Type | List | Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages | Status | | 1. | Bioules, Agathe: L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. diss. (1993) | |
| 2. | Barros, Nicolas de Souza: A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. diss. (1993) | |
| 3. | Williamson, Barry Scott: A Study of Parody Technique and Performance Considerations for Johann Sebastian Bach's 'Mass in G Minor' (BWV 235). diss. (1993), 107p | |
| 4. | Heyder, Bernd: Die motettischen Sätze in Bachs Kantatenwerk. diss. (1993), 110p | |
| 5. | Claus, Rolf Dietrich: Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. diss. (1993), 125p | |
| 6. | Anderson, Scott Eric: Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. diss. (1993), 126p | |
| 7. | Edwards, Mark Douglas: A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. diss. (1993), 133p | |
| 8. | Harlow, Julia Tikker: A musician's introduction to Baroque dance. diss. (1993), 139p | |
| 9. | Krause, Drew Stafford: Musical ambiguity in analysis and composition: Problems of pattern, value, form, and structure. diss. (1993), 163p | |
| 10. | Tannenbaum, Michele Horner: Tradition and Innovation in Franz Liszt's Variations on a Motive of Bach. diss. (1993), 163p | |
| 11. | Charron, John P.: Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. diss. (1993), 186p | |
| 12. | Wyatt, Susan Beth Masters: Kurt Weill: A song Composer in Wartime With Three Recitals of Selected Works of Mozart, Strauss, Bach, Schubert, and Others. diss. (1993), 187p | |
| 13. | Covington, David Lee: A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. diss. (1993), 189p | |
| 14. | Mundt, Frank: Überlegungen zu J. S. Bachs lebensgeschichtlichem Wandel am Ende der 1730er Jahre. Eine psychologisch-biographische Studie in Grenzgebieten. diss. (1993), 199p | |
| 15. | Mains, Ronda Miller: An investigation of the articulations found in the primary sources of the flute sonatas of Johann Sebastian Bach resulting in a composite edition for analysis and a second edition for practical performance. diss. (1993), 281p | |
| 16. | Reich, Wieland: Mauricio Kagel, Sankt-Bach-Passion: Kompositionstechnik und didaktische Perspektiven. diss. (1993), 297p | |
| 17. | Hicks, Eric Michael: A historical perspective on unity in the keyboard partitas of Johann Sebastian Bach. diss. (1993), 317p | |
| 18. | Sysoeva, Alla: Programmnost' v instrumental'noj muzyke epohi barokko: Problemy tipologii nacional'nyh skol. diss. (1993), 48p | |
| 19. | Austin, Jack Vosseller: Johann Sebastian Bach: an Appreciation. diss. (1993), 53p | |
| 20. | Dube, Michelle Claire: 'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. diss. (1993), 57p | |
| 21. | Kitchens, Melinda Leunette: Free polyphonic texture in selected early piano works of Robert Schumann. diss. (1993), 59p | |
| 22. | Wollny, Peter: Studies in the Music of Wilhelm Friedemann Bach: Sources and Style. diss. (1993), 637 Bl | |
| 23. | Hasse, Michaela: Anna Amalia von Preußen: Porträt einer Komponistin unter besonderer Berücksichtigung des soziologischen und des analytisch begründeten stilistischen Standorts diss. (1993), 82, 35 Bl | |
| 24. | Lyman, Kent Marvin: George Rochberg's Carnival music, suite for solo piano: An aesthetic compositional and performance perspective. diss. (1993), 90p | |
| 25. | Reynolds, Robert Lee: The Bach Sinfonias: A Guide to Analysis and Performance Planning. diss. (1993), ix, 220p | |
| 26. | Coetzee, Vernon George: Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). diss. (1993), x, 359p | |
| 27. | Derry, Lisa Anne: The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. diss. (1993), xii, 243p | |
| 28. | Botelho, Mauro: Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. diss. (1993), xvii, 589p | |