Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Newman, William S.: The Instrumental Background of the Early Baroque Sonata. BulAMSoc 9-10 (Jun 1947), 6-8 | |
| 2. | Newman, William S.: The Keyboard Sonatas of Bach's Sons. ProceedMTeachersNationAssoc (1951) | |
| 3. | Newman, William S.: Further on the Hughes Edition of Bach. AmerMTeacher 4/5 (May-Jun 1955), 4, 19 | |
| 4. | Newman, William S.: Styles and touches in Bach's keyboard music. (1956), 11p | |
| 5. | Newman, William S.: Some Familiar Questions of Performance Practices in Bach's Keyboard Music. JAMSoc 9/1 (Spring 1956), 59-60 | |
| 6. | Newman, William S.: The Sonata in the Baroque Era. (1959), xvi, 447p | |
| 7. | Newman, William S.: The Bach trill, once more yet again still. PianoTeacher 4/6 (1962), 20-21 | |
| 8. | Newman, William S.: Emanuel Bach's Autobiography. MQ 51/2 (Apr 1965), 363-372 | |
| 9. | Newman, William S.: Is there a rationale for the articulation of J. S. Bach's string and wind music? [gs]Haydon (1969), 229-244 | |
| 10. | Newman, William S.: Three musical intimates of Mendelssohn and Schumann in Leipzig: Hauptmann, Moscheles, and David. [ce]MendelssohnSchumann (1984), 87-98 | |