Bach Printed Music Database
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. Blackbourn, David:   The German Eighteenth Century: Marking Time. HarvardPubM 22 (2008), 3-15.
2. Christensen, Thomas:   Fundamenta Partiturae: Thorough Bass and Foundations of Eighteenth-Century Composition Pedagogy. HarvardPubM 22 (2008), 17-40.
3. Danuser, Hermann:   Mishmash or Synthesis? On the Psychagogic Form of The Creation. HarvardPubM 22 (2008), 41-78. Trans. by Nicolas Betson.
4. Sisman, Elaine:   Six of One: The Opus Concept in the Eighteenth Century. HarvardPubM 22 (2008), 79-107.
5. Butt, John:   Bach's Passions and the Textures of Time. HarvardPubM 22 (2008), 111-120.
6. Chafe, Eric T.:   Bach and Hypocrisy: Appearance and truth in Cantatas 136 and 179. HarvardPubM 22 (2008), 121-143.
7. Durante, Sergio:   Tartini and his Texts. HarvardPubM 22 (2008), 145-186.
8. Melamed, Daniel R.:   The Evolution of 'Und wenn die Welt voll Teufel wär' BWV 80/5. HarvardPubM 22 (2008), 189-205.
9. Schulze, Hans-Joachim:   Bach and Mozart: From the Perspective of Different Documentary Evidence. HarvardPubM 22 (2008), 207-216.
10. Wollny, Peter:   On Johann Sebastian Bach's Creative Process: Observations from His Drafts and Sketches. HarvardPubM 22 (2008), 217-238.
11. Zaslaw, Neal:   One More Time: Mozart and his Cadenzas. HarvardPubM 22 (2008), 239-249.
12. Konrad, Ulrich:   On Ancient Languages: The Historical Idiom in the Music of Wolfgang Amadé Mozart. HarvardPubM 22 (2008), 253-278. Trans. by Thomas Irvine.
13. Strohm, Reinhard:   Eighteenth-Century Music as a Socio-Political Metaphor? HarvardPubM 22 (2008), 279-296. [BWV 12]
14. Webster, James:   The Century of Handel and Haydn. HarvardPubM 22 (2008), 297-315.
15. Wheelock, Gretchen A.:   Mozart's Fantasy, Haydn's Caprice: What's in a Name? HarvardPubM 22 (2008), 317-341.
16. Hogwood, Christopher:   The Clavier Speaks. HarvardPubM 22 (2008), 345-370.
17. Koopman, Ton:   Ten Years of Bach Cantatas. HarvardPubM 22 (2008), 371-377.
18. Levin, Robert D.:   Mozart's Working Methods in the Keyboard Concertos. HarvardPubM 22 (2008), 379-406.
19. Kelly, Thomas Forrest; Gallagher, Sean (eds.):   The Century of Bach and Mozart: Perspectives on Historiography, Composition, Theory and Performance. In Honor of Christoph Wolff. Cambridge, MA: Harvard University Press, 2008. xii, 427p. ISBN-10: 0964031736; ISBN-13: 978-0964031739. (= Isham Library Papers 7; Harvard Publications in Music, 22) [contents]

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