Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Blackbourn, David: The German Eighteenth Century: Marking Time. HarvardPubM 22 (2008), 3-15 | |
| 2. | Christensen, Thomas: Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. HarvardPubM 22 (2008), 17-40 | |
| 3. | Danuser, Hermann: Mishmash or Synthesis? On the Psychagogic Form of The Creation. HarvardPubM 22 (2008), 41-78 | |
| 4. | Sisman, Elaine: Six of One: The Opus Concept in the Eighteenth Century. HarvardPubM 22 (2008), 79-107 | |
| 5. | Butt, John: Bach's Passions and the Textures of Time. HarvardPubM 22 (2008), 111-120 | |
| 6. | Chafe, Eric T.: Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. HarvardPubM 22 (2008), 121-143 | |
| 7. | Durante, Sergio: Tartini and his Texts. HarvardPubM 22 (2008), 145-186 | |
| 8. | Melamed, Daniel R.: The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 (2008), 189-205 | |
| 9. | Schulze, Hans-Joachim: Bach and Mozart: From the Perspective of Different Documentary Evidence. HarvardPubM 22 (2008), 207-216 | |
| 10. | Wollny, Peter: On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. HarvardPubM 22 (2008), 217-238 | |
| 11. | Zaslaw, Neal: One More Time: Mozart and his Cadenzas. HarvardPubM 22 (2008), 239-249 | |
| 12. | Konrad, Ulrich: On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. HarvardPubM 22 (2008), 253-278 | |
| 13. | Strohm, Reinhard: Eighteenth-Century Music as a Socio-Political Metaphor? HarvardPubM 22 (2008), 279-296 | |
| 14. | Webster, James: The Century of Handel and Haydn. HarvardPubM 22 (2008), 297-315 | |
| 15. | Wheelock, Gretchen A.: Mozart's Fantasy, Haydn's Caprice: What's in a Name? HarvardPubM 22 (2008), 317-341 | |
| 16. | Hogwood, Christopher: The Clavier Speaks. HarvardPubM 22 (2008), 345-370 | |
| 17. | Koopman, Ton: Ten Years of Bach Cantatas. HarvardPubM 22 (2008), 371-377 | |
| 18. | Levin, Robert D.: Mozart's Working Methods in the Keyboard Concertos. HarvardPubM 22 (2008), 379-406 | |
| 19. | Kelly, Thomas Forrest; Gallagher, Sean (eds.): The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. HarvardPubM 22 (2008), xii, 427p | |