Search Result - Ordered Chronologically
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Bach Printed Music Database Search Result - Ordered Chronologically |
Author : Melamed, Daniel R.Your search has generated the following results ...
| Type | List | Author: Title  , Series, Vol/No (Year/Month/Date of Publication), Pages | Status |
|---|---|---|---|
 | 1. | Melamed, Daniel R.: The Authorship of the Motet 'Ich lasse dich nicht' (BWV Anh. 159). JAMSoc 41/3 (Autumn 1988), 491-526 |  |
 | 2. | Melamed, Daniel R.: Problems of Chronology, Style, and Function in J. S. Bach's Motets. [p]AMS_Baltimore (Nov 1988) | |
| | 3. | Melamed, Daniel R.: Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. BachJb 75 (1989), 191-196 |  |
 | 4. | Melamed, Daniel Richard: J. S. Bach and the German motet. diss. (1989), x, 333 Bl | |
| | 5. | Melamed, Daniel R.: J. S. Bach and the Altbachisches Archiv. [p]AMS_Oakland (Nov 1990) | |
| | 6. | Melamed, Daniel R.: Eine Motette Sebastian Knüpfers aus J. S. Bachs Notenbibliothek. SommerAkadJSBach Almanach (1990), ii: 14 - 17 | |
| | 7. | Melamed, Daniel R.: Probleme zu Chronologie, Stil und Zweck der Motetten Johann Sebastian Bachs. BeitrBachF 9-10 (1991), 277-284 | |
| | 8. | Melamed, Daniel R.: How Did J.S. Bach Teach Vocal Composition? [p]AMS_Pittsburgh (Nov 1992) | |
| | 9. | Melamed, Daniel R.: Mehr zur Chronologie von Bachs Weimarer Kantaten. BachJb 79 (1993), 213-216 | |
 | 10. | Melamed, Daniel R.: J. S. Bach and the German Motet. (1995), xv, 229p | |
| | 11. | Melamed, Daniel R.: A thirty-six voice canon in the hand of C. P. E. Bach. BachStud 2 (1995), 107-118 | |
| | 12. | Melamed, Daniel R. (ed.): Bach Studies 2. BachStud 2 (1995), xiv, 238p | |
| | 13. | Melamed, Daniel R.: Cantatekoren en koralen. [ce]WereldBachCantates 1 (1995), 168-183 |  |
| | 14. | Melamed, Daniel R.: Misa Kyoku, Magnificat. [ce]BachJiten (1996), 220-224 |  |
| | 15. | Melamed, Daniel R.: Chor- und Choralsätze. [ce]WeltBachKantaten 1 (1996), 169-184 | |
| | 16. | Melamed, Daniel R.: J.F. Doles's Setting of a Picander Libretto and J.S. Bach's Teaching of Vocal Composition. JMcol 14/4 (Autumn 1996), 453-474 | |
| | 17. | Melamed, Daniel R.: Joh. Christoph Bach, org. [p]ABS_California (Apr 1996) | |
| | 18. | Melamed, Daniel R.: Chöre, Duette und Instrumentalstücke. [ce]WeltBachKantaten 2 (1997), 201-212 | |
| | 19. | Melamed, Daniel R.: Koren, duetten en instrumentale delen. [ce]WereldBachCantates 2 (1997), 202-213 | |
| | 20. | Melamed, Daniel R.: Choruses and Chorales. [ce]WorldOfBachCantatas 1 (1997), 155-170 | |
| | 21. | Melamed, Daniel R.; Marissen, Michael: An introduction to Bach Studies. (1998), xi, 189p | |
| | 22. | Melamed, Daniel R.: Bach no Kyokai Kantata ni okeru Motetto Yoshiki Gakusho. BachZenshu 4 (Oct 1998), 88-96 | |
| | 23. | Melamed, Daniel R.: Koren. [ce]WereldBachCantates 3 (1998), 176-191 | |
| | 24. | Melamed, Daniel R.; Sanders, Reginald L.: Zum Text und Kontext der 'Keiser'-Markuspassion. BachJb 85 (1999), 35-50 | |
