Bach Printed Music Database Search Result - Ordered Chronologically

Series : [ce]BaroqueComposers
Year : 2011

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Schulze, Hans-Joachim:   Johann Christoph Bach (1671-1721), 'Organist und Schul Collega in Ohrdruf', Johann Sebastian Bachs erster Lehrer [ce]BaroqueComposers (2011), 3-29
	2.	Junghans, Wilhelm Ch.:   Johann Sebastian Bach als Schüler der Partikularschule zu St. Michaelis in Lüneburg, oder Lüneburg eine Pflegstätte kirchlicher Musik. [ce]BaroqueComposers (2011), 31-74
	3.	Minear, Paul S.:   The Musician Versus the Grammarian: An Early Storm Warning. [ce]BaroqueComposers (2011), 75-86
	4.	Buelow, George J.:   In Defence of J. A. Scheibe against J. S. Bach. [ce]BaroqueComposers (2011), 87-102
	5.	Trautmann, Christoph:   J. S. Bach: new Light on His Faith. [ce]BaroqueComposers (2011), 103-114
	6.	Leaver, Robin A.:   Motive and Motif in the Church Music of Johann Sebastian Bach. [ce]BaroqueComposers (2011), 115-124
	7.	Dürr, Alfred:   Zum Wandel des Bach-Bildes. Zu Friedrich Blumes Mainzer Vortrag. [ce]BaroqueComposers (2011), 127-134
	8.	Blume, Friedrich:   Antwort von Friedrich Blume. [ce]BaroqueComposers (2011), 135-138
	9.	Mendel, Arthur:   Persönliches zur Geschichte der Jüngeren Bach-Forschung. ('A Personal Message Concerning the History of Recent Bach Scholarship'). [ce]BaroqueComposers (2011), 139-147
	10.	Herz, Gerhard:   Yoshitake Kobayashi's Article 'On the Chronology of the last phase of Bach's Work - Compositions and Performances: 1736 to 1750' - An Analysis with Translated Portions of the Original Text'. [ce]BaroqueComposers (2011), 149-171
	11.	Dürr, Alfred:   Bach's Chorale Cantatas. [ce]BaroqueComposers (2011), 175-184
	12.	Hobohm, Wolf:   Neue 'Texte zur Leipziger Kirchen-Music'. [ce]BaroqueComposers (2011), 185-212
	13.	Häfner, Klaus:   Der Picander-Jahrgang. [ce]BaroqueComposers (2011), 213-256
	14.	Scheide, William H.:   Bach und der Picander-Jahrgang - Eine Erwiderung. [ce]BaroqueComposers (2011), 257-261
	15.	Häfner, Klaus:   Picander, der Textdichter von Bachs viertem Kantatenjahrgang. Ein neuer Hinweis. [ce]BaroqueComposers (2011), 263-269
	16.	Scheide, William H.:   Eindeutigkeit und Mehrdeutigkeit in Picanders Kantatenjahrgangs-Vorbemerkung und im Werkverzeichnis des Nekrologs auf Johann Sebastian Bach. [ce]BaroqueComposers (2011), 271-275
	17.	Mendel, Arthur:   Traces of the pre-history of Bach's St. John and St. Matthew Passions. [ce]BaroqueComposers (2011), 277-294
	18.	Wolff, Christoph:   'Et Incarnatus' and 'Crucifixus': The Earliest and Latest Settings of Bach's B-minor Mass. [ce]BaroqueComposers (2011), 295-305
	19.	Dadelsen, Georg von:   Friedrich Smend's Edition of the B-minor Mass by J. S. Bach. [ce]BaroqueComposers (2011), 307-327
	20.	Kobayashi, Yoshitake:   Universality in Bach's B Minor Mass: A Portrait of Bach in His Final Years. [ce]BaroqueComposers (2011), 329-345
	21.	Dürr, Alfred:   Zur Parodiefrage in Bachs h-Moll-Messe: Eine Bestandsaufnahme. [ce]BaroqueComposers (2011), 347-368
	22.	Schulze, Hans-Joachim:   The Parody Process in Bach's Music: An Old Problem Reconsidered. [ce]BaroqueComposers (2011), 369-383
	23.	Leaver, Robin A.:   Parody and Theological Consistency: Notes on Bach's A-Major Mass. [ce]BaroqueComposers (2011), 385-398
	24.	Marshall, Robert L.:   Bach the Progressive: Observations on His Later Works. [ce]BaroqueComposers (2011), 399-443
	25.	Neumann, Frederick:   Bach: Progressive or Conservative and the Authorship of the Goldberg Aria. [ce]BaroqueComposers (2011), 445-458
	26.	Marshall, Robert L.:   Postscript [to 'Bach the Progressive'] [ce]BaroqueComposers (2011), 459-463
	27.	Tomita, Yo:   Psalm and the Well-Tempered Clavier II: Revisiting the Old Question of Bach's Source of Inspiration. [ce]BaroqueComposers (2011), 465-491
	28.	Dürr, Alfred:   Performance practice of Bach's cantatas: Original performance material; original rehearsals; original performance forces; original performance style, conclusions for modern performance. [ce]BaroqueComposers (2011), 495-502
	29.	Rifkin, Joshua:   Bach's Chorus: A preliminary report. [ce]BaroqueComposers (2011), 503-509
	30.	Rasch, Rudolf:   Does 'Well-Tempered' mean 'Equal-Tempered'? [ce]BaroqueComposers (2011), 511-528
	31.	Neumann, Frederick:   Some Performance Problems of Bach's Unaccompanied Violin and Cello Works. [ce]BaroqueComposers (2011), 529-558
	32.	Tomita, Yo:   Introduction. [ce]BaroqueComposers (2011), xv-xxxvii
	33.	Tomita, Yo (ed.):   Bach. [ce]BaroqueComposers (2011), xxxvii, 574p