Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Haynes, Bruce: Johann Sebastian Bach's Pitch Standards: The Woodwind Perspective. JAmerMInstrSoc 11 (1985), 55-114 | |
| 2. | Haynes, Bruce: Questions of Tonality in Bach's Cantatas: The Woodwind Perspective. JAmerMInstrSoc 12 (1986), 40-67 | |
| 3. | Haynes, Bruce: Les diapasons à l'époque de Jean-Sébastien Bach. FluteInstrAnciens 22,23 (1987), 11-19; 4-8 | |
| 4. | Haynes, Bruce: Beyond temperament: non-keyboard intonation in the 17th and 18th centuries. EarlyM 19/3 (Aug 1991), 357-365,367-370,372-381 | |
| 5. | Haynes, Bruce: Johann Sebastian Bachs Oboenkonzerte. BachJb 78 (1992), 23-43 | |
| 6. | Haynes, Bruce: Pitch Standards in the Baroque and Classical Periods. diss. (1995), xxxiv, 644p | |
| 7. | Haynes, Bruce: Sebastian Bach and pitch. (2002), 229-264 | |
| 8. | Haynes, Bruce: A history of performing pitch. The story of 'A'. (2002), 568p | |
| 9. | Haynes, Bruce: The End of Early Music: A Period Performer's History of Music. (2007), 304p | |
| 10. | Haynes, Bruce: Beyond temperament: Non-keyboard intonation in the 17th and 18th centuries. [ce]BaroqueMusic (2011), 147-171 | |
| 11. | Haynes, Bruce; Burgess, Geoffrey: The pathetick musician: Moving an audience in the Age of Eloquence. (2016), xxix, 323p | |