Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Leaver, Robin A.: The C.P.E. Bach 1790 Verzeichniß: What do the Pictures Exhibit? [p]ABS_Leipzig (May 2006) | |
| 2. | Elferen, Isabella van: 'Und ging hinaus, und weinete bitterlich': Music crossing Social Borders in C.P.E. Bach's Passions. [p]ABS_Leipzig (May 2006) | |
| 3. | Maul, Michael: Leipzig Church Music in the Shadow of Johann Sebastian Bach-Insights into the Cantatas of Johann Gottlieb Görner and Balthasar Schott. [p]ABS_Leipzig (May 2006) | |
| 4. | Walker, Paul: Bach's Use of Fugue in the Stile Antico Vocal Writing of the B-Minor Mass. [p]ABS_Leipzig (May 2006) | |
| 5. | Erickson, Raymond: Leipzig Theologians and the Early Enlightenment: A new avenue to the issue of Bach and the Jews. [p]ABS_Leipzig (May 2006) | |
| 6. | Ellis, Mark: Ritornello and Variation Processes in the Music of J. S. Bach. [p]ABS_Leipzig (May 2006) | |
| 7. | Wollny, Peter: Thoughts on Bach's Leipzig Cantatas. [p]ABS_Leipzig (May 2006) | |
| 8. | Hartinger, Anselm: Bach and Zelenka: New light on the Musical Relationship between Two Contemporaries. [p]ABS_Leipzig (May 2006) | |
| 9. | Paczkowski, Szymon: Bach and the Story of an 'Aria tempo di Polonaise' for Joachim Friedrich Flemming. [p]ABS_Leipzig (May 2006) | |
| 10. | Kenote, Marie Herseth: Bach on the Border of Styles: A Fresh Look at the Controversies Surrounding the Autograph Manuscript of BWV 1032. [p]ABS_Leipzig (May 2006) | |
| 11. | Talle, Andrew: Two Catholic Bach Enthusiasts from Eighteenth-Century Fulda: Johann Heinrich Fischer and Fructuosus Roeder. [p]ABS_Leipzig (May 2006) | |
| 12. | Tomita, Yo: 'Most ingenious, most learned, and yet practicable work': The English reception of Bach's Well-Tempered Clavier in the first half of the nineteenth century seen through the editions published in London. [p]ABS_Leipzig (May 2006) | |
| 13. | Leisinger, Ulrich: Bachian Fugues in Mozart's Vienna. [p]ABS_Leipzig (May 2006) | |
| 14. | Joyce, Elizabeth: Bach and the Figure of the 'Good Shepherd'. [p]ABS_Leipzig (May 2006) | |
| 15. | Clement, Albert: The Vocal Parts of Bach's Matthew Passion used by Mendelssohn in Leipzig, 1829: Some Considerations on the History and Meaning of the Surviving Materials. [p]ABS_Leipzig (May 2006) | |