Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Richards, Annette: Fantastical Landscapes: C.P.E. Bach's Free Fantasias and the Musical Picturesque. [p]AMS_Southeast (Sep 1995) | |
| 2. | Richards, Annette: C.P.E. Bach's 'Farewell' and the speaking clavichord. DeClavicordio 4 (2000), 15-35 | |
| 3. | Richards, Annette: The Free Fantasia and the Musical Picturesque. (2001), xiii, 256p | |
| 4. | Richards, Annette: C. P. E. Bach's Musical Portraits and the Poetry of the Moment [p]AMS_Washington (Oct 2005) | |
| 5. | Richards, Annette: An enduring monument: C. P. E. Bach and the musical sublime. [ce]CPEBachStud (2006), 149-172 | |
| 6. | Richards, Annette (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (2006), xii, 268p | |
| 7. | Richards, Annette; Yearsley, David (eds.): Organ Works / Carl Philipp Emanuel Bach. CPEBachCW 1/ 9 (2008), xxvi, 123p | |
| 8. | Richards, Annette: Picturing the Moment in Sound: C. P. E. Bach and the Musical Portrait. [fs]Hogwood70 (2011), 57-90 | |
| 9. | Richards, Annette; Corneilson, Paul E. (ed.): Portrait Collection. I. Catalogue. CPEBachCW 8/4.1 (2012), x, 238p | |
| 10. | Richards, Annette; Corneilson, Paul E. (ed.): Portrait Collection. II. Plates. CPEBachCW 8/4.2 (2012), x, 340p | |
| 11. | Richards, Annette: Carl Philipp Emanuel Bach: portraits, and the physiognomy of music history. JAMSoc 66/2 (Summer 2013), 337-396 | |
| 12. | Richards, Annette: Listening for likeness, or C. P. E. Bach and the art of speculation. EarlyM 42/3 (Aug 2014), 347-362 | |
| 13. | Richards, Annette: C.P.E. Bach's 'Freundschaftstempel': Portait drawings and the trace of modern musical life, 1772-1788. Tonkunst 8/1 (Jan 2014), 39-49 | |
| 14. | Richards, Annette: Picturing the moment in sound: C.P.E. Bach and the musical portrait. [ce]Late18cComposers_CPEB (2015), 185-218 | |
| 15. | Richards, Annette: The Temple of Fame and Friendship: Portraits, Music, and History in the C. P. E. Bach Circle. (2022), 332p | |