Bach Printed Music Database Search Result - Ordered Chronologically

Series : [p]BICB_Belfast
Year : 2010

Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Diskin, Kirill:   The copies of the Well-tempered Clavier by J.S.Albrechtsberger: to his Bachiana. [p]BICB_Belfast (Jul 2010)
	2.	Estrada, Erasmo:   'eine cantable Art im Spielen zu erlangen': some considerations on spiritual praxis in J.S. Bach's pedagogical collections. [p]BICB_Belfast (Jul 2010)
	3.	Fazekas, Gergely:   Inner Time, Outer Time and 'Da Capo' Form. Structure and meaning in J.S. Bach's E major violin concerto (BWV 1042). [p]BICB_Belfast (Jul 2010)
	4.	Kovacevic, Tanja; [Kovaèeviæ]:   Off the Beaten Track: An Exploration of Bach Reception in Catholic Central Europe. [p]BICB_Belfast (Jul 2010)	Latin 2
	5.	Rathey, Markus:   A Leipzig Christmas Music from 1685. Traditions and Transformations of Christmas before Bach's Christmas Oratorio. [p]BICB_Belfast (Jul 2010)
	6.	Segev, Idith; Cohen, Dalia:   Significant Occurrence in Even Musical Texture in Bach's Preludes. A Study Using Mathematical Tools. [p]BICB_Belfast (Jul 2010)
	7.	Leaver, Robin A.:   Music in Published Books of Emblems. [p]BICB_Belfast (Jul 2010)
	8.	Ledbetter, David:   Improvisation Practices in Bach's Instrumental Music. [p]BICB_Belfast (Jul 2010)
	9.	Dirksen, Pieter:   Some Observations on Bach's Organ Sonatas. [p]BICB_Belfast (Jul 2010)
	10.	Corduban, Michaela:   Bach as a master of the Musica Poetica. A rhetorical approach to the Well-Tempered Clavier (Book I): proposition of a formal model. [p]BICB_Belfast (Jul 2010)
	11.	Crean, Elise:   The Fourteen Canons: Foundation or Culmination? A re-evaluation of their position amongst Bach's late works. [p]BICB_Belfast (Jul 2010)
	12.	Dodds, Michael:   Ars combinatoria in a Bach Passion Chorus. [p]BICB_Belfast (Jul 2010)
	13.	Ebata, Nobuaki:   Four part Chorales of Johann Sebastian Bach's lost sacred cantatas from Picander Jahrgang. [p]BICB_Belfast (Jul 2010)
	14.	Herr, Corinna:   'Buß und Reu': a symbol of female sinfulness in Bach's St Matthew Passion? [p]BICB_Belfast (Jul 2010)
	15.	Maul, Michael:   New Light on the Controversy between Bach and Scheibe and music life in Leipzig during the late 1730s. [p]BICB_Belfast (Jul 2010)
	16.	Paczkowski, Szymon:   Field Marshall Jakob Heinrich Flemming (1667-1728) and his musical patronage. [p]BICB_Belfast (Jul 2010)
	17.	Rifkin, Joshua:   Blinding Us with Science? Man, Machine, and the Mass in B Minor. [p]BICB_Belfast (Jul 2010)
	18.	Röder, Matthias:   The Permutation Fugue and Johann Sebastian Bach's Compositional Development. [p]BICB_Belfast (Jul 2010)
	19.	Rose, Stephen:   Virtuosos or charlatans? Musical talent and social mobility in the German Baroque. [p]BICB_Belfast (Jul 2010)
	20.	Sackmann, Dominik:   On the Aesthetics of Perfidia. [p]BICB_Belfast (Jul 2010)
	21.	Schulenberg, David:   An Enigmatic Legacy: The Music of Wilhelm Friedemann and Bach and Its Relationship to Other Bach-Family Works. [p]BICB_Belfast (Jul 2010)
	22.	Schwalbach, Burkhard:   Coffee, Courtship and Counterpoint in Bach's Leipzig: The 'Goldberg Variations' and Women's Clavier Books. [p]BICB_Belfast (Jul 2010)
	23.	Sela, Yael:   Anna Magdalena Bach's Clavier-Büchlein and Early Modern Women's Musical Training. [p]BICB_Belfast (Jul 2010)
	24.	Shabalina, Tatiana [Shabalina, Tat'jana]:   Texte zur Music by J. S. Bach and his Contemporaries: J. A. Za³uski and his Role in their Preservation. [p]BICB_Belfast (Jul 2010)	Latin 2
	25.	Speerstra, Joel:   Emblems in Published Books of Music. [p]BICB_Belfast (Jul 2010)
	26.	Tenkanen, Atte:   Quantitative Properties of Invertible Counterpoints in Compositions by Johann Sebastian Bach. [p]BICB_Belfast (Jul 2010)
	27.	Wollny, Peter:   Bach's Cantata Performances in the 1730s -- New Findings, New Perspectives. [p]BICB_Belfast (Jul 2010)
	28.	Wollny, Peter:   'Meticulous, fine work' or 'reflection of a great school'? -- Wilhelm Friedemann Bach and the protestant church cantata after 1750. [p]BICB_Belfast (Jul 2010)
	29.	Golomb, Uri; Cohen, Dalia:   The Crucifixus from Bach's B-minor Mass: The Reflection of the Work in Performance. [p]BICB_Belfast (Jul 2010)
	30.	Meyer, Sarah:   Chorton and Kammerton in the Actus Tragicus: A Performance Practice Perspective. [p]BICB_Belfast (Jul 2010)
	31.	Kuhn, Eva:   Bach was not the First--a Violoncello for Francesco II d'Este, Duke of Modena. [p]BICB_Belfast (Jul 2010)
	32.	Lutterman, John:   'Alles, was man unter der Methode zu spielen verstehet, druckt er mit eigentlichen Noten aus'. Changing attitudes toward notation in the Eighteenth Century: The Scheibe-Birnbaum controversy and Bach's notational practice. [p]BICB_Belfast (Jul 2010)
	33.	Black, David:   Some 'New' Bach Documents in Eighteenth-Century Printed Sources. [p]BICB_Belfast (Jul 2010)
	34.	Bärwald, Manuel:   Secular music performances in the Leipzig 1740s. [p]BICB_Belfast (Jul 2010)
	35.	Joyce, Elizabeth:   The Baroque and Lutheran Views of the World Embodied in Bach's Cantata 'Was frag ich nach der Welt' (BWV 94). [p]BICB_Belfast (Jul 2010)
	36.	Oleskiewicz , Mary:   The Bachs in Berlin: The Courts of Brandenburg-Prussia as a Background to Instrumental Works of J. S., W. F., and C. P. E. Bach. [p]BICB_Belfast (Jul 2010)
	37.	Aspden, Suzanne:   'Dresden ditties' and the feminised galant. [p]BICB_Belfast (Jul 2010)
	38.	Tomita, Yo:   The Well-Tempered Clavier in Pre-Classical Vienna: A New Source and Its Implication. [p]BICB_Belfast (Jul 2010)
	39.	Tatlow, Ruth:   The Goblet of Anise: A Case Study. [p]BICB_Belfast (Jul 2010)