | |
| 12. | Golomb, Uri: El drama litúrgico en la 'Pasión según San Mateo' de Bach / Liturgical drama in Bach's St. Matthew Passion. Goldberg 39 (Apr 2006), 48-59 | |
| 13. | Golomb, Uri: Intensity, Complexity and Musical Rhetoric in Performances of the B-minor Mass. [cr]Belfast2007 1 (2007), 258-277 | |
| 14. | Golomb, Uri: Los Oratorios de Bach / Bach's Oratorio. Goldberg 48 (Oct 2007), 58-71 | |
| 15. | Golomb, Uri: Performance in Theory and in Practice: Helmuth Rilling's Interpretations of Bach's B minor Mass. OrbisMusicae 14 (2007), 77-116 | |
| 16. | Golomb, Uri: Rhetoric in the Performance of Baroque Music. (Apr 2008) | |
| 17. | Golomb, Uri: Understanding Bach's B-minor Mass: A Participant's Report / Comprender la Misa en Si menor de Bach: informe de un participante. Goldberg 49 (Jan 2008), 16 | |
| 18. | Golomb, Uri: [Joshua Rifkin: Interview] Goldberg 51 (Jun 2008), 56-57 | |
| 19. | Golomb, Uri: Keys to the Performance of Baroque Music. Goldberg 51 (Apr 2008), 56-67 | |
| 20. | Golomb, Uri: Las cuatro 'Misas' de Bach / Bach's four Missae. Goldberg 54 (Oct 2008), 46-59 | |
| 21. | Golomb, Uri: Hierarchies and continuities in televised productions of Bach's Passions. [p]SMA_Glasgow (Apr 2009) | |
| 22. | Golomb, Uri; Cohen, Dalia: The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. [p]BICB_Belfast (Jul 2010) | |
| 23. | Golomb, Uri: Analysis, creativity, and musical rhetoric in performances of the duet Et in unum from Bach's B-minor Mass, BWV 232. MinAd 11/2 (2013), 22-40 | |
| 24. | Golomb, Uri: The Passion Animated, Ritualised and Monumentalised: Expressive Engagement and Emotional Distance in Productions of Bach's Matthäus-Passion. [p]BICB_Salzburg (Jul 2014) | |
| 25. | Golomb, Uri: Doubting the Resurrection? Questions and dilemmas in performances of the first Et expecto from Bach's Mass in B minor. MPerformResearch 8 (2017), 55-79 | |