Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Lindley, Mark: Early Sixteenth-Century Keyboard Temperaments. MusicaDisciplina 33 (1974), 129-151 | |
| 2. | Lindley, Mark: Fifteenth-Century Evidence for Meantone Temperament. ProceedRMA 102 (Feb 1976), 37-51 | |
| 3. | Lindley, Mark: Instructions for the clavier diversely tempered. EarlyM 5/1 (Jan 1977), 18-23 | |
| 4. | Lindley, Mark: Authentic Instruments, Authentic Playing. MTimes 118/1610 (Apr 1977), 285-288 | |
| 5. | Lindley, Mark: Bach's Harpsichord Tuning. [p]AMS_NorthernCalifornia (May 1979) | |
| 6. | Lindley, Mark: Mersenne on Keyboard Tuning. JMTheory 24/2 (1980), 167-203 | |
| 7. | Lindley, Mark: Temperaments. NewGrove(1) 18 (1980), 660-674 | |
| 8. | Lindley, Mark: Lutes, viols and temperaments. (1984), vii, 134p | |
| 9. | Lindley, Mark: Keyboard Technique and Articulation: Evidence for the Performance Practices of Bach, Handel and Scarlatti. [ce]BHSTercentenaryEssays (1985), 207-244 | |
| 10. | Lindley, Mark: Early Keyboard Fingerings - A select Bibliography. EnglishHarpsichordMag 3/8 (Apr 1985), 155-161 | |
| 11. | Lindley, Mark: Klavierstemmingen van J.S. Bach. HetOrgel 81/ 6 (1985) | |
| 12. | Lindley, Mark: J. S. Bach's Tunings. MTimes 126/1714 (Dec 1985), 721-726 | |
| 13. | Lindley, Mark: Tecnica della tastiera e articolazione: testimonianze della practica esecutiva di Scarlatti, Bach e Händel. NRivistaMItali 19/1 (Jan-Mar 1985), 20-61 | |
| 14. | Lindley, Mark: J. S. Bach's Tuning. [p]AMS_Vancouver (Nov 1985) | |
| 15. | Lindley, Mark: J. S. Bachs Klavierstimmung. [cr]Stuttgart1985 (1987), ii: 409-421 | |
| 16. | Lindley, Mark: Early fingering: some editing problems and some new readings for J.S. Bach and John Bull. EarlyM 17/1 (Feb 1989), 60-69 | |
| 17. | Lindley, Mark; Boxall, Maria (eds.): Early keyboard fingerings: a comprehensive guide. (1992), xiv, 98p | |
| 18. | Bates, Robert; Lindley, Mark; Marshall, Kimberley: The Stanford Eclectic Tunings. PerformPractReview 5/2 (Fall 1992), 159-197 | |
| 19. | Lindley, Mark: Some Thoughts concerning the Effects of Tuning on Selected Musical Works (from Landini to Bach). PerformPractReview 9/1 (Spring 1996), 114-121 | |
| 20. | Lindley, Mark: A quest for Bach's ideal style of organ temperament. MichaelsteinKonfBer 52 (1997), 45-67 | |
| 21. | Lindley, Mark; Boone, Graeme M.: Euphony in Dufay: Harmonic 3rds and 6ths with Explicit Sharps in the Early Songs. JbStaatInstMf 2004 (2005), 158-215 | |
| 22. | Lindley, Mark; Ortgies, Ibo: Bach-style keyboard tuning. EarlyM 34/4 (Nov 2006), 613-623 | |
| 23. | Lindley, Mark: More on temperament. EarlyM 36/4 (Nov 2008), 678 | |
| 24. | Lindley, Mark: Valuable nuances of tuning for part 1 of J.S. Bach's Das wohl temperirte Clavier. (2011) | |
| 25. | Lindley, Mark: Bach's temperament. EarlyM 40/1 (Feb 2012), 167 | |