| | 25. | Melamed, Daniel R.: Chorsätze. [ce]WeltBachKantaten 3 (1999), 177-192 | |
| | 26. | Melamed, Daniel R.: Der Text der Kantate 'Gott ist mein König' (BWV 71). [fs]Schulze65 (1999), 160-172 | |
| | 27. | Melamed, Daniel R.: Constructing Johann Christoph Bach (1642-1703). MLetters 80/3 (Aug 1999), 345-365 | |
| | 28. | Melamed, Daniel R.: Bach Revived: If Wishes Were Passions. NYTimes (2 Apr 2000) | |
| | 29. | Melamed, Daniel R.: The Text of Gott ist mein König BWV 71. [p]ABS_Washington (Apr 2000) | |
| | 30. | Melamed, Daniel R.: Bach's Leipzig performances of the Hamburg St. Mark Passion. [p]WK_Leipzig (Jan 2000) | |
| | 31. | Melamed, Daniel R.: A Tool from the Late 17th Century for Chorale Research. AmerBachSocNL (Fall 2001), 6-7 | |
| | 32. | Melamed, Daniel R.: The Text of 'Gott ist mein König' BWV 71. Bach 32/1 (2001), 1-16 | |
| | 33. | Melamed, Daniel R.: Gassho to Koraru Gakkyoku. [ce]BachKantataNoSekai 1 (2001), 271-296 | |
 | 34. | Melamed, Daniel R. (ed.): Motets / Johann Ludwig Bach. RecentResearchMBaroq 108 (2001), xix, 203p | |
| | 35. | Melamed, Daniel R.: Die alte Chorbibliothek der Kirche Divi Blasii zu Mühlhausen. BachJb 88 (2002), 209-216 | |
| | 36. | Melamed, Daniel R.: Gasshokyoku, Nijushokyoku, Kigakukyoku. [ce]BachKantataNoSekai 2 (2002), 331-348 | |
| | 37. | Melamed, Daniel R.: Gasshokyoku. [ce]BachKantataNoSekai 3 (2002), 299-320 | |
| | 38. | Melamed, Daniel R.: Bachs Aufführung der Hamburger Markus-Passion in den 1740er Jahren. LeipzigerBeitrBachF 5 (2002), 289-308 | |
| | 39. | Melamed, Daniel R.: Bach und Palestrina -- Einige praktische Probleme I. BachJb 89 (2003), 221-224 | |
| | 40. | Melamed, Daniel R.: The Double Chorus in J. S. Bach's St. Matthew Passion BWV 244. JAMSoc 57/1 (Spring 2004), 3-50 | |
| | 41. | Melamed, Daniel R.: Hearing Bach's Passions. (2005), vii, 178p | |
| | 42. | Melamed, Daniel R.: The Passions: Versions and Problems / Las pasiones: versiones y problemas. Goldberg 34 (Jun 2005), 30-37 |  |
| | 43. | Melamed, Daniel R.: Seventeenth-Century Hamburg Passions and Their Shadows in the Eighteenth Century. [p]CWolff_Harvard (Sep 2005) | |
| | 44. | Melamed, Daniel R.: Hat Johann Sebastian Bach die Lukas-Passion BWV 246 aufgeführt? BachJb 92 (2006), 161-169 | |
| | 45. | Melamed, Daniel R.: Bach's St. John Passion: Can We Really Still Hear the Work--and Which One? [ce]WorldOfBaroqueMusic (2006), 235-252 | |
| | 46. | Melamed, Daniel R.: Staffing J. S. Bach's St. Matthew Passion Then and Now. Colloquium 4 (Autumn 2007), 145-150 | |
| | 47. | Melamed, Daniel R.: Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 (2007), 141-146 | |
| | 48. | Melamed, Daniel R.: Bachs Schwester. BachJb 94 (2008), 337-341 | |
| | 49. | Melamed, Daniel R.: Counterpoint in Mozart's 'Die Entführung aus dem Serail'. CambridgeOperaJ 20/1 (2008), 25-51 | |
| | 50. | Melamed, Daniel R.: Choral Unison in J.S. Bach's Vocal Music. [ce]AboutBach (2008), 53-60 | |
