Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Zohn, Steven: When is a quartet not a quartet? Relationships between scoring and genre in the German quadro, ca. 1715-40. FaschSt 6 (1997), 263-290 | |
| 2. | Zohn, Steven; Payne, Ian: Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1). [p]AMS_MidAtlantic (Apr 1998) | |
| 3. | Zohn, Steven; Payne, Ian: Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) JMcol 17/4 (Autumn 1999), 546-584 | |
| 4. | Zohn, Steven; Payne, Ian: Bach, Telemann, and the Process of Transformative Imitation in BWV 1056/2 (156/1) [p]AMS_Kansas (Nov 1999) | |
| 5. | Zohn, Steven: Music paper at the Dresden court and the chronology of Telemann's instrumental music. [cr]Roanoke1996 (2000), 125-168 | |
| 6. | Zohn, Steven: The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque. [p]BCB_Dublin (Jul 2000) | |
| 7. | Zohn, Steven: New sources for Telemann's instrumental music. MagdeburgTelemannSt 17 (2001), 57-70 | |
| 8. | Zohn, Steven: Bach and the Concert en Ouverture. [p]BCB_Logrono (Jul 2002) | |
| 9. | Zohn, Steven: New Telemann Sources in the Archive of the Berlin Sing-Akademie. [p]IS_Memphis (Nov 2003) | |
| 10. | Zohn, Steven: The Sonate auf Concertenart and Conceptions of Genre in the Late Baroque. 18cM 1/2 (Sep 2004), 205-247 | |
| 11. | Zohn, Steven: Images of Telemann: The 'good-natured kapellmeister' and other myths. [p]ABS_NewBrunswick (Apr 2004) | |
| 12. | Zohn, Steven: Der 'gutmüthige' Kapellmeister und andere Telemann-Mythen TelemannKonfBer 14 (2004), 223-232 | |
| 13. | Zohn, Steven: Telemann in the Marketplace: The Composer as Self-Publisher. JAMSoc 58/2 (Summer 2005), 275-356 | |
| 14. | Zohn, Steven: Bach's Borrowings from Telemann. MagdeburgTelemannSt 18 (2005), 111-119 | |
| 15. | Zohn, Steven: Sonate auf Concertenart und Concerto ripieno: Gattung und Stil in Telemanns Ensemblesonaten TelemannKonfBer 11 (2006), 99-125 | |
| 16. | Zohn, Steven: Bach and the Concert en ouverture. BachPerspectives 6 (2007), 137-156 | |
| 17. | Zohn, Steven: Aufführungspraktische Bemerkungen zu Telemanns Kammermusik TelemannKonfBer 13 (2007), 315-336 | |
| 18. | Zohn, Steven: Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. (2008), xxxiv, 686p | |
| 19. | Zohn, Steven: The Chaconne in Schaffe in mir, Gott, ein reines Herz, TVWV 1:1241. StMaterMw 49 (2008), 313-322 | |
| 20. | Zohn, Steven: Das 'Supplement de souscrivants' der 'Nouveaux Quatuors' und Telemanns Pränumerationsunternehmen. TelemannKonfBer 12 (2009), 43-56 | |
| 21. | Zohn, Steven (ed.): Keyboard trios II / Carl Philipp Emanuel Bach. CPEBachCW 2/ 3.2 (2010), xx, 8, 110p | |
| 22. | Zohn, Steven: Aesthetic and Stylistic Mediation in Telemann's VI Ouvertures à 4 ou 6. [p]ABS_Wisconsin (May 2010) | |
| 23. | Zohn, Steven: Sources of Telemann's instrumental works in Dresden and elsewhere – a view from outside. [p]Dresden (Jun 2010) | |
| 24. | Zohn, Steven: Telemanns Witz: Burleske, Parodie und Satire in den Ouvertürensuiten. TelemannKonfBer 15 (2010), 70-79 | |
| 25. | Zohn, Steven: Das Instrumentalrepertoire der Dresdner Hofkapelle in den ersten beiden Dritteln des 18. Jahrhunderts: Überlieferung und Notisten. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek, Dresden, 23-25 June 2010. 18cM 8/1 (Mar 2011), 168-170 | |
| 26. | Zohn, Steven: 'Die vornehmste Hof-Tugend': German Musicians' Reflections on Eighteenth-Century Court Life. [ce]MusicGermanCourts (2011), 413-425 | |
| 27. | Zohn, Steven: Aesthetic Mediation and Tertiary Rhetoric. BachPerspectives 9 (2013), 24-49 | |
| 28. | Zohn, Steven: Bach, Telemann, and the Tafelmusik Tradition. [p]ABS_SouthBend (Apr 2016) | |
| 29. | Zohn, Steven: Review: Telemann’s Church Cantata Cycles Recorded. BachNotesABS 36 (Spring 2022), 1-4 | |