Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Smith, Mark M.: A Deceptive Edition of the Bach 'Cello Suites. Bach 9/1 (Jan 1978), 26-29 | |
| 2. | Smith, Mark Mervyn: The violoncello with special reference to Bach's 6 suites for violincello unaccompanied. diss. (1979-80) | |
| 3. | Smith, Mark Mervyn: Johann Sebastian Bach's Violoncello piccolo: A Violoncello Small enough to be Held on the Arm. (1980), 16p | |
| 4. | Smith, Mark Mervyn: Certain aspects of Baroque music for violoncello as finally exemplified in the suites for unaccompanied violoncello by Johann Sebastian Bach. diss. (1983), 187p | |
| 5. | Smith, Mark Mervyn: The violoncello in art: an iconography of the early violoncello and a reconstruction of the violoncello-geometry of Jakob Stainer. (1989), 20p | |
| 6. | Smith, Mark M.: S. Bach's fiauti d'echo: Recorders off-stage. FoMRHIQ 82 (1996), 41-42 | |
| 7. | Smith, Mark M.: Joh. Seb. Bachs Violoncello piccolo: Neue Aspekte -- offene Fragen. BachJb 84 (1998), 63-81 | |
| 8. | Smith, Mark M.: Bach's cello suites related to events and changing circumstances in his life. [p]MSA_Perth (Jul 1999) | |
| 9. | Smith, Mark M.: The drama of Bach's life in the Court of Cöthen, as reflected in his Cello Suites. Stringendo 22/1 (2000), 32-35 | |
| 10. | Smith, Mark Mervyn (ed.): Leopold: Trauermusik für den Fürsten Leopold von Anhalt-Köthen ; Köthen, den 24. März 1729 ; BWV 244a / Johann Sebastian Bach. (2001), xiv, 123p | |
| 11. | Smith, Mark M.: Anna Magdalena Bach As Copyist Of Bach's Solos For Violin And Suites for Cello. Stringendo 31/2 (2009), 38-39 | |