Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Kramer, Richard A.: Diderot's Paradoxe and C. P. E. Bach's Empfindungen. [ce]CPEBachStud (2006), 6-24 | |
| 2. | Plebuch, Tobias: Dark fantasies and the dawn of the self: Gerstenberg's monologues for C. P. E. Bach's C minor Fantasia. [ce]CPEBachStud (2006), 25-66 | |
| 3. | Berg, Darrell M.: Sources of C. P. E. Bach's solo keyboard works in the Sing-Akademie archives. [ce]CPEBachStud (2006), 67-83 | |
| 4. | Will, Richard: Reason and revelation in C. P. E. Bach's resurrection oratorio. [ce]CPEBachStud (2006), 84-115 | |
| 5. | Leisinger, Ulrich: C. P. E. Bach and C. C. Sturm: sacred song, public church service, and private devotion. [ce]CPEBachStud (2006), 116-148 | |
| 6. | Richards, Annette: An enduring monument: C. P. E. Bach and the musical sublime. [ce]CPEBachStud (2006), 149-172 | |
| 7. | Yearsley, David: C. P. E. Bach and the living traditions of learned counterpoint. [ce]CPEBachStud (2006), 173-201 | |
| 8. | Ferris, David: Plates for sale: C. P. E. Bach and the story of Die Kunst der Fuge. [ce]CPEBachStud (2006), 202-220 | |
| 9. | Hogwood, Christopher: 'Our old great favourite': Burney, Bach and the Bachists. [ce]CPEBachStud (2006), 221-264 | |
| 10. | Richards, Annette (ed.): C. P. E. Bach Studies. [ce]CPEBachStud (2006), xii, 268p | |