Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Snyder, Kerala J.: Tradition with Variations: Chorale Settings per omnes versus by Buxtehude and Bach. [fs]Leaver65 (2007), 31-50 | |
| 2. | Butler, Gregory G.: Bach's Preluding for a Leipzig Academic Ceremony. [fs]Leaver65 (2007), 51-67 | |
| 3. | Leahy, Anne: Bach's Setting of the Hymn Tune 'Nun komm, der Heiden Heiland' in His Cantatas and Organ Works. [fs]Leaver65 (2007), 69-101 | |
| 4. | Marissen, Michael: Historically Informed Rendering of the Librettos from Bach's Church Cantatas. [fs]Leaver65 (2007), 103-120 | |
| 5. | Franklin, Don O.: The Role of the 'Actus Structure' in the Libretto of J. S. Bach's Matthew Passion. [fs]Leaver65 (2007), 121-139 | |
| 6. | Melamed, Daniel R.: Two Unusual Cues in J. S. Bach's Performing Parts. [fs]Leaver65 (2007), 141-146 | |
| 7. | Clement, Albert: Johann Sebastian Bach and the Praise of God: Some Thoughts on the Canon Triplex (BWV 1076). [fs]Leaver65 (2007), 147-168 | |
| 8. | Tomita, Yo: Bach and Dresden: A New Hypothesis on the Origin of the Goldberg Variations (BWV 988). [fs]Leaver65 (2007), 169-191 | |
| 9. | Zager, Daniel (ed.): Music and Theology: Essays in Honor of Robin A. Leaver. [fs]Leaver65 (2007), vii, 281p | |