Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Barber, Elinore: Bach's Portrait in Gerber's Lexicon. Bach 2/1 (Jan 1971), 3-6 | |
| 2. | Herz, Gerhard: Toward a New Image of Bach. Part II. Bach 2/1 (Jan 1971), 7-28 | |
| 3. | David, Hans T.: Johann Sebastian Bach's Great Mass. A Brief Introduction to the Ground Plan Charts and Illustrations. Bach 2/1 (Jan 1971), 29-32 | |
| 4. | David, Hans T.: Litterae ab musicis. [Letter to Alfred Einstein] Bach 2/1 (Jan 1971), 33-34 | |
| 5. | Barber, Elinore; Winzenburger, Janet: Riemenschneider Bach Library vault holdings. Bach 2/1 (Jan 1971), 35-37 | |
| 6. | Barber, Elinore: Questions to the Editor. Bach 2/1 (Jan 1971), 38-41 | |
| 7. | Winzenburger, Walter: Translation from Die Kunst des reinen Satzes in der Musik (Johann Philip Kirnberger, 1779) [excerpts]. Bach 2/1 (Jan 1971), 42-46 | |
| 8. | Barber, Elinore: Bach and the B-A-C-H Motive. Bach 2/2 (Apr 1971), 3-5 | |
| 9. | David, Hans T.: Hebrew Letters in Polyphonic Settings by Christian Composers. Bach 2/2 (Apr 1971), 6-17 | |
| 10. | David, Hans T.: Bach Analyses. J. S. Bach's Prelude in E minor from The Well-tempered Clavier, Book 1. Bach 2/2 (Apr 1971), 18-19 | |
| 11. | Schweitzer, Albert: Litterae ab musicis. Bach 2/2 (Apr 1971), 20-21 | |
| 12. | Barber, Elinore: Riemenschneider Bach Library Vault Holdings. Bach 2/2 (Apr 1971), 22-23 | |
| 13. | Barber, Elinore: Questions to the Editor. Bach 2/2 (Apr 1971), 24-26 | |
| 14. | David, Hans T.: What every graduate student should know. Bach 2/2 (Apr 1971), 27-30 | |
| 15. | Winzenburger, Walter: Translation from 'Die Kunst des reinen Satzes in der Musik': Part II (Johann Philip Kirnberger, 1779) [excerpts]. Bach 2/2 (Apr 1971), 31-34 | |
| 16. | Barber, Elinore: J. S. Bach and The Critics. Bach 2/3 (Jul 1971), 4-6 | |
| 17. | David, Hans T.: The Six-Four Chord Without Theory: An 'Unofficial' History. Bach 2/3 (Jul 1971), 7-14 | |
| 18. | David, Hans T.: Bach Analyses: J. S. Bach's Fugue in E minor from The Well-tempered Clavier, Book I. Bach 2/3 (Jul 1971), 15-16 | |
| 19. | David, Hans T.: Litterae ab musicis: Hans T. David Writes Concerning The Editing of Early Music. Bach 2/3 (Jul 1971), 17-20 | |
| 20. | Winzenburger, Janet; Barber, Elinore: Riemenschneider Bach Library Vault Holdings. Bach 2/3 (Jul 1971), 21-24 | |
| 21. | Barber, Elinore: Questions to the Editor. Bach 2/3 (Jul 1971), 25-27 | |
| 22. | David, Hans T.: Music History - A Teaching, Learning, Performing Experience. Bach 2/3 (Jul 1971), 28-32 | |
| 23. | Winzenburger, Walter: Translation from 'Der vollkommene Capellmeister'. Johann Mattheson, 1739. Bach 2/3 (Jul 1971), 33-36 | |
| 24. | David, Hans T.: The Six-Four Chord Without Theory: An 'Unofficial' History, Part II. Bach 2/4 (Oct 1971), 3-9 | |
| 25. | Herford, Julius: Bach's Models of 'Good Inventiones'. [Part I]. Bach 2/4 (Oct 1971), 10-14 | |
| 26. | Barber, Elinore; Winzenburger, Janet: Riemenschneider Bach Library Vault Holdings. Bach's Four-Part Chorales. Bach 2/4 (Oct 1971), 15-17 | |
| 27. | Krenek, Ernst: Parvula Corona Musicalis. Bach 2/4 (Oct 1971), 18-31 | |
| 28. | Barber, Elinore: Questions to the Editor. Bach 2/4 (Oct 1971), 32-35 | |
| 29. | Leaver, Robin A.: Further Thoughts on B-A-C-H. Bach 2/4 (Oct 1971), 36-37 | |
| 30. | Winzenburger, Walter: Translation from 'Der vollkommene Capellmeister' by Johann Mattheson (1763 [sic]). Chapter 13: Categories and Characteristics of Melodies. Bach 2/4 (Oct 1971), 38-41 | |