Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Oleskiewicz, Mary: Like father, like son? Emanuel Bach and the writing of biography. [ce]Late18cComposers_CPEB (2015), 23-50 | |
| 2. | Spányi, Miklós: Appreciating the music of C.P.E. Bach today. [ce]Late18cComposers_CPEB (2015), 3-4 | |
| 3. | Schering, Arnold: C.Ph.E. Bach und das redende Prinzip in der Musik. [ce]Late18cComposers_CPEB (2015), 5-22 | |
| 4. | Wollny, Peter: C.P.E. Bach, Georg Philipp Telemann und die Osterkantate 'Gott hat den Herrn auferwecket' Wq 244. [ce]Late18cComposers_CPEB (2015), 51-68 | |
| 5. | Clark, Stephen L. : C.P.E. Bach as a publisher of his own works. [ce]Late18cComposers_CPEB (2015), 69-82 | |
| 6. | Berg, Darrell M.: Carl Philipp Emanuel Bachs Umarbeitungen seiner Claviersonaten. [ce]Late18cComposers_CPEB (2015), 83-122 | |
| 7. | Wade, Rachel: Carl Philipp Emanuel Bach, the restless composer. [ce]Late18cComposers_CPEB (2015), 123-138 | |
| 8. | Parkinson, John A.; Baldwyn, Rodney: Two notes on C.P.E. Bach. [ce]Late18cComposers_CPEB (2015), 139-140 | |
| 9. | Helm, Eugene: The 'Hamlet' fantasy and the literary element in C.P.E. Bach's music. [ce]Late18cComposers_CPEB (2015), 141-160 | |
| 10. | Fox, Pamela: Toward a comprehensive C.P.E. Bach chronology: Schrift-Chronologie and the issue of Bach's 'late hand' / [ce]Late18cComposers_CPEB (2015), 161-178 | |
| 11. | Stevens, Jane: Untitled introductions to two audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. [ce]Late18cComposers_CPEB (2015), 179-184 | |
| 12. | Richards, Annette: Picturing the moment in sound: C.P.E. Bach and the musical portrait. [ce]Late18cComposers_CPEB (2015), 185-218 | |
| 13. | Wollenberg, Susan: A new look at C.P.E. Bach's musical jokes. [ce]Late18cComposers_CPEB (2015), 219-238 | |
| 14. | Corneilson, Paul: C.P.E. Bach's evangelist, Johann Heinrich Michel. [ce]Late18cComposers_CPEB (2015), 239-262 | |
| 15. | Wolff, Christoph: C.P.E. Bach's unknown late collections of songs. [ce]Late18cComposers_CPEB (2015), 263-276 | Latin 2
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| 16. | Will, Richard: Reason and revelation in C.P.E. Bach's resurrection oratorio. [ce]Late18cComposers_CPEB (2015), 277-310 | |
| 17. | Christensen, Thomas: C.P.E. Bach's Versuch and its context in 18th-century thorough-bass pedagogy / [ce]Late18cComposers_CPEB (2015), 311-336 | |
| 18. | Mitchell, William J.: Modulation in C.P.E. Bach's Versuch. [ce]Late18cComposers_CPEB (2015), 337-346 | |
| 19. | Kramer, Richard: The new modulation of the 1770s : C.P.E. Bach in theory, criticism, and practice. [ce]Late18cComposers_CPEB (2015), 347-388 | |
| 20. | Schenker, Heinrich: Die Kunst der Improvisation. [ce]Late18cComposers_CPEB (2015), 389-412 | |
| 21. | Christensen, Thomas: Nichelmann contra C.Ph.E. Bach: harmonic theory and musical politics at the court of Frederick the Great. [ce]Late18cComposers_CPEB (2015), 413-446 | |
| 22. | Hogwood, Christopher: "Our old great favourite" : Burney, Bach, and the Bachists / [ce]Late18cComposers_CPEB (2015), 447-476 | |
| 23. | Schulenberg, David: When did the clavichord become C.P.E. Bach's favourite instrument? An inquiry into expression, style, and medium in 18th-century keyboard music. [ce]Late18cComposers_CPEB (2015), 477-492 | |
| 24. | Spányi, Miklós: Performers remarks for four audio CDs containing recordings of Bach's keyboard concertos and ensemble sonatinas. [ce]Late18cComposers_CPEB (2015), 493-498 | |
| 25. | Schulenberg, David (ed.): C. P. E. Bach. [ce]Late18cComposers_CPEB (2015), xxv, 505p | |