Bach Printed Music Database Search Result - Ordered Chronologically

Author : Lester, Joel

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Lester, Joel:   Problems in the Neue Bach Ausgabe of the E major Partita for Violin Alone. CurMcol 13 (1972), 64-67
	2.	Lester, Joel:   The Fux-Mattheson Correspondence: An Annotated Translation. CurMcol 24 (1977), 37-62
	3.	Lester, Joel:   Major-Minor Concepts and Modal Theory in Germany, 1592-1680. JAMSoc 30/2 (Summer 1977), 208-253
	4.	Lester, Joel:   The Recognition of Major and Minor Keys in German Theory: 1680-1730. JMTheory 22/1 (Spring 1978), 65-103
	5.	Lester, Joel:   Simultaneity structures and harmonic functions in tonal music. InTheoryOnly 5/ 5 (Jun 1981), 3-28
	6.	Lester, Joel:   The Rhythms of Tonal Music. (1986), vii, 284p
	7.	Lester, Joel:   Between Modes and Keys: German Theory, 1592-1802. HarmonolSer 3 (1989), xxv, 240p
	8.	Lester, Joel:   Compositional Theory in the Eighteenth Century. (1992), 355p
	9.	Lester, Joel:   Reading and Misreading Bach's Sonatas and Partitas for Solo Violin: Schumann's Accompaniments in Eighteenth-Century and Twentieth-Century Contexts. [p]AMS_Montreal (Nov 1993)
	10.	Lester, Joel:   Reading and Misreading: Schumann's Accompaniments to Bach's Sonatas and Partitas for Solo Violin. CurMcol 56 (1994), 24-53
	11.	Lester, Joel:   J. S. Bach teaches us how to compose: four pattern Preludes of the Well-Tempered Clavier. ColMSymposium 38 (1998), 33-46
	12.	Lester, Joel:   Bach's Works for Solo Violin: Style, Structure, Performance. (1999), x, 186p
	13.	Lester, Joel:   J. S. Bach nos enseña a componer: cuatro preludios modelo de El Clave Bien Temperado. Quodlibet 18 (Oct 2000), 85-99
	14.	Lester, Joel:   Heightening Levels of Activity and J. S. Bach's Parallel-Section Constructions. JAMSoc 54/1 (Spring 2001), 49-96
	15.	Lester, Joel:   The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo. [ce]EngagingMusic (2004), 167-179
	16.	Lester, Joel:   What Beethoven might have learned from J. S. Bach. BonnBeethovenSt 11 (2014), 111-132
	17.	Lester, Joel:   Tone-painting the Mysterious: The 'Et expecto' from J. S. Bach's Mass in B Minor. Bach 51/1 (2020), 5-43