Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Renwick, William J.: Voice-leading patterns in the fugal expositions of J. S. Bach's 'Well-tempered Clavier'. diss. (1987), 355p | |
| 2. | Renwick, William: When Motive and Mode Diverge: Bach's Manualiter 'Kyries' from Clavierübung III. [p]AMS_NewYorkState (Sep 1990) | |
| 3. | Renwick, William J.: Structural Patterns in Fugue Subjects and Fugal Expositions. MTheorySpec 13/2 (Autumn 1991), 197-218 | |
| 4. | Renwick, William: Modality, Imitation and Structural Levels: Bach's Manualiter Kyries from Clavierübung III. MAnalysis 11/1 (Mar 1992), 55-74 | |
| 5. | Renwick, William: Praeludia et Fugen del Signor Johann Sebastian Bach?: The Origins and Content of MS P-296. [p]AMS_NewYorkState (Oct 1994) | |
| 6. | Renwick, William: Analyzing Fugue: A Schenkerian Approach. HarmonolSer 8 (1995), 229p | |
| 7. | Renwick, William J.: Hidden Fugal Paths: A Schenkerian View of Handel's F major Fugue (Suite II). MAnalysis 14/1 (Mar 1995), 49-67 | |
| 8. | Renwick, William: Bach and the 'Old' Musicology. MAnalysis 16/2 (Jul 1997), 255-269 | |
| 9. | Renwick, William J.: Chemins mystérieux de la fugue: un point de vue schenkérien sur la fugue en fa majeur de la 2e Suite de Händel. Musurgia 4/2 (1997), 12-24 | |
| 10. | Renwick, William: 39. Praeludia et Fugen del Signor Johann Sebastian Bach? The Langloz Manuscript, SBB Mus. ms. Bach P 296. BachPerspectives 4 (1999), 137-158 | |
| 11. | Renwick, William: The Langloz Manuscript: Fugal Improvisation through Figured Bass. (2001), xvii, 190p | |
| 12. | Renwick, William: Aspects of structure in Bach's F-minor fugue, WTC II. [fs]Schachter (2006), 237-245 | |
| 13. | Renwick, William J.: Of time and eternity: Reflections on 'Das alte Jahr vergangen ist'. JMTheory 50/1 (Spring 2006), 64-76 | |