Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Müller-Buscher, Henning: Studien zu den Choralbearbeitungen Georg Böhms (1661-1733). diss. (1972) Dissertation, Regensburg 1972. | |
| 2. | Grubbs, John Whitfield: The sacred vocal music of the Graun brothers: A bio-bibliographical study. diss. (1972) Los Angeles, Univ., Ph. Diss., 1972. - Nachdr.: Ann Arbor, Mich.: Univ. Microfilms International, 1984, R/1990. 2 vols: xvi, 555p; vii, p.556-1331. | |
| 3. | Thomas, John Hugh: The opus 3 symphonies of John Christian Bach (with a critical edition). diss. (1972) MA diss., Cardiff University, 1972. | |
| 4. | Robinson, Schuyler W.: The B-A-C-H-Motive in German Keyboard Compositions from the Time of J. S. Bach to the Present. diss. (1972), 158p. DMA diss., Performance, University of Illinois 1972. 158p. | |
| 5. | Tveit, Sigvald: Sekvensteknikken i funksjonell musikk, med saerlig vekt pa J. S. Bachs sekvensbruk. diss. (1972), 232p. [Sequential technique in functional music with special reference to J.S. Bach's usage of sequences.] MA diss., Musicology: University of Oslo, 1972. 232 p | |
| 6. | Kohlhase, Thomas: Johann Sebastian Bachs Kompositionen für Lauteninstrumente: Kritische Edition mit Untersuchungen zur Überlieferung, Besetzung und Spieltechnik. diss. (1972), 247p. PhD diss. Tübingen 1972. 2v. 247 p | |
| 7. | Higuchi, Ryuichi: Johann Sebastian Bach no Sosaku Katusdo ni okeru Parodii no Mondai ni tsuite. diss. (1972), 284p. [Concerning parody problems in the work of Johann Sebastian Bach.] MA diss, Philosophy (Aesthetics): Keio University, 1972. 2v. 284 p | |
| 8. | Jaenecke, Joachim: Die Musikbibliothek des Ludwig Freiherrn von Pretlack (1716-1781). diss. (1972), 330p. diss., Frankfurt a.M. 1971. - Wiesbaden: Breitkopf & Härtel, 1973. 330p. (= Neue musikgeschichtliche Forschungen, 8) | |
| 9. | Muller, Jean-Pierre: La fantaisie libre, esquisse historique et sociologique d'un genre musical, du 15e au 19e siècle. diss. (1972), 420p. [The free fantasy: historical and sociological study of a genre, from the 15th to the 19th century.] PhD diss., Musicology: U. Libre de Bruxelles, 1972. 420 p. | |
| 10. | Oberacker, Betty: The preludes of the Well-tempered Clavier, vol. I of Johann Sebastian Bach. A commentary and analysis. diss. (1972), iii, 58p. DMAdiss., Ohio State University, 1972, iii, 58p. [Type-script.] | |
| 11. | Benedum, Richard: Ornamentation in the Secular Keyboard Music of the Faenza Codex. diss. (1972), vi, 316p. DMA diss., University of Oregon, 1972 (1973). vi, 316p. | |
| 12. | Hanks, Sarah E.: The German Unaccompanied Keyboard Concerto in the Early Eighteenth Century, Including Works of Walther, Bach, and Their Contemporaries. diss. (1972), x, 359p. PhD diss., Musicology. University of Iowa 1972. x, 359p. | |