| | 51. | Melamed, Daniel R.: The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 (2008), 189-205 | |
| | 52. | Melamed, Daniel R.: Johann Sebastian Bach and Barthold Heinrich Brockes. [p]ABS_Bethlehem (May 2008) | |
| | 53. | Melamed, Daniel R. (ed.): Passion according to St. Luke (1771): based on a setting by Georg Philipp Telemann ; incorporating music by Georg Anton Benda, Gottfried Heinrich Stölzel, and Gottfried August Homilius / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.1 (2009), xxiii, 8, 132p | |
| | 54. | Melamed, Daniel R.: Scoring, text and genre in 'Nun ist der Herr zu Ruh gebracht' BWV 244/67. [p]SMA_Glasgow (Apr 2009) | |
 | 55. | Erickson, Raymond; Tatlow, Ruth; Melamed, Daniel R.: Bach & Friends: Three Reviews of Michael Lawrence's New Film. BachNotesABS 13 (Fall 2010), 1-4 | |
| | 56. | Melamed, Daniel R.: Johann Sebastian Bach and Barthold Heinrich Brockes. BachPerspectives 8 (2011), 13-41 | |
| | 57. | Melamed, Daniel R. (ed.): J. S. Bach and the Oratorio Tradition. BachPerspectives 8 (2011), ix, 153p | |
| | 58. | Goldberg, Randall E.; Melamed, Daniel R. (eds.): Passion according to St. Luke (1775) / Carl Philipp Emanuel Bach. CPEBachCW 4/ 6.2 (2011), xxx, 153p | |
| | 59. | Melamed, Daniel R.: Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi da Palestrina. BachJb 98 (2012), 73-93 | |
| | 60. | Melamed, Daniel R.: Text, voice, and genre in 'Nun ist der Herr zur Ruh gebracht' BWV 244/67. EastmanStudM 102 (2013), 111-135 | |
| | 61. | Melamed, Daniel R.: Did J. S. Bach’s Listeners Analyze? [p]BNUK_Warsaw (Jul 2013) | |
| | 62. | Melamed, Daniel R.: Multi-day Passions and J.S. Bach's Christmas oratorio, BWV248. 18cM 11/2 (Sep 2014), 215-234 | |
| | 63. | Melamed, Daniel R.: Did Bach's Listeners Analyze? [p]ABS_Ohio (May 2014) | |
| | 64. | Melamed, Daniel R.: Two Sanctus Settings by Johann Christoph Altnickol. [p]ABS_SouthBend (Apr 2016) | |
| | 65. | Melamed, Daniel R.; Parrott, Andrew; Fehleisen, Fred: Principles and potential for the development of the performance-academic discourse. [p]BNUK_Cambridge (Jul 2017) | |
| | 66. | Melamed, Daniel R.: Listening to Bach: the Mass in B minor and Christmas oratorio. (2018), xx, 149p | |
| | 67. | Melamed, Daniel R.: How Did J. S. Bach's 'Aus Liebe will mein Heiland sterben,' BWV 244/49, Get to Be So Slow? 19cM 43/1 (Summer 2019), 3-16 | |
| | 68. | Melamed, Daniel R.: 'Parallel Proportions' in J. S. Bach's Music. 18cM 18/1 (Mar 2021), 99-121 | |
| | 69. | Melamed, Daniel R.: Response To Ruth Tatlow. 18cM 18/2 (Sep 2021), 325-326 | |
| | 70. | Melamed, Daniel R.: Rethinking Bach Codes. [ce]RethinkingBach (2021), 227-250 | |
| | 71. | Melamed, Daniel R.: Anonymus Iq bei seinem Namen gerufen. BachJb 108 (2022), 197-202 | |
| | 72. | Marissen, Michael; Melamed, Daniel R.: BachCantataTexts.org. BachNotesABS 37 (Fall 2022), 14-15 | |
| | 73. | Melamed, Daniel R.: The 'Continuo: pro Bassono e Violoncello' Part for In allen meinen Taten BWV 97. Bach 55/2 (2024), 222-241 | |