Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Lutterman, John: Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester (Jul 2004) | |
| 2. | Lutterman, John Kenneth: Works in progress: J. S. Bach's Suites for Solo Cello as artifacts of improvisatory practices. diss. (2006), 598p | |
| 3. | Lutterman, John: Works in Progress: The Scheibe-Birmbaum Controversy and Bach's Notational Practice. [p]AMS_NorthCalifornia (May 2006) | |
| 4. | Lutterman, John: 'Cet art est la perfection du talent': Improvised Solo Performance, the Accompaniment of Recitative, and Chordal Thoroughbass Realization on the Viol and Cello [p]BICB_Warsaw (Jul 2006) | |
| 5. | Lutterman, John: Composition, Improvisation and the Text: The Scheibe — Birnbaum Controversy and Bach's Notational Practice. [cr]Krakow2008 (2008), 535-541 | |
| 6. | Lutterman, John: Frozen Improvisations. EarlyMAmer 15/2 (Summer 2009), 61-62 | |
| 7. | Lutterman, John: 'Cet art est la perfection du talent': Chordal Thoroughbass Realization, the Accompaniment of Recitative, and Improvised Solo Performance on the Viol and Cello in the Eighteenth Century. [p]AMS_Philadelphia (Nov 2009) | |
| 8. | Lutterman, John: 'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. [p]BICB_Belfast (Jul 2010) | |
| 9. | Lutterman, John: Jakob Adlung on Fantasieren: Further Evidence of a Bach Family Tradition in Jena. [p]BICB_Southampton (Jul 2012) | |
| 10. | Lutterman, John: Re-creating historical improvisatory solo practices on the cello: C. Simpson, F. Niedt, and J.S. Bach on the pedagogy of contrapunctis extemporalis. SpeculumM 33 (2019) | |