Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Huron, David: Voice segregation in selected polyphonic keyboard works by Johann Sebastian Bach. diss. (1989) | |
| 2. | Huron, David; Fantini, Deborah A.: The Avoidance of Inner-Voice Entries: Perceptual Evidence and Musical Practice. MPerception 7/1 (Fall 1989), 43-48 | |
| 3. | Huron, David: The Avoidance of Part-Crossing in Polyphonic Music: Perceptual Evidence and Musical Practice. MPerception 9/1 (Fall 1991), 93-103 | |
| 4. | Huron, David: Tonal Consonance versus Tonal Fusion in Polyphonic Sonorities. MPerception 9/2 (Winter 1991), 135-154 | |
| 5. | Orpen, Keith S.; Huron, David: The measurement of similarity in music: A quantitative approach for non-parametric representations. ComputersMResearch 4 (Fall 1992), 1-44 | |
| 6. | Huron, David: Note-Onset Asynchrony in J. S. Bach's Two-Part Inventions. MPerception 10/4 (Summer 1993), 435-443 | |
| 7. | Huron, David: Chordal-tone doubling and the enhancement of key perception. PsychoMcol 12/1 (1993), 73-83 | |
| 8. | Huron, David: On the role of embellishment tones in the perceptual segregation of concurrent musical parts. EmpiricalMcolReview 2/4 (Oct 2007) | |
| 9. | Huron, David: Asynchronous preparation of tonally fused intervals in polyphonic music. EmpiricalMcolReview 3/1 (Jan 2008) | |