Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Abravaya, Ido: Bach's tempo practices: tempo changes. [p]BICB_Manchester (Jul 2004) | |
| 2. | Beißwenger, Kirsten; Kobayashi, Yoshitake: Work in progress: the copyists' catalogue of the Neue Bach-Ausgabe. [p]BICB_Manchester (Jul 2004) | |
| 3. | Cameron, Jasmin M.: Vivaldi's Crucifixus in its descriptive and rhetorical context. [p]BICB_Manchester (Jul 2004) | |
| 4. | Crist, Stephen A.: When is an aria not an aria? Terminological and generic distinctions among the solos in Bach's vocal works. [p]BICB_Manchester (Jul 2004) | |
| 5. | Dirksen, Pieter: J.S. Bach and the tradition of the moto contrario. [p]BICB_Manchester (Jul 2004) | |
| 6. | Elferen, Isabella van: 'Seuffzen und Thränen': of sighs and tears in Bach's vocal works. [p]BICB_Manchester (Jul 2004) | |
| 7. | Fehleisen, Fred: BWV 245/12b: a practical issue with compositional implications. [p]BICB_Manchester (Jul 2004) | |
| 8. | Franklin, Don O.: Johann Sebastian's Matthew Passion as a model for the Hamburg Matthew Passions of Carl Philipp Emanuel. [p]BICB_Manchester (Jul 2004) | |
| 9. | Tomita, Yo: Re-examining the role of Kirnberger in the compilation and dissemination of Bach's Well-Tempered Clavier II. [p]BICB_Manchester (Jul 2004) | |
| 10. | Wollny, Peter: Archival research and the identification of copyists [p]BICB_Manchester (Jul 2004) | |
| 11. | Hartinger, Anselm: Mendelssohn and early nineteenth-century Bach reception. [p]BICB_Manchester (Jul 2004) | |
| 12. | Kevorkian, Tanya: J. S. Bach, the Baroque and pietism in Leipzig in the 1720s and 1730s. [p]BICB_Manchester (Jul 2004) | |
| 13. | Kokole, Metoda: Diffusion and circulation of the 18th-century Italian opera between Gorizia, Trieste and Graz. [p]BICB_Manchester (Jul 2004) | |
| 14. | Leaver, Robin A.: Theological Bach Studies: towards a working bibliography. [p]BICB_Manchester (Jul 2004) | |
| 15. | Paczkowski, Szymon: Singet dem Herrn ein neues Lied (BWV 225) by Johann Sebastian Bach - functions and meaning. [p]BICB_Manchester (Jul 2004) | |
| 16. | Wolff, Christoph: The Bach-Archiv and source-critical research: an introduction. [p]BICB_Manchester (Jul 2004) | |
| 17. | Leahy, Anne; O'Toole, Redmond: Bach's Prelude, Fugue and Allegro for lute (BWV 998): a Trinitarian statement of faith? [p]BICB_Manchester (Jul 2004) | |
| 18. | Maul, Michael: New Bach documents from central German archives. [p]BICB_Manchester (Jul 2004) | |
| 19. | Lutterman, John: Works in progress: Bach's Suites for Solo Cello as artifacts of improvisational practices. [p]BICB_Manchester (Jul 2004) | |