Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Yearsley, David Gaynor: Ideologies of learned counterpoint in the northern German Baroque. diss. (1994), 376p | |
| 2. | Yearsley, David: The organ music of J. S. Bach. [ce]CambridgeCompanion_Organ (1998), 236-249 | |
| 3. | Yearsley, David: Alchemy and Counterpoint in an Age of Reason JAMSoc 51/2 (Summer 1998), 201-243 | |
| 4. | Yearsley, David: Towards an Allegorical Interpretation of Buxtehude's Funerary Counterpoints. MLetters 80/2 (May 1999), 183-206 | |
| 5. | Yearsley, David: Bach and the Meanings of Counterpoint. (2002), xvi, 257p | |
| 6. | Yearsley, David: Death Everyday: The Anna Magdalena Bach Book of 1725 and the Art of Dying. 18cM 2/2 (Sep 2005), 231-249 | |
| 7. | Yearsley, David: The concerto in northern Europe to c.1770. [ce]CambridgeCompanion_Concerto (2005), 53-69 | |
| 8. | Yearsley, David: C. P. E. Bach and the living traditions of learned counterpoint. [ce]CPEBachStud (2006), 173-201 | |
| 9. | Yearsley, David: In Buxtehude's footsteps. EarlyM 35/3 (Aug 2007), 339-353 | |
| 10. | Yearsley, David: Women at the organ: a fragment. [fs]Williams70 (2007), 119-141 | |
| 11. | Richards, Annette; Yearsley, David (eds.): Organ Works / Carl Philipp Emanuel Bach. CPEBachCW 1/ 9 (2008), xxvi, 123p | |
| 12. | Yearsley, David (ed.): Princes of War and Peace and their Most Humble, Most Obedient Court Composer. Konturen(Oregon) 1 (2009), 1-33 | |
| 13. | Yearsley, David: What is a Sängerin? [p]Women_Yale (Oct 2009) | |
| 14. | Yearsley, David: Poets, Mothers, and Performers: Considering Women's Impact on the Music of Johann Sebastian Bach. 18cM 7/2 (Sep 2010), 326-329 | |
| 15. | Yearsley, David: Bernhard the German and the invention of the pedals. OrganYb 39 (2010), 7-25 | |
| 16. | Yearsley, David: Bach's Feet: the Organ Pedals in European Culture. (2011), xiv, 298p | |
| 17. | Yearsley, David: Exorcising Completeness in the Pedal Exercitium. AmerOrganist(2) 46/10 (Oct 2012), 62-69 | |
| 18. | Yearsley, David: Hoopskirts, coffee, and the changing musical prospects of the Bach women. WomenM 17 (2013), 27-58 | |
| 19. | Yearsley, David: 'What's in a Name?' David Yearsley on Writing About the Musical Lives of Anna Magdalena Bach. BachNotesABS 26 (Spring 2017), 1-3 | |
| 20. | Yearsley, David: Keyboard Music. [ce]RoutledgeResearchCompanion (2017), 295-316 | |
| 21. | Yearsley, David; Marshall, Kimberly: Interlude: Recollecting the Westfield Center Bach Organ Tour of 1989. KeyboardPerspectives 10 (2017), 113-118 | |
| 22. | Yearsley, David: Sex, Death, and Minuets: Anna Magdalena Bach and Her Musical Notebooks. (2019), 336p | |
| 23. | Yearsley, David: Bach the Humorist. [ce]RethinkingBach (2021), 193-225 | |