Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Talbot, Michael: The Concerto Allegro in the Early Eighteenth Century. MLetters 52/1, 2 (Jan; Apr 1971), 8-18; 159-172 | |
| 2. | Talbot, Michael: A Vivaldi Sonata with obbligato Organ in Dresden. OrganYb 12 (1981), 81-103 | |
| 3. | Fanna, Antonio; Talbot, Michael (eds.): Vivaldi vero e falso: Problemi di attribuzione. StudiMVenetaQuadVivaldi 7 (1992), 192p | |
| 4. | Talbot, Michael: A Further Borrowing from Albinoni: The C Major Fugue BWV 946. [cr]Rostock1990 (1995), 142-161 | |
| 5. | Talbot, Michael: Die italienische weltliche Kantate. [ce]WeltBachKantaten 2 (1997), 33-48 | |
| 6. | Talbot, Michael: De Italiaanse wereldlijke cantate. [ce]WereldBachCantates 2 (1997), 32-47 | |
| 7. | Talbot, Michael: Purpose and peculiarities of the Brandenburg Concertos. [p]BCB_Exeter (Jul 1998) | |
| 8. | Talbot, Michael: Purpose and Peculiarities of the Brandenburg Concertos [p]BS_Dortmund (Jan 1998) | |
| 9. | Talbot, Michael: Purpose and Peculiarities of the Brandenburg Concertos. DortmundBachF 2 (1999), 255-289 | |
| 10. | Talbot, Michael: Itariago no Sezoku Kantata. [ce]BachKantataNoSekai 2 (2002), 53-78 | |
| 11. | Talbot, Michael: Wenzel von Morzin as a Patron of Antonio Vivaldi. FaschSt 9 (2003), 67-76 | |
| 12. | Talbot, Michael: Die italienische weltliche Kantate. HandbMlGattungen 17/2 (2010), 25-32 | |
| 13. | Talbot, Michael: Die Violine als Imitator anderer Instrumente in der Musik von Antonio Vivaldi und Tomaso Albinoni. TelemannKonfBer 15 (2010), 56-69 | |
| 14. | Talbot, Michael: The trio sonatas of Jean-François Dandrieu (1681/82–1738). MTimes 163/1958 (Spring 2022), 49-68 | |
| 15. | Talbot, Michael: Philip Peter Eiffert: a German oboist and composer in 18th-century London. MTimes 164/1962 (Spring 2023), 3-22 | |
| 16. | Talbot, Michael: FE Fisher revisited: more on the life and music of Friedrich Ernst Fischer (c.1711/12–\r\n1760). MTimes 164/1965 (Winter 2023), 3-26 